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Light Of The Seven (slowed + rain and distant thunders)

Cold  - Jorge Méndez (Sad Piano & Violin Instrumental)

Interstaller Main Theme Extended (Original Track )

Updated Feb 9th, 2015, version 2, (completely changed everything, track is much longer, more variations, piano sounds less shitty)

I've written this from scratch, this is a complete mock-up since "Quantifiable Connection" is damaged, the first step is completely writing out all of the included material. Q.C. is just an extended version of "Cornfield Chase", and I was sure to include all of that material here in long form before I began to edit it all down to make the film version of "Quantifiable Connection". 

Download link:
https://mega.co.nz/#!OIZSXDqB!ZJDepTYlzr0FxRy1qa_xBFTOSqMot6KIovxQj8T57d0

No audio from the soundtrack was used.

Hans Zimmer - Interstellar: Murph & Cooper Suite (01M2 & 08M31 Piano Variation) v2

Official trailer: https://youtu.be/Wn-nPby2pUo?si=NFXoDrD9VTom2HJV
This track is taken from the original motion picture “VAKHIM” by Francesca Pirani, screened on September 6, 2024, at the 81st Venice International Film Festival – Giornate degli Autori (Notti Veneziane). I composed and produced the original soundtrack, basing all the work on the search for sounds capable of representing and evoking the deep memories of the protagonist’s early years in Cambodia, and connecting that world with the Western one into which he was projected after being adopted by the same director at the age of four. The soundtrack moves between thematic lines linked to the emotional realities of the characters and indeterminate sounds, with detailed spatial design created through the Dolby Surround 5.1 system. This piece, combining symphonic orchestra and Cambodian ethnic instruments, represents a sonic synthesis of the entire soundtrack. It was conceived and mixed in Dolby Surround 5.1, where the Western orchestral sounds are positioned in the front and the Southeast Asian instruments behind, creating an immersive spatial dialogue between the two musical worlds. My compositional poetics clearly emerge in the relationship between music and image, where sounds become part of the visual movement itself, treated as “images within the scene.” The most intense moments are interpreted by the beautiful voice of Lavinia Mancusi. The film received numerous awards, including the Special Mention at the 34th African, Asian and Latin American Film Festival, the Signum Audience Award at the 18th Salina DocFest, three recognitions at the Cambodia Town Film Festival (USA), the official selection by the University of Auckland (CINEDANTE), and the Audience Award at the Rome International Documentary Festival – RIDF. It also achieved great public success (sold out at Cinema Farnese, Rome), attended by the director and several renowned figures, including Maestro Marco Bellocchio.

Questo brano è tratto dalla colonna sonora del film “VAKHIM” di Francesca Pirani, proiettato il 6 settembre 2024 alle Notti Veneziane – Giornate degli Autori (81ª Mostra del Cinema di Venezia). Ho composto e prodotto la colonna sonora originale basandomi sulla ricerca di sonorità che potessero rappresentare ed evocare le memorie profonde dei primi anni di vita del protagonista, vissuti in Cambogia, mettendo in relazione quel mondo con quello occidentale nel quale è stato proiettato dopo l’adozione, avvenuta a quattro anni da parte della stessa regista. La scrittura musicale si muove tra linee tematiche legate alle realtà emotive dei personaggi e suoni indeterminati, con un accurato lavoro spaziale realizzato in Dolby Surround 5.1. Questo brano, con orchestra sinfonica e strumenti etnici cambogiani, rappresenta una sintesi sonora dell’intera colonna sonora: gli strumenti occidentali sono disposti in primo piano e quelli del Sud-Est Asiatico sullo sfondo, creando un dialogo immersivo tra i due mondi musicali. Nel rapporto musica-immagine emerge la mia poetica compositiva, dove i suoni diventano parte integrante del movimento scenico, trattati anch’essi come immagini nella scena. I momenti più intensi sono interpretati dalla splendida voce di Lavinia Mancusi. Il film ha ricevuto la Menzione Speciale al 34° Festival Cinema Africano, d’Asia e America Latina, il Premio Signum del Pubblico al Salina DocFest, tre riconoscimenti al Cambodia Town Film Festival (USA), la selezione ufficiale alla University of Auckland (CINEDANTE) e il Premio del Pubblico al Rome International Documentary Festival – RIDF. Grande successo di pubblico (sold out al Cinema Farnese di Roma), alla presenza della regista e di importanti esponenti del cinema, tra cui il Maestro Marco Bellocchio.

TEMA DI VAKHIM (from the original motion picture "Vakhim")

Light of the Seven - Game of Thrones

Winter Has Come-Ramin Djawadi

Twelve Titans Music - Dust And Light ( Hacksaw Ridge Trailer Music)

It's the opening and ending track of Arrival

Arrival Movie(2016)  - On The Nature Of Daylight - Opening and ending music

Ramin Djawadi - The Night King
Download: https://t.me/MusicKhaane/423
(From Game Of Thrones: Season 8 | Episode 3 | The Long Night)
[Music from the HBO Series]

The Night King (From Game Of Thrones: Season 8) [Music from the HBO Series]

Ramin Djawadi - The Night King (Game Of Thrones: Season 8)

Avaible on Deezer : https://deezer.page.link/AysaJBbW8iQfkXsZ8 
Avaible on Spotify : https://open.spotify.com/track/0WTYPP0AbciucSGlEM2QlK?si=c50ff80fae3a47ab

Cover piano de la musique du film Interstellar.

Christopher Nolan, réalisateur du film,  demanda à Hans Zimmer de composer la musique de son film "Interstellar" de manière peu banale. Ne voulant pas qu'il sache la moindre chose du film, Nolan écrivit un texte sur une page, non directement lié à l'intrigue, et demanda à Zimmer de composer selon ce que le texte lui inspirait. A partir de cette proposition, il fallut 2 ans pour réaliser l'habillage complet du film.

Interstaller Main Theme Extended (Original Track )

Mohamed Alaa Emara

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