Neyde Ercan Irmak, udda Ara Dinkjian, kanunda Hasan Işakkut'un yer aldığı güzel bir enstrumantal albüm: Hegira (Hicret/Göç)

Hasan Işakkut & Ercan Irmak & Ara Dinkjian - The Long Goodbye

رقصة الفرس_ الحان عود _ نصير شمة

غرناطة .. وصحت قرون سبعة

Granada Marcel Khalife / غرناطة - مارسيل خليفة

موسيقى صوفية جميلة

Renkler Ve Sesler - Sitem

🎶🔥 EP Presentation – Collettivo Undersound 
This is Collettivo Undersound ⚡👽. No 🤖 A.I. can match the creative power that flows through us 💥. Money 💰, power 👑, judgments ⚖️: we don’t care. The Collective is an alien being born among the fumes of worn‑out keyboards 🎹, searching for escape routes to survive in its rat hole 🐀. Hidden 🌙, it comes out at night, waiting for no verdicts or opinions, because it believes only in unity ✊ and above all in imagination 🌌 that becomes magical action ✨.

🎛️ In the past, producing an album of this level meant spending 20,000 euros in studio and distribution, only to earn 5 cents per stream, releasing maybe one song per month. A model that made survival impossible—except for the majors.

⚡ With the arrival of A.I., music production has been democratized:

    Costs 💸 have collapsed.

    Publishing speed ⚡ has become real.

    Creativity 🎶 is free to experiment with glitches, contaminations, and new forms.

    Access 🌍 is global, without filters or gatekeepers.

Collettivo Undersound uses this breach to turn vision into sound. It’s not A.I. making the music: it’s the Collective bending, shaping, and challenging it.

If you listen to the track Why Not Lap Tapping 🎶, at one point the sound shifts its center of gravity towards different frequencies 📡. You hear an anomaly ⚠️, but you can’t perceive the error ❌. That’s because the Collective is used to picking up the pieces 🪞 from a lifetime, and has learned that everything—absolutely everything—is important, even if it doesn’t belong to us 🌍.

And beyond this brief reflection, you’ll discover the track returns exactly where it skipped, into a desert blues 🏜️🎸 that wasn’t the connection 📶: it was us, waking up your attention 👁️. Shall we talk about fluffy 🐑? The cello 🎻 blending with the slide 🎸 that never existed, glitched with A.I. 🤖 intentionally, to give that nostalgic effect 💭—pleasant, like fluffy comfort 🫂.

👉 After six months of boycott 🚫, we conquered our position on SoundCloud 🎶 in just two weeks ⏱️. Fifteen years of rehearsals 🎸, frustrations 😤, failures 💔, and finally technology made possible what was once forbidden. And now you tell us this isn’t music? LOL 🤣.

This EP with 4 singles is the proof: literally played with two guitars at the same time 🎸🎸. If you don’t believe it, watch here: link.
https://www.youtube.com/watch?v=ikUD4mRLfyI


desert blues

Mohamad Fityan
محمد فتيان حاصل على إجازة من المعهد العالي للموسيقى بدمشق وهو عازف ناي وكوله صوليست في أوركسترا الجاز السورية قائد فرقة شباب سورية للموسيقى العربية  صوليست أوركسترا سرباند الألمانية 
• أغنية مناجاة أندلسية ألحان محمد فتيان من ألبوم الفنان رئبال الخضري 2010 تم تنفيذها 
موسيقا فقط ناي وكوله صولو محمد فتيان.
• مسابقة في مهرجان اتحاد شبيبة الثورة 2002 أفضل عازف ناي والمرتبة الأولى كأفضل قائد فرقة في المهرجان .
• - شارك العديد من النجوم العرب كعازف على آلة الناي على رأسهم الفنان وديع الصافي + وليد توفيق + أصاله + فله + نور مهنا والعديد من النجوم....منذ2004 حتى الان

Mohamad Fityan
       Music Composer-Nay&Kawala (Flutist)

• Diploma from the Higher Institute of Music in Damascus (2009 -2010)
• Soloist in the Syrian Orchestra and the Syrian Jazz Big Band since (2003-2013)
• Soloist with Sarband  Germany since (2014)
• The Syrian Nay and kawala virtuoso Mohamad Fityan is the first Syrian musician
      Hosting Nay and Kawala solo with Syrian Jazz Big Band Orchestra since (2005)
• Founder of the Syrian “Ara-Sham” Band (2009)

DISTINCTIONS:
• Best Nay Player Award, Contest of Syrian Youth Musicians in Syria (2002)
• Best Conductor Award, Contest of Syrian Youth Musicians in Syria (2003)
• The first Arabic Nay player with the Syrian Jazz Big Band in first concert at Damascus Castle (2005)
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Buy Now!

Monajat Andalusia Mohamad Fityan مناجاة أندلسية محمد فتيان

الموسيقار العراقي سعد محمود الجواد يعزف مقام الحجاز على العود بطريقة العزف السومرية بالخفق والتناوب بين الاصابع والريشة في ضرب الأوتار

Iraqi composer and Oud player Saad Mahmood Jawad playing Maqam Hijaz in Sumerian technique. Live in Théâtre de la Ville , Théâtre des Abbesses Paris 04 04 09

حجاز عود على الطريقة السومرية - Sumerian Hijaz Oud

Mohamed El Bahnhawy - Keyboards ...
Mutaz Dawood - Sax ... 
Taher Saleh - Sound Engineer 
Aida El Ayouby cover

MB Home Studio - Asfour | عصفور

music by Ibrahim Shamel || موسيقي ابراهيم شامل

موسيقى صوفية جميلة

Mohamed Elmahdy 6