Name: Armstrong Cabin First Man By Justin Hurwitz by Mohamed Nasser
Duration: 1 min 16 s
Description: Armstrong Cabin By Justin Hurwitz from the First Man Movie 2018

Track taken from the upcoming album 'Objects & Apparitions'...

- All tracks written / played by Gideon Wolf except *track 10 (In the Wake) Cello part played by Tom Spencer

- Mastering by Ian Hawgood

- Design by Daniel Crossley

Objects & Apparitions

Gideon Wolf - With Eyes Closed

"Gelido in ogni vena"
Giovanni Battista Ferrandini, "Siroe"
Libretto: Pietro Metastasio

Countertenor + piano accompagniment: Philippe Jaroussky
Live on France Inter Nov 2023
Cosroes' aria (Act III, scene V)

Gelido in ogni vena
Scorrer mi sento il sangue,
L'ombra del figlio esangue
M'ingombra di terror.

E per maggior mia pena
Vedo che fui crudele
A un'anima innocente,
Al core del mio cor.

**
I feel my blood congealing run 
Thro' ev'ry vein, in ev'ry part, 
And the pale ghost of my dear son,
Strikes dread and terror to my heart. 

And still to add to greater woe,
The loyal innocent I've slain,
Of cruelty at length I know,
I, on myself, have fix'd the stain. 

Gelido in ogni vena" is an aria from a libretto by Pietro Metastasio*. It appears in two distinct operas: "Siroe" and "Farnace". (Farnace: 1927, "Gelido in ogni vena" was set to music by almost every composer in Baroque and beyond. The approaches are very different and interesting to hear. They range from Vinci's approach which is more pleasing than it is gripping to Vivaldi's soul-crushing benchmark of what a baroque aria can be.

The fellow Venetian Giovanni Battista Ferrandini (*1710) has a yet different approach. It's not quite clear when his version was composed, only that it happened before 1758. The dread that befalls Cosroe when he imagines seeing his deceased son whom he (justly) feels he has wronged that makes his blood run cold with fear and guilt, Ferrandini illustrates with fragile diminished jumps and subtle harmonic shifts and chromatics as Cosroe's world is coming apart at the seams, shifting and shaking while he tries to somehow smoothen the cracks and live on. More personal and intimate than Vivaldi's, Ferrandini's interpretation is sublime by its own merit.

*) (this seems more likely even though some sources credit Antonio Maria Lucchini, but it seems that his version didn't contain "Gelido ...")

The full radio podcast is still available here: 
https://www.radiofrance.fr/franceinter/podcasts/le-grand-atelier/le-grand-atelier-du-dimanche-05-novembre-2023-5102248

Translation Source: Siroe, re di Persia. Drama per musica, etc.
1736, British library
https://www.google.de/books/edition/Siroe_re_di_Persia_Drama_per_musica_etc/NnkCXEdNB4wC?hl=de&gbpv=0

I believe the publication of this excerpt fulfils the criteria of "fair us", discussion on study. Should you object against this being online, drop me a line and I'll remove it immediately.

Philippe Jaroussky sings "Gelido in ogni vena" from Giovanni Battista Ferrandini's "Siroe"

Armstrong Cabin By Justin Hurwitz from the First Man Movie 2018

Armstrong Cabin First Man By Justin Hurwitz

Captive

Music is like a sun ray touches a white flower deep into the darkness of your soul .

Armstrong Cabin First Man By Justin Hurwitz

Mohamed Nasser

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