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مهرجان الشنيبة ع الساحة - المدفعجية و السادات

Lights

Lights (A. G. Cook Remix)

@yoong

Yoong is Goos Dijkstra (b. 1998), an Amsterdam-based producer, dj and co-founder of Seedlink⁺. His new release ‘World Expo / T-Shirt’ will come out on the 12th of August.

Tracklist:
Torpedo Boyz - Talking
COLTEMONIKHA - CLM
Gui.tar - Love Started To Shine
Sneaker Pimps - Bloodsport
Nuclear Daisies - Heaven in Your Head
Tony Kill - Truth or Dare
Satanicpornocultshop - (R.I.P) Tide (Edit)
Yoong - World Expo
Bonaparte - Computer In Love
Eirwud Mudwasser - Snails
Plaid - Dang Spot
Kettel - Centercourt
m-flo - gET oN! -ugly ducking Remix-
Earthly - Blue’s Video
Susumu Yokota - Amanogawa
Age - Orange Juice
AFX - T16.5 MADMA with nastya+5.2
Granada Personnel Recovery - Granada Personnel Recovery
Frederik Schikowski - Ein Oktourbass macht nog keinen Sommer
DJ Koze - Kuschelrock

Genome 6.66 Mbp w/ Yoong on Baihui Radio

an angel falls from heaven into a pit of snakes

♥ YALL WENT CRAZY ON THE LAST ONE

PROD. KRONOS

VOCAL ENGINEERING/MIXING: KRONOS

BLANK STATEMENT (prod. KRONOS)

انا اوكا وده اورتيجا

حمل البرنامج كامل من المتجر
اغانى مناسبات

مفتاح الحلو

مهرجان اضربلك حجرين اوكا و اورتيجا 2011

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مهرجان المفتاح والفلاح لـ اورتيجا و وزة مطريه 8% برعايه موكا بيجو

مهرجان 2017 مهرجان حب طلع كمين اجدد مهرجانات 2017.mp3

مهرجان ,,انا الفاعل"المدفعجيه

مهرجان_السلام_اول_مهرجان_في_مصر_| مهرجانات 2021/ويجز  |_غناء_فيفتي_مصر___توزيع_الشبح_فيجو_2004.m4a

مولد المدفعجيه 2013 غناء السادات والديزيل

المفتاح والفلاح اوكا واورتيجا 8% على دونلود اكس  ميوزك

** Boomkat Product Review **

Firmly established among NNT’s weirdest and most watchable units, Metal Preyers slug screwed anthems on their killer 2nd mixtape for the central/east African powerhouse. Responsible for some of 2020’s strangest highlights with their eponymous debut, plus a single-sided 12” and the ‘Preying Well’ mixtape, the project now gathers their late night energies at a wickedly knackered slant across two sides of original compositions patched into a snaking tale of psychedelic torment and grouching grooves that pick up where they left off, deep in the underbelly of Kampala after dark.

Under the cryptic title of ‘432+’, a grippingly slow sequence of events and smeared styles occur, following an elusive thread of sozzled logic between bleary ballads, drag-mode Afrobeat bangers, and absolutely killer patches of splayed drill drums, into more gutturally psychoactive, bad-belly turns of digital distortion and smeared Naija anthems that make way for viscous R&B and dematerialised noise. 

Quite simply, nobody else is making this kind of concentrated crud right now, striking the most vital balance of daring impressionism and rugged, druggy function that can’t help but suck listeners into its surreal temporality and psychedelic weltanschauung.

مهرجان اضربلك حجرين اوكا و اورتيجا 2011

Mohamed Prince

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