بدون ذكر اسماء - تتر النهاية

عمر خيرت -موسيقى يا رجال العالم إتحدوا

سـلام يا صـاحـبـي

موسيقى فيلم المشبوه - هانى شنوده

Czardas is a lively Hungarian folk-inspired piece, most famously arranged for violin by composer Vittorio Monti in 1904. Based on the traditional csárdás dance, it captures the spirited contrasts of Hungarian gypsy music: starting with a slow, mournful lassú section and building into a fast, fiery friss. Its passionate melodies, sudden tempo changes, and virtuosic runs make it both a showcase for instrumental skill and an energetic expression of Central European folk tradition.

Czardas

This piece by Gustav Holst is near and dear to the arranger’s heart.

He will never forget playing this piece in the Oberlin Conservatory Band in his freshman year, Gene Young conducting. He had played the piece in high school, but now at Oberlin he was playing with a full band of competent musicians. What a thrill! 

Coming out of a rehearsal at the end of one day in the first semester, he experienced the sheer joy of having been a part of a wonderful world of sound! That rehearsal was one of the highlights of his young life.

This is an arrangement of the three movement Suite for brass quintet. Obviously, a brass quintet can not match the full sound of a concert band, but the arrangement does capture of spirit of the music. As there is not a percussion section in a brass quintet, in the last movement, (March), the score asks the players to stomp their foot loudly three times, to simulate a missing bass drum blast. (One would hope the performance is on a wooden stage for the effect to work well!) In this recording, a bass drum sound is used, as there is no sampled “five feet stomping” sound available.

First Suite in Eb II - Intermezzo (brass quintet version)

الموسيقى التصويرية لفيلم المشبوة هانى شنوده

موسيقي فيلم ( عمارة يعقوبيان ) للمؤلف الموسيقي خالد حماد !
 نادر_عباسي | #صاحبة_السعادة# |

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