Bass Flute: Ivan Bushuev
Rehearsal recording for reMusik.org festival 2021
St-Petersburg, Russia
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Composer: Mohamad H. Javaheri
Electronics: Francisco Javier Trabalón Ruiz
Recorded Vocals: Carin Levine
Sounds recorded by Philipp Schmalfuß / Mohammad H. Javaheri

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Work in Progress Cover Painting by Zoheir Javaheri

Serotonin Saturation

for Electric String Quartet, Effects, Synthesizer and looper

Commissioned by Neo Electric Quartet
Premiere: NeoArte – Synthesizer of Arts
Gdańsk, Poland
2021

A Colossal Blossom

Adnan Saygun Concert Hall

Instrumentation: Bsn., Fl.
Ankara, Turkey
Live Record

Painting by Zoheir Javaheri

The Distance Between Me and My..Self (for alto flute & bassoon) | 2017

Festival of Young Composers
Hezarfen Ensemble

Instrumentation: Fl., Cl., Pno., Perc., Vl.1, Vl.2, Vla., Vc.  
Live Record
Istanbul, Turkey
2018

Rebirth (for ensemble) | 2018

- Fixed tape for 4 channel
Painting by Zoheir Javaheri

Monologues of My Pillow (fixed tape) | 2018

- Winner of the 2nd Prize of 20th International Chamber Music Composition Competition, 2019
- Winner of the Public Prize for the best piece of 20th International Chamber Music Composition Competition, 2019

Instrumentation: String Quartet
Performed by NeoQuartet
Painting by Zoheir Javaheri

Obsession _Revised (for string quartet) | 2018

Improvisation: Piano and Live electronics
Francisco Javier Trabalón Ruiz
Mohammad H. Javaheri
Amin Sharifi

Live Electronics: Javier Trabalón Ruiz

Painting: Zoheir Javaheri

Loosing Time (for piano & electronics) | 2019

Cikada Ensemble
BCA19
Ankara, Turkey

Instrumentation: Fl, Cl, Pno, Perc, Vl.1, Vl.2, Vla, VC, D.B.
Live Record

Sheida: https://soundcloud.com/mohammad-h-javaheri/sheida-for-ensemble

Painting: Zoheir Javaheri

Devenir fou par amour_Sheid/V2 (for ensemble) | 2019

Digital Bauhaus Orchestra
SeaM Studio
Narrator: Mohammad H. Javaheri

Instrumentation: 21 Experimental Instruments (including processed voices), 1 Narrator.
Live Performance Record
Weimar, Germany
2019

Anonymous Wrinkles (for electroacoustic orchestra) | 2019

Commissioned by DKV for Omnibus Ensemble
Written for "Transcultural Music" Concert

Instrumentation: Uzbek's Nay/Alto Nay, Oboe, Uzbek's Chang, Uzbek's Tanbur/Sato, Vl.1, Vl.2, Vla, Vc, Live Electronics. 
Live Electronics: by Philipp Schmalfuß (4 Channel)

Mon Ami Concert Hall, Live Record
2019

Painting by Zoheir H. Javaheri

Sheida (for ensemble) | 2019

"De Novo Remutations"
Five miniatures for the Bauhaus movie "Reflektorische Farblichtspiele"

 for Orchestra & Electronics_2.2.2.2, 2.2.2.0, Timp, 2 Perc, 8.6.4.3.2_[Electronics: William Amsler_Orchestra: MDR Symphony Orchestra]

Duration: 16:58

Remutation II (for orchestra) | 2019

Remutation I (for orchestra & electronics) | 2019

(Live Concert Record)

2.2.2.2, 2.2.2.1, Timp, 2 Perc, Hp, 10.8.6.5.4
[Electronics: William Amsler_Orchestra: SWR Symphony Orchestra]

Remutaion IV_Revised (for orchestra & electronics)
Remutaion V (for orchestra)

Remutation IV & V_Revised (for orchestra & electronics) | 2019

Ensemble Adapter
Weimarer Frühjahrstage für zeitgenössische Musik 2020
Online Concert - Live at ExRotaprint
Berlin, Germany

Instrumentation: Fl, B. Cl, Perc, Hp and Electronics

Painting: Zoheir H. Javaheri

Encountering Re - Encounter | 2020

Serotonin Saturation_Concert Record
Dedicated to Carin Levine

Mohammad H. Javaheri (Composer)
Francisco Javier Trabalón Ruiz (Electronics)
Philipp Schmalfuß / Mohammad H. Javaheri (Recording Sounds)
Carin Levine (Voices of the Fixed Tape)
Premier Performance: Carin Levine, Berlin, Germany (March 10, 2020)

*The composition has accompanied by the fixed tape which has made in two versions:
a. 4-Channel
b. Stereo
The duration of the composition is approximately 9 minutes.
2020 – Spain/Germany

Serotonin Saturation (for bass flute solo and electronics) | 2020

Ensemble XX. Jahrhundert

Painting: Zoheir H. Javaheri

Unison II, DBMMS Rework (for bass clarinet and viola) | 2017

My Second Official Account:
https://soundcloud.com/moha-ccrma
My Side Page:
https://soundcloud.com/mohammad-h-javaheri-2
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Composer, Performer
Member of DKV, DEFKOM, and FEM

Mohammad H. Javaheri (1989-), an Iranian composer and performer from Tehran, has gained recognition for his interest in dense, powerful masses of sound and crafting complex textures. He has been named as a promising future composer and internationally in-demand by Germany's NMZ newspaper and Thuringian state newspaper, respectively. Moreover, he received attention in various news articles, including the LA Times. His music has been characterized as 'tense’, 'sensational’, and 'detailed'; and he inherently crafts his ‘own sound’ (Toshio Hosokawa, SYNTHETIS 2019). His versatile compositions span various forms, including electronic and acoustic elements, and have received international awards. His creative focus has consistently revolved around the concepts of "Cycle, Repetition, Trans-formative Blocks," and the interplay of speed with the structure of his compositions, along with the human psyche's evolution, delving into the profound impact of incidents and traumas on human psychology. His music vividly captures the cyclical nature of these changes and their lasting effects on emotions, actions, and life decisions. His pieces have been performed by well-known artists, ensembles, and orchestras worldwide, featured on platforms like SWR2 Radio, and published by Babelscores, Score Follower, and UCLA Music Library.
In 2024, he was awarded an EDGE Fellowship by Stanford University, positioning him to become a member of the cross-disciplinary community of scholars at Stanford.

Mohammad H. Javaheri

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