Explanation:
التراك دى من أكتر التراكات قربًا لشخصيتى فى الكام سنة اللى فاتوا.
التراك دى بتحكى عن علاقتى بربنا و التغير الكبير اللى حصل فى المدة دى. قبل كدة أنا كنت بتعامل على أساس إن كل غلطة أغلطها دايمًا نتيجتها إنى ببعد عن ربنا أكتر، و إنه هيغضب عليا للأبد. كنت بتخيل ربنا بينتقم منى قصاد كل ربع غلطة بعملها فى يومى. ده خلانى على طول شايف إنى ما أستاهلش رحمته و لا هنالها فى أى يوم من الأيام.
فى نص التراك، لما قولت (أدعوك ربى) و بعديها التراك بقت أعنف و أعلى، الفكرة وراها كانت إن اللى بيدعى  ربنا و هو بيحقر من نفسه و يعاملها وكش مش هيحس بأى طريقة من الطرق برحمة ربنا الواسعة و مغفرته اللى هو أكدلنا عليها فى معظم آيات القرآن.
العبرة إن لو ربنا بيسامحك، إزاى إنت شايف إنك ما تستاهلش تسامح نفسك؟ 

Self Deprecation/Mercy is a very personal track for me.
It's about my my connection with god through out the uears, and how it dramatically changed from fear and terror to absolute peace and serenity. It's about how we usually expect him to abandon us upon every mistake we make, despite of him constantly reminding us how merciful and kind to the ones who come back to him after every sin.
Half way through the track, I conveyed a moment of prayer to him, that was followed by a heavier and darker section of the track. That was to convey that if we tourture ourselves mentally upon every mistake we make, then how can we accept and feel his mercy and forgiveness?



Breakdown:
00:00 The Sin | الذنب
01:16 Self Torture | جلد الذات
01:55 The First Prayer | الدعاء الأول
02:04 Stronger Self Torture | زيادة فى جلد الذات
02:24 The Second Prayer | الدعاء الثانى
03:29 God's Mercy | رحمة الله

Self Deprecation/Mercy [Single]

Self Deprecation/Mercy

Never Forgive. Never Forget.
#FreePalestine 🇵🇸

Palestine

The Call Of The Void

Originally Composed by: David Wise and Eveline Fischer

Aquatic Ambience Remixed

Aquatic Ambience (Mohannad Remix)

Melancholy is a feeling of deep sadness, with no obvious reason.

Melancholy [Single]

Melancholy

a year ago, this song made me discover San Holo's music. I was listening to it on a repeat for 3 months, and I'm so honored to remix it now.

Go check out the original: https://soundcloud.com/sanholobeats/02-san-holo-hold-fast-ft-tessa

Hold Fast Remix

San Holo - Hold Fast (ft. Tessa Douwstra) [Mohanad Remix]

The story will continue (after I play DOOM Eternal)...

The Doom Slayer [Multi-Single]

Killer Machine (DOOM 2016 Original Track)

"This track is about escaping the difficult feelings and thoughts that come to your mind.
At the beginning of the track (from minute 00:00 to 00:13) the track starts with these swelling pads and instruments, only to be cut abruptly by the kick and the bass, which is the decision to start the act of escaping and sidetracking.

As the thoughts and feelings only get more intence and difficult to ignore, the energy of the track increases and the layers of instruments keep getting thicker.

By the minute 02:59, which right before it was the most energitic part of the track, you can notice a huge tempo change, and a vey chaotic feel to the whole mix, as the track feels that it's falling apart and that escaping the problems dosen't work anymore.

From the minute 03:09 to the end of the track portrayed a moment of surrender and relief, as you start noticing what you feel and think. The key take away is that the final part of the track fits more with the first 13 seconds, only now the emotions are thicker and a little darker".

Escaping Pain (Single)

Escaping Pain

Ori and The Blind Forest: Remixed

Ori and The Blind Forest (Mohanad Remix)

"If I'm being general, this track is about finding the light at the end of the tunnel. It might not be constant, but it's an experience that you never forget. The reason why I called it "Remembering Light" is for the simple fact that even if it goes away at some point, it never leaves your mind. This track is about finding peace, and accepting life the way it is.
If I'm being personal, then this track is about finding Allah, or to be more specific, letting go and surrender to his power, will and wisdom. It's about finally admitting that I don't know any better than he does, and that I only have to worry about what's infront of me, not what's behind, or what far ahead of me."

Mohannad

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