Sampleig i Acid a quasi 160 bpm, en Sol menor.

LOFInal

Track 3/3 from the Look inside EP
Mastered by Michael Fossenkemper

Wait for me at heaven´s gate

Track 2/3 from the Look inside EP 
Mixed by @henriktheartist
Mastered by Michael Fossenkemper

Look inside

Track 1/3 from the Look inside EP
Mastered by Michael Fossenkemper

Can you give it to me

Wait for me at heaven's gate (slowed)

Berlin Summer ♡

Track 08/11 from pink satan's debut album „Depresión Vampírica“, releasing 26th of September via TSUM Records!🦇

Bandcamp: https://tsum.bandcamp.com/track/caf-dolent-de-mat-feat-moiman

𝗟𝘆𝗿𝗶𝗰𝘀 𝗼𝗳 „𝕮𝖆𝖋è 𝕯𝖔𝖑𝖊𝖓𝖙 𝕯𝖊 𝕸𝖆𝖙𝖎 (𝖋𝖊𝖆𝖙. 𝕸𝖔𝖎𝖒𝖆𝖓)“ ↓ ↓ ↓ 🕷

[Moiman]
Només ho ha de demanar
Qui de qui s'en riu, oi
Estàs al teu cap
Ja no vols res més
Res més

D'acord, molt bé, molt clar, està clar
Si estàs aquí t'ho deixaré apreciar
Estic content de veuret agauntant aquí
Amb aquest café dolent de matí

Només has de mirar el recuadre de la càmera
Saluda, feste el graciós i frena el neguit
Que estàs ben acompanyat, menjant pre cuinat
Prenent beguda tèbia i aprenent a dormir
M'importa poc el teu estatus, d'on has sortit
La teva reina o el seu parchís
Lo menys que podem fer, és compartir el que sentim
Estem agraïts de qui ens ha parit
I et fas el dur i et rebota a tu
Obses per cosa tonta fins que no hi queda ningú
Jaquetero amb cubata, caos de beguts
Vull tatus matutano i animar alguns vençuts

Només ho ha de demanar
Qui de qui s'en riu, oi
Estàs al teu cap
Ja no vols res més
Res més
(x2)

I hem tirat un guiri al contenidor i ara sóc jo
Que busco marxar algun lloc
Contigut que no funciona
Prescrites tampoc
No s'estima aquesta vida
Les modes duren poc
S'omplen de suplements i tu ets un cap gros
L'Europa més freda i fosca
Li queda al nord
A tu et queda al nord

[pink satan]
Cara palida, cintura esqualida
Vida monocromàtica
Intentar avançar amb bici estàtica
(Vull inventar)

Cara palida, cintura esqualida
Vida monocromàtica
Intentar avançar amb bici estàtica
(Un nou món)

Cara palida, cintura esqualida
Vida monocromàtica
Intentar avançar amb bici estàtica
(Per poder-lo reventar, per poder-lo reventar)

Cara palida
Cintura esqualida
Vida monocromàtica
Intentar avançar amb bici estàtica
(Per poder-lo reventar)
(Només volen demanar)

𝙎𝙊𝙉𝙂 𝘾𝙍𝙀𝘿𝙄𝙏𝙎
Produced, written and performed by pink satan
Cover-Art by Andrea
via TSUM Records

𝙎𝙊𝙐𝙉𝘿𝘾𝙇𝙊𝙐𝘿
pink satan: soundcloud.com/pinksataan
TSUM: soundcloud.com/tsumstrammenklang

𝙄𝙉𝙎𝙏𝘼𝙂𝙍𝘼𝙈
pink satan: instagram.com/aleixisbae/
Moiman: instagram.com/moiman__/
Andrea: instagram.com/miu_._._._/
TSUM: instagram.com/tsum_records/

Bandcamp: tsum.bandcamp.com

Catalog No. TSK003j

Depresión Vampírica

Cafè Dolent De Mati (feat. Moiman)

Free DL

pink satan —  Cafè Dolent De Mati (feat. Moiman)

SIB23

Praying the wrong God

tacte

Anne Imhof - Faust
Format: 2xLP / CD / Digital
Cat.No: PAN 98
Release Date: 13 September 2019
Purchase: bit.ly/2NCegzC / bit.ly/2zo1bRY

Deriving from the acclaimed performance and exhibition—staged by Anne Imhof at the 57th International Art Exhibition of La Biennale di Venezia and awarded the Golden Lion for Best National Participation— the album Faust is part documentation and part elaboration, the sonic capture and extrapolation of the gestures, intensities, and durations of the live event.
Serving as the dramatic backbone of a several-hour long performance seen by thousands over the course of the Biennial, the soundtrack was a product of the collective and its individuals, animating and organising the performers while immersing the audience in the potent images of power and paradise. The music for Faust was written in a band-like process by Imhof and her close collaborators Billy Bultheel, Eliza Douglas, and Franziska Aigner during the months leading up to its premiere at the opening of the German Pavilion in Venice. From the chaos of the performative, the album is constructed out of live recordings and original arrangements, teasing out the most potent strands and weaving them into a new composition of brutal feeling and baroque intricacy, each track a testament to the energy that brought it into being.

Faust is anchored around three pieces—Medusa’s Song, O.W.E.N., and Queen Song—written and sung by performers Eliza Douglas and Franziska Aigner, whose sonorous and elegiac voices imbue the work as a whole with their crushing depths and dolorous moods. Between these urgent vocal interventions march and twist the winding fugues and electronic abstractions of Billy Bultheel, who has dismantled and reassembled the sonic landscapes of the pavilion, crafting new arrangements that couple the forcefulness of the physical encounter with the artifice of the studio. Throughout the album and culminating in its closing act—the brutal chorus of Douglas’ Faust’s Last Song, a pulsing canon of looped and layered voice pierced by black metal screams—the record admits the listener into the inner space of Imhof’s dramatic vision of power, complicity, and vulnerability.

Shifting hypnotically between times and spaces, between cries and calls, between polyphonic antiquity and polyrhythmic complexity, Faust is the record of a lost event and the promise of a new creation. The release of Faust illustrates the centrality of music to Imhof’s artistic practice. Her musical collaborations with Bultheel began in 2013, and this generative constellation expanded to include the contributions of Douglas and Aigner, together scoring Imhof’s Angst (2016) and recently her performance trilogy Sex (2019).

The album comes with an expansive booklet of photography by Nadine Fraczkowski, another long-standing collaborator of Imhof and a prolific photographer, whose images of the performance and portraits of its cast offer intimate views of the work far beyond documentation.

It was mixed by Nanni Johansson at Hansa Studios and Ville Haimala, mastered by Rashad Becker at Dubplates & Mastering, and designed by Zak Group featuring artwork conceived by Imhof together with Douglas and Fraczkowski. Co-published with German Pavilion 2017 and Galerie Buchholz, Berlin / Cologne / New York.

http://p-a-n.org

SIB23

Moiman

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