Name: The Age Of Adaline by Mokhtar Bousbai
Duration: 7 min 6 s
Description: The Age Of Adaline soundtrack of the end of the movie

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Two tracks of one album of amazing orchestral pieces, composed by the talented composer Jasper Blunk. 

Check his personal website for more amazing music: www.jasperblunk.com

Orchestra lineup: 
1 piccolo flute
2 flutes
6 french horns
3 trumpets
3 trombones
1 tuba

Conducted by Lyubomir Denev - Jr. 
Recorded in LOUDFI Studio
Engineered by Plamen Penchev

Moving Towards The Sun - composed by Jasper Blunk

http://www.sonokinetic.net/products/classical/capriccio/
Capriccio is our biggest Orchestral collection yet, both in terms of physical size and in terms of sound, which is just...BIG!
We had conductor Petr Pololanik approach the limits of his Capellen orchestra for these recording sessions, and the resulting energy, drive and power really comes across in each and every sample. Each phrase has been carefully treated from conception through production to implementation in the final instrument, to make sure it would work as a whole, and be as widely usable as possible.
We say it is big, and the sound is big, but as you can hear from the demos the sound has a diverse range of uses and is only limited by your own imagination. You can use Capriccio as a base for your composition, or to complement your existing piece, using only bits and pieces. It can be really loud and awe-inspiring, or gently set the mood.
If you are familiar with our previous orchestral instrument 'Grosso', Capriccio's user interface should look quite familiar. The basic structure of the instrument is the same, using 4 presets each divided in 3 layers, but there are many innovations within Capriccio that will make working with this library even more intuitive and flexible. Highlights include the 'phrase offset' slider, separate volume setting for release tails and MIDI drag/drop from the score view in the interface, straight into your DAW.
With Capriccio we’ve brought phrase-based sampling bang up to date. Throw away your preconceptions of stiff one-shot samples and use the power of the Capriccio interface to harmonise, syncopate, offset and blend every one of the 38,000 samples. We’ve wrung every bit of creativity and flexibility out of these phrases and built a bespoke interface that will allow you to do the same.
Despite advancements in sampling technology, you simply can't beat the realism of live played phrases and orchestral patterns so our goal is to make these as playable as possible, like a real instrument, with the minimum of end-user programming. These instruments are meant to stimulate your creativity, and based on the feedback we are getting, that is exactly what they do.
Please watch our range of videos if you want to know more about Capriccio’s inner workings. There are many 'hidden' features that will enhance your user experience a great deal if you know how to use them. For example, with Grosso we added 'bar sync' but for Capriccio we also added 'phrase offset’. These things are very complicated in terms of under-the-hood programming but we’re sure that the intuitive interface makes it easy to realize the potential of features like this.
All phrases for Capriccio are composed in 4/4, with straight 8th and 16th notes.
We have also included a 'runs' instrument with strings and woodwinds runs, a gorgeous and eminently playable multisampled percussion patch and a melodic percussion instrument containing Xylophone, Glockenspiel, Tubular Bells and Piano phrases.
We, at Sonokinetic BV, are very proud to introduce Capriccio to you and can’t wait to hear the amazing things you, our valued customer base, will produce with it.
Sonokinetic has established a name as one of the best value & quality sample producers and with this product we’d like to underline that statement. We stick with our unbeatable pricing module and high quality sampling.
We wish you the best inspiration and creativity. 

Capriccio Demo - Creation - By Piotr Musial

Music & Lyrics: Ryan Moore. Produced & Arranged by John Sawoski & Ryan Moore. Orchestrated by John Sawoski. Vocals: Luke Carlsen. Acoustic Grand Piano: John Sawoski. Saxophone: Larry Klimas. Drums & Percussion: Kevin Winard. Orchestra: Hungarian Studio Orchestra. Conductor: Krisztián Balassa. Orchestra Recording Engineer: Gergo Laposi. Recorded at Tom-Tom Studio, Budapest and at the Sawoski Music Group, Los Angeles. Tracks 1, 2 & 12 Mixed by Steve Genewick & Ryan Moore. All other tracks Mixed by Steve Genewick at the Stewart House, Los Angeles. Tracks 3 & 11 Mastered by Sean Magee at Abbey Road Studios, London. All other tracks Mastered by Rainer Gembalczyk at Sienna Digital, Half Moon Bay, California.

LGO (Strings Only)

At last, the day has come.
The day I release into the world something that has been writing itself within me for twelve years.
With pauses, with pain, with awe, with faith.
Requiem. The work of my life so far.

In the beginning, I wrote without much purpose. Because if I can—then why not?
But over the years, this piece became more than just music. It became a path.
And this last year made me understand exactly what it was all for.
And why now.

This is not a requiem for death.
This is a requiem for life.
It is light.
It is not a funeral mass, but a voice saying:
“Thank you for letting me live. And for letting me keep living. Just like this.”

With people who love. With moments that teach. With experiences that break you and then remake you.

But this piece is also something more.
It’s armor.
Forged from truth I hammered out over years when life was anything but gentle.
And from today on—I will pass that armor on.
Not to defend myself.
But so that every good person I meet can receive even a fragment of courage.
To keep going. Honestly. With head held high.

Because the only thing truly worth being in life—is a good human being.
Not clever. Not cunning. Not successful at the expense of others.
Good.

And now I say it out loud—to those who walk through life with cold eyes:
If you hurt others, if you lie, if you live as if no one else matters—then you know who you are.
And it’s not about fear.
It’s about looking in the mirror and asking yourself honestly:
Is that really how you want to be remembered?

Because the day will come. For everyone.
A day when you won’t answer to your god, the world, or other people.
Only to yourself.

And may you then be able to say:
“The universe remembered. And day by day, it came for me...
But today I stand. I don’t hide. I feel no shame.
I’m proud of who I was. And how I lived this life.”

That’s what I wish for you. All of you.
That you settle accounts with yourselves—before the world does.
And that you can say, without blinking an eye:
“I gave goodness. I didn’t do to another what I wouldn’t want done to me.”

Because only you know what you gave this world.
And what you took from it.

Recordare

The Age Of Adaline soundtrack of the end of the movie 

The Age Of Adaline

Licensing enquiries: http://oliversad.ie/contact

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Earth Pulse

New England Conservatory pianist Yi Ding performs Prokofiev: Sonata for Piano no 4 in C minor, Op. 29. Recorded live in Jordan Hall, January 28, 2016.

Of 20th-century composers of concert music, Sergei Prokofiev (1891-1953) left pianists with one of the more substantial bodies of work in traditional showcase formats: five piano concertos and nine piano sonatas, along with suites and other short-form works for solo piano.

In two Jordan Hall concerts, January 28 and February 1,  2016, NEC piano students celebrated Prokofiev's 125th anniversary with performances of all nine sonatas along with other solo piano works.

Prokofiev: Piano Music

Prokofiev: Sonata for Piano no 4 in C minor, Op. 29: Allegro con brio, ma non leggiero

Library music made for Alibi Music;
For licensing please contact : www.alibimusiclibrary.com

An Awfully Big Adventure (Alibi Music Library)

From the #1 iTunes Classical release, re:piano. 

Everything you hear on this album was made solely with a piano using effects and loops. No other instrument was used in this recording. 

www.chadlawson.com

iTunes

05 All Is Truth

Andrea Bocelli and Sarah Brightman, Time To Say Goodbye on the piano.

The Age Of Adaline

Mokhtar Bousbai

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Mokhtar Bousbai

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