The Upload Week 2

All Good, thanks

Common music industry questions asked to JTSunrise with responses:

Question: How do you feel about authenticity in music?
Response (JTSunrise): “It’s the core of music. i believe in connecting with listeners through genuine experiences and emotions. Whether it’s a folk ballad or an acoustic punk tune, it has to come from the heart”

Question: What’s your stance on tradition versus innovation?
Response (JTSunrise): “i respect and study musical heritage, i’m also open to experimentation. My Gen X Folkspunk and Seattle Americana pays homage to the past while adding my twisted twist”

Question: How do you handle community engagement?
Response (JTSunrise): “Community matters. As a licensed busker, i connect with people on the streets. Music isn’t about stages; it’s about moments”

Question: What’s your approach to affordability for fans?
Response (JTSunrise): “i keep my rates reasonable. Music should be accessible. A live show of real deal acoustic tunes shouldn’t break anyone’s bank” I mostly give it away 

Question: How do you adapt to different events and audiences?
Response (JTSunrise): “Adaptability is key. Whether it’s a venue, culture event, or campfire gathering, or wedding or life celebration, i adjust the mojo to the vibe”

Question: What inspires your songwriting?
Response (JTSunrise): “Life—highs, lows, mostly inbetween. My songs reflect personal journeys and shared experiences”

Question: How do you balance craftsmanship and spontaneity?
Response (JTSunrise): “Craftsmanship matters. i handpick my instruments with bare fingers and pour my soul into each note. Magic happens in mistakes so i plan to have them and work them in”

Question How do you deal with annoying music interviews if the interviewer is a jackass?
Response (JTSunrise): “Simple, tell the truth:
1. What is your creative process like when writing and recording music?
    * JTSunrise’s Response: “A cosmic dance of creation! When i write, i sit under moonlit trees, strum my guitar to owls, let stardust melodies flow. Recording? Well, i channel wave energy into my microphone. It’s all about capturing radiation.”
2. How do you stay inspired and motivated to create music?
    * JTSunrise’s Response: “Meteor showers, the way leaves rustle, owls. Motivation comes from the background hum of the universe. i listen to it with a cup of chai”
3. Describe a time when you had to collaborate with other musicians on a project.
    * JTSunrise’s Response: “Had a jam session on Saturn’s rings. We traded riffs like shooting stars. Collaboration? It’s like harmonizing with comets—unexpected mysteries and white celestial light majik magic”
4. Do you have experience performing live? If so, what techniques do you use to engage the audience?
    * JTSunrise’s Response: “Whisper banjo secrets to the crowd. Make eye contact with Orion and recite genuinely thoughtful and meaningful empathetic banter. Works every time”
Cosmic Challenges (Hard Questions):
1. How do you handle criticism from fans or critics?
    * JTSunrise’s Response: “Listen, nod. Critics are constellations of opinions”
2. What strategies do you use to promote yourself as an artist?
    * JTSunrise’s Response: “i make friends with black holes—they’re influencers”
3. How do you balance artistic expression with commercial appeal when creating music?
    * JTSunrise’s Response: “i look to the North Star. But supernovae need to pay rent. So, i sprinkle stardust in my lyrics”
Cosmic Wisdom (Best Responses):
1. What sets you apart from other musicians?
    * JTSunrise’s Response: “i’m a comet that makes songs in Morse code. Also, my banjo has a PhD in intergalactic harmonics”
2. How do you ensure that your performances sound consistent across different venues?
    * JTSunrise’s Response: “i don’t”
3. What would you do if asked to perform an unfamiliar song?
    * JTSunrise’s Response: “close my eyes, let the Milky Way guide my fingers, deliver a cosmic ballad”

Feel'n Good

Feelin' Good

Old trains, new trains come wailing down the track while old dogs howl at the moon and the trains. Something oddly comforting about such neighborhood sounds.

Audio of train and dogs recorded live 2023.

85 bpm

Old Howlers

Party Styles

Somewhere

je suis le troisieme homme
qu'on voit mal sur le podium
challenger de misère, outsider

je léve pas le poing
mais je n'en pense pas moins
j'fais pas de foin, dans mon coin

si on va sur la lune
je reste dans la capsule
un pas pour l'humanité esseulée

je suis le troisieme homme
mais je ne suis pas Orson 
y'a pas de problème, Huston

et alors quoi ?
et alors quoi ?
mammifère en colère
sentimental animal 
 
ya pas que toi
mammifère en colère
sentimental animal 
sentimental  

troisieme larron
second couteau
et pas le plus pointu des couteaux

quand je tape du poing
personne n'entend rien
je fais du foin, dans mon coin

si on va sur la lune
je reste dans la capsule
un pas pour l'humanité esseulée

je suis le troisieme homme
mais je ne suis pas Orson 
non, pas de problème, Huston

et alors quoi ?
et alors quoi ?
mammifère en colère
sentimental animal 
 
ya pas que toi
mammifère en colère
sentimental animal 
sentimental

Troisième homme

This has been sitting in the back bin till this evening when Cookie Jay reminded me of it... Rough basic mix.. but was a good vocal session.

Mixed and Produced by Kit

Jar of Hearts - Shadow

Video; youtu.be/PVhjgUD6qsY

Made in #Ableton (June 2024)

Genres;
#Ambient
#Ethno
#Experimental
#Electronic

https://hega.bandcamp.com/album/dark-memories

Dark Memories

ŞunØnŞeoulŞtreet

I wanted to create a piece of music that had an ethereal mystical quality. Lizzie kindly agreed to join me on this  song and she has added such a beautiful Angelic vocal which is so atmospheric , thanks so much again Lizzie x !!

We hope that you like this , and please go over to Lizzie's page and check out some really beautiful songs that she has written.

https://soundcloud.com/taylor-pentland

When Night Falls       (With Lizzie Taypen)

Meditation

Watch the sunrise and travel up higher and faster than light in the cosmic meditation saucer, touch further into the endless deeper beyond faster and faster we go the slower things seem to go with strange voices as we pass the realms of infinty and beyond dimensions and time to blend with the entire universe and its very escence and structure which we are all apart of touching every moment of every instance thats ever has and will ever exsist! Peace! :D
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╚═╝╚═╝╚═╝╚══╝╚╝──╚═╝╚╩═╝╚══╝╚═╝╚═╝

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Cosmic Brainwave Entertainment

☯ Interactive VR

Meditation 4.9hz ☯

We will start our journey and sumon the sounds of the cosmic mythical stream of serenity from deep within a secret location in the heart of sherwood forest and only known to selected few and were it is said that king arthur washed his sword excalibur within the sparkling crystal clear magical waters, i was passed a recording by a keeper of the realm willing to share its peace upon the world! Peace! :D
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╔═╗╔╗─╔╦╗╔══╗╔══╗╔╦╗╔═╦╗╔══╗╔╦╗╔═╗
║╔╝║║─║║║║╔╗║║═╦╝║║║║║║║║╔═╣║║║║═╣
║╚╗║╚╗║║║║╔╗║║╔╝─║║║║║║║║╚╗║║║║╠═║
╚═╝╚═╝╚═╝╚══╝╚╝──╚═╝╚╩═╝╚══╝╚═╝╚═╝

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Euphoria 0.9hz ☯

The cover of the song "Dead Leaves And The Dirty Ground" written by The White Stripes (released in 2001 on their album 'White Blood Cells')

Vocals: Amanda Sanderson ( @phoebeelena )
Backing Music (Drums and Guitars) & Production: Hiroshi Kohno

I’d like to thank Amanda for her great contribution with a splendid vocal performance to this project.

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Backing music of the song is the simplest one I've ever done- only with drums and guitars, without bass, any solo either or fills...no fancy thing, just with a dirty fuzz explosion.  
And its simpleness  is what I think is the essential part of this song, besides the way how Jack White sang on it with great rhyming, and I found that it was actually well structured to work very effectively for supporting the vocal lines, remaining also the retro hard rock feels as Jack White told that he wanted to have "struggle" within their performance - with some tiny discrepancies and gaps between each position - not to be  mechanical, plastic, nor too much smooth. 
So, I tried to keep its simpleness and raw feels as much as possible in this cover, too, without adding any accessory note or extra effect. Whilst the vocals are quite colory with lots of slight changes within the similar lines, and Amanda sung her own lines on them, too, which I adore very much, and I'm very delighted to share it with you here. 

I hope you enjoy. Any feedback will be appreciated. 
Please do not forget to visit Amanda's page for more of excellent works by her.

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[Recording Data]
- Guitars: Fender USA Stratocaster '58 w/ The Electro Harmonix Big Muff Pi(Re-issued), Maxon RTC600, Boss CE-1 (only for splitter use), and w/Fender Vibro-King Custom Amp (60W).
- Drums: Tama Acoustic Drum Kit w/Zildjian Cymbals (6-mics rec).
*All were played and recorded in the studio (live, open-mic rec)
- Vocal Remastering and Mixing: DAW

Dead Leaves And The Dirty Ground - The White Stripes Cover - Featuring Amanda Sanderson on Vocals

-Scene of Life-

D. J. Ace  A special night with DJ Ixo "Mandi" Valdes. Ave A, Cameo Theatre Miami Beach, FL 1988/1989 And Here It;s Is 2018 Still Sharing and Servant Of Sounds. Truly Appreciated. Your Tag's and Support 4 All The Years. It Keep Mi Going.SoundCloud Artist's And ProDu's & Friends. The Cover it;s a tape made that night. Live. With D.j Mandi  2 Years I'm  Asking 4 A Copy.. That Life. So Here A Free Download Hope You Enjoy Radio and D.j MIX .PROMO Or Rap Just Send Love. Copyright protected ©

Free Your Mind 

ƮÁĶƎ ÌƮ ƉǾƜƝ.. ȤÒÓĶƎƳ ẀȂỴ 305 Ƒ'Ĺ🚶ƉĴ ÀƈƐ ṕƦǾĐử. ƜȈÁƜÀ ĆÀṂƎǾ 90's ƜÌẌ

 La musique et le son sont des moyens de passer au dessus les frontières du temps et de l'espace. #electro#creative#intriguing#music#art#Mokito

COMPOSER - PRODUCER - MUSICIAN
I PLAY BASS GUITAR AND DRUMS
IN THE BAND „4NO1“
(ALL STYLES, SINCE 1992)

-Scene of Life-

Mokito

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Flo T.

Lillithe

**FREM

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