DOCTRINE OF RECOVERY is the fourth track on my new EP, check it out here: 
https://www.electro-records.com/catalogo/ezzential-electro/660/

DOCTRINE OF RECOVERY

How do we recover from the Doctrine of Discovery?

(Translation)

Speak your Indigenous language 
Hold tight to your values and traditions
Sing your ancestral songs
Chant your ancestral prayers

The land is sacred
Water is a treasure
Pay heed to the Gods
On land and at sea

Take care of your elders
Cherish the children
Support your kin
Do not denigrate them

Fight for truth and justice
Hold firm to the treasures of ancient times
Protect the environment
Empower the people

TATAU O TE PŌ EP

DOCTRINE OF RECOVERY

Originally released on Solid Groove in 1999, Night & Day is getting a well overdue re-issue :) 

Pre-order: https://subwax.es/product/trans008/

[TRANS008 Re-Issue] Transparent Sound- Night & Day

READ > https://inverted-audio.com/premiere-emkay-weatherman

Following the release of 'Splits 1: Jónbjörn & Torolf Stendik', @oorecordings are back with their second instalment, pairing Finnish talents emkay and Stuster on a release that covers everything from cheeky breaks to lush techno and acidic electro.

Splits 2: emkay & Stuster

emkay - Weatherman [OO Recordings]

O-Wells - Manik Tracqks (Frankfurt am Main, 2017)

Mastered by Brendan Zacharias at Cirrus Audio

O-Wells - Manik Tracqks

Ciel remixes Fede Lng with a blossoming bass kaleidoscope of rave signifiers and lush landscapes.

'Flight Mode' is out August 26th on Axe On Wax.

Pre-order: bit.ly/2NlcGBP

@cl_lit
@fede-lng
@axeonwax-records

Premiere: Fede Lng - Lyra (Ciel's Smoking Gun Remix) [Axe On Wax]

Having made his debut with the track Sky Stepping on Of Paradise Vol. 2, Will Lister now cements his status as a full time family member with the release of his Glow EP, a masterful 4-tracker that firmly establishes this young talent as one to watch in 2020 and beyond.

A1. Glow
A2. Pleasant Air
B1. Patience
B2. Forth

Will Lister: https://soundcloud.com/willlister

Glow EP

OPWHT002 // Will Lister - Glow EP

Music beamed through Dimensional Waves by Abstract Thought. 

3 unnamed Abstract Thoughts taken from the original project tapes from 2003, recorded around the same time as the wellknown full length album release.
Sonic expressions that will need your own interpretation to lead to a reality-oriented conclusion.

Releasedate 09-12-2019.
Order vinyl: https://clone.nl/item58621.html

Follow us here:
https://www.youtube.com/CloneRotterdam
https://www.facebook.com/CloneRecords/
https://www.instagram.com/clonerecords/

https://clone.nl

Abstract Thought

order@clone.nl

Abstract Thought - Clone Aqualung Series 015 [CAL015]

Longtime fans of Sheffield’s Central Processing Unit may well remember Annie Hall. When CPU dropped her 2016 EP Tenured Positions it felt like a perfect union of label and artist - the atmospheric take on classic electro that Annie Hall had presented in her previous releases for labels such as Semantica and Detroit Underground was very much in sync with the CPU sound. Sure enough, Tenured Positions was an instant hit with CPU heads old and new, and the record remains highly sought-after to this day.

Now, four years on from Tenured Positions, the Barcelona-based Annie Hall returns to CPSmith’s imprint with new EP Fum. Fum picks up where Tenured Positions left off. Snapping broken-beat electro grooves anchor Fum’s midsection of ‘D’un Altre Planeta’ and its title-track. ‘D’un Altre Planeta’ is the most lively cut on the EP - there is real bite to the drums here which recalls everything from B12 to Star Eyes to early-90s hardcore - while ‘Fum’s beats are more low-slung and come bolstered by an electro-funk-flavoured bassline. These two tracks are bookended by ‘Verd Mar’ and ‘Promeses De Fusta’, joints which straighten out their rhythms into more linear IDM-techno beats.

As she exhibited on Tenured Positions, one of the main strengths of Annie Hall’s style is the manner in which she layers up harmony, tone and texture. Reverb- and delay-drenched synths cascade across Annie Hall’s tracks and serve to render her music in vivid colour. The combination of evocative atmospherics and grounded, stable beatwork is a technique which Annie Hall has inherited from experimental techno luminaries of the past - Autechre, Mark Bell, The Orb - and also something that she shares with other CPU artists like Tryphème and Nadia Struiwigh.

Annie Hall takes this approach once again on Fum. A fair bit of the record’s soundworld tends towards science-fiction - from the whooshing pads of ‘Verd Mar’ through the zipping synths of ‘D’un Altre Planeta’ and on to the B-movie keys of ‘Promeses De Fusta’ there is certainly an alien quality to much of this EP. However, Annie Hall is also sure to ground her astral musings by introducing softer synth sounds like the twinkling chimes in the background of ‘Fum’ and the gently lilting lead-line of ‘Verd Mar’.

For fans of Central Processing Unit, Annie Hall’s Fum is the best of both worlds. Here we have a record which brings together the roughneck electro snap of CPU’s club weapons with the melodic and textural deftness of its IDM-oriented releases.

RIYL: LFO, Tryphème, André Bratten, Biosphere, Autechre, Nadia Struiwigh

Annie Hall - Fum

Brianna Price turned plenty of heads when, earlier in 2020, she swapped out her well-worn B.Traits moniker for the new title of Baby T. A change of name also signalled a departure from the booming techno-centred sound Price had been pedalling as B.Traits - she promised, all guns blazing, that Baby T was about ‘hardcore junglist shit only’. The project’s debut drop, an EP for Samurai Music entitled Portra, put that manifesto into action, running the gauntlet of darkside drum ‘n’ bass, ardcore soundsystem techno and dark ambient.

From the whip-crack electronic drums which usher in Baby T’s second record I Against I it is apparent that we’re in for another wild ride. Emerging here via Central Processing Unit, Price meets the CPU sound halfway on I Against I’s A-side, delivering two super-snappy broken-beat electro joints which both have a malevolent, dystopian edge to them. The levels are high from the off, with opener ‘I Wish’ fronting nasty, high-wire machine-funk that draws its strength from the Bunker, Djax-Up-Beats and BPitch Control sounds. ‘Acid Science’, another helter-skelter melange of needling synths and vocal licks, follows. Though this track’s title may promise acid, the snaking bassline refuses to lock fully into the perpetual-motion madness of a TB-303. Instead, Baby T chops the lick up to move in and out of the drums, an effect that has one thinking of Cardopusher.

‘Estrogen Attitude’, the tune which kicks off I Against I’s second-half, is an even headier brew. The intro skulks and broods, a pulsing kick-drum and intermittent 303 whirring in a cavernous atmosphere. You get the sense that something is brewing, especially given that the tempo has increased to junglist speed. However, when the breakbeats do enter Baby T opts to lurk rather than strike, locking into the sort of murky drum ‘n’ bass roll that wouldn’t sound out of place on the UVB-76 imprint. This is jungle to shadowbox to.

The vibe of ‘Estrogen Attitude’ is inverted on EP closer ‘We Could Disappear’. Beginning with a grainy, mournful ambience that recalls Biosphere and Kevin Martin, the track gently unfurls with the introduction of synthetic strings and muted breakbeats. If ‘Estrogen Attitude’ was indebted to Metalheadz, there is plenty of Goldie’s more grandiose soundscaping running through ‘We Could Disappear’. At the end of the track, the atmospheres dissolve to leave only the hum of sub - both a reminder of the bassweight principles that drive the Baby T project, and also representative of how I Against I has progressively etherised itself across its four tracks.

Baby T’s Central Processing Unit debut I Against I tackles dystopian electro, impressionistic drum ‘n’ bass and dark ambient, all while adhering to junglist principles. This is a brave new world for both the artist and the label.

RIYL: Metalheadz, Pessimist, Mutant Joe, Cardopusher, dgoHn

I Against I

Baby T - I Against I

Australia’s Analogue Attic welcomes the returns of Sydney’s Thomas Gray & Liam Ebbs this August with ‘Recollection of Everything Beautiful’.

Thomas Gray & Liam Ebbs : ‘‘Recollection of Everything Beautiful’ was written over the space of 18 months between 2019 and 2020. The protracted time frame for the creation of the record corresponded with a period of vast personal change for both Thomas and Liam. Contrary to their debut record, ‘3 Days, 2 Nights’, this work is less bound to place, rather being a reflection on the joy of transformation.’’

Featured track ‘Of Two’ sees the duo deliver intricately evolving off-kilter drums alongside elongated jazz-tinged bass notes and their signature cinematic soundscapes.

Us on Web: www.fourheadsmusic.com/
Us on Insta: www.instagram.com/fourheadsmusic/
Support us on Patreon: www.patreon.com/FOURHEADS

Thomas Gray & Liam Ebbs - Recollection Of Everything Beautiful - Analogue Attics

Follow FH on Insa!

PREMIERE: Thomas Gray & Liam Ebbs - Of Two [Analogue Attic]

DBA10.02: VARIOUS ARTISTS - 10.02
FT. SCOTT FERGUSON, RAVEN CRU, THE ROOM BELOW, MR. G, JAY L & SEMTEK, PABLO R. RUIZ, HALVTRAK, MINOS, WHEELMAN, HOLLIE & MIDNIGHT SNACC
BUY: http://dontbeafraidrecordings.co.uk/shop/

10.02 THE ROOM BELOW - BASSIKA

DARK PROBLEMATIC TRAUMA-DRIVEN MĀORI ELECTRO BASS STRAIGHT OUTTA TĀMAKI MAKAURAU. NGĀTI HINE 4 LIFE, NGĀPUHI 4 EVA, WESTCYDE TILL I DIE, DAT ANAMATA TAWHITO SHIT 4 YOUR F***KN NAN DEM

Bandcamp: https://mokotron.bandcamp.com/releases
Facebook: https://www.facebook.com/mokotron
Soundcloud: https://soundcloud.com/mokotron
Youtube: https://www.youtube.com/channel/UCmnBPEjcN3QrktxFa8XDDIA

DOCTRINE OF RECOVERY

MOKOTRON

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