gref

Ali alo , 

new track from a stellar collab...

behind the curtains is always a place to be playful.

✘slow child:
Sc:https://soundcloud.com/k-ptn-rainbow

✘Serafin Audio Imprint:
Sc:https://soundcloud.com/serafinaudio
Insta:https://www.instagram.com/serafin.audio.imprint/
Fb:https://www.facebook.com/serafinaudio/?ref=hl

PREMIERE : slow child - where to be playful [Serafin Audio Imprint]

La Vaca Cega Album: https://soundcloud.com/kontrapostrecords/sets/la-vaca-cega

@paul-traeumer
@mommo_g
feat. Mommo G | La Vaca Cega (Single)

La Vaca Cega

here

Paul Traeumer - La Vaca Cega feat. Mommo G [K012S1]

Angus & Julia Stone - Paper Aeroplane (Twin brothers II Downtempo Revival Touch)

Artist: https://soundcloud.com/hvitling
https://www.instagram.com/hvitlingmusic/
Release: 17/06/2024

Hvitling - Ima Neka Tajna Veza (feat. J. Stojakovic) FREE DOWNLOAD

moody one that needs some arrangement work, where in the track do you lose interest? lmk, keen to move this one forward!

pocket groove | WIP advent 012

Golden (Cover - Afro House Version 2)

That's the best remix of this track.
Listen to ' Manhã de Carnaval (Katzorke Remix) ' and enjoy. Also don't forget to share it with your friends!
Do not forget to follow if you have not done yet Your support is very appreciated.

Follow Niklaus Katzorke
https://soundcloud.com/niklauskatzorke
https://www.residentadvisor.net/dj/niklauskatzorke
https://niklauskatzorke.bandcamp.com/
https://www.facebook.com/niklaus.katzorke

For copyright issues, please mail us here.
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Manhã De Carnaval (Niklaus Katzorke Remix)

Done while having a fever dream.
Mastered by Benfay.

Sueños De Curación

What happens when producers face the challenge of reimagining the tracks of other producers? Remixes EP is not something new. Nonetheless, we've been thinking about how interesting it would be to offer this thought-provoking such thing on our catalogue. Then for our newest release, the experimental-sounds-rock-climber-avid-traveler-outdoor-enthusiast Nathan Hall(@nathanhall-1) has hand picked three heavenly producers to remix tracks from his debut EP: Squamish. It still remains as a small escape from thoughts, a heavily effected one-off adventure. This time around, however, under heady doses of mind-blowing "re-configurations".

The collection features three unique reworkings. EP's first track “DuaDua“, reworded by Discoshaman (@discoshaman), struts a playful spirit that rules an interesting mood .The “Viento del Bosque” remix on the EP was done masterfully by Stephen Kirchhoff (@steffenkirchhoff) who creates a mystery-inside-you atmosphere revision, everything in its right place. For gentle night listening, “Night Wind” is remixed by Temple(@tmplsound), we can see slowness insights around every corner. The whole package will draw attention to unadvised listeners and, also, it is constructed like a outlook that weaves and unweaves the captive listener's ears.

Art Revision: Peter Witt (@appidydafoo)

Painting: Lan Yao 
www.artbylanyao.com 

Master: 
track 1 & 3: Shreshth Singh 
tracks 2: Haunted Water (@haunted-water)

Tracklist:
01. Nathan Hall - DuaDua (Discoshaman Remix)
02. Nathan Hall - Viento del Bosque (Stephen Kirchhoff Revision)
03. Nathan Hall - Night Wind (Temple Taciturn Remix)

name_your_price

Nathan Hall — DuaDua (Discoshaman Remix)

This EP is inspired by the cultural heritage which the Argentines and Chileans seek to perpetuate. Ulises has developed cultural and emotional bonds towards the natives, whose struggles he feels and shares. Struggles for their own traditions, their own lands and their own existence. Thanks to the resistance of cultures like the Mapuche we can now enjoy traditional melodies and instruments, such as kultrungs, charangos and quenas, that Ulises skilfully merges with an electronic timber palette to achieve the deep organic sound that we can appreciate in this EP. 
Uña pays homage to the acclaimed quena player Uña Ramos, from the mountainous Jujuy province. Pewünguen derives from a chant in Mapudungun, the Mapuche language, that celebrates the rebirth of nature in spring. Here, the artist adopts the same chant metaphorically, to wish the rebirth of the Mapuches. 
Musician by formation, Ulises plays guitar, keyboard, and drums. Such multi-instrumental skills provide him with a broad range of sounds to blend and wedge into the electronic beat. Talking about the aesthetic he craves, Ulises stated “I want to have the possibility to choose any timber from any source I feel the music needs. No limits!” …and limitless is his desire to explore the vastness of sounds, to experiment new combinations. 
Besides the original tracks, the EP comprises four gems by Carrot Green, Steffen Kirchoff, Arutani, Coss & Iorie, who remixed Ulises’ productions. 

Follow Ulises, Coss & Iorie:
@ulize 
@coss 
@iorie

Ulises - Pewünguen (Coss & Iorie Remix)

Helping people to help themselves! That’s the intention of “Project Senegal”. A project that was initiated last year from our club members Michel Langhammer, Philipp Gaska and Marco Di Mola. These guys travelled on their own expenses to their Senegalese friend Tierno Niang to Dakar and connected themselves with the NGO “Africultururban” and the university UCAD which is owned by the government. The goal was, alongside with the networking process itself, to bring the open-source mentality to Senegal. Because of the new connections it was possible for our team to hold workshops for several days in which 8 interested participants have learned to build solar powered energy systems that generate electricity for small electronic devices. The concept has totally worked out. Already on the second day of the workshop, participants have brought other interested people with them and passed their new knowledge on to them. “The journey was a complete success. The workshop has perfectly worked out, we transmitted our knowledge and took back many impressions”, said Michel. You can read a more detailed report on the following link.
 
http://die-lupe.userblogs.uni-hamburg.de/vortrag/projekt-senegal-open-hardware-als-entwicklungshilfe/
 
We have already planned following projects! There will be another journey to Dakar in November 2018 in order to further the workshop concept and to establish “Open Hardware” as a sustainable and long-lasting development aid in Africa.
 
We are looking forward to your support that will assist us financially for the second journey to Dakar. You have the opportunity to donate for this freetrack. “Desert Nomad” was composed solely for the “Project Senegal” and was made from the talented producer Katabtu from Karlsruhe. Yannick Hug (his real name) was immediately enthusiastic about the social projects from our collective and we are excited that we have won him over to our club. We are curiously looking forward what kind of magic Katabtu will perform in the future and we hope that this track will make you as happy as it made us.

Katabtu:
https://katabtu.bandcamp.com
https://soundcloud.com/katabtu
https://www.facebook.com/Katabtumusic/

Donate/Download

Katabtu - Desert Nomad | Freetrack

Salvador Araguaya - Redemunho EP - STR 011

Produced by 
@soundcloud.com/salvadoraraguaya

Mastered by Yosi Horikawa 
@soundcloud.com/yosi-horikawa

Cover Art by Ju Sting 
@ be.net/ju_sting

Buy!

Salvador Araguaya - Bixiga Breque (Kyrill & Redford Remix)

Ohxalá Records is proud to present Tropical Bangers Vol 1.
Tropical downtempo grooves from all over the world. Music from Fortunato, Saif Halasa, Kapoor, Indygo, Juliano Gomez, Perseid, Intiche, Klin Klop, Nirso, Master Margherita, Geo Seato, Gerra G, Floating Machine, Nalin and Yemanjo.

Artwork: OZEARV
www.instagram.com/ozearv/

[ORVA1]

Tropical Bangers Vol1

11 - Nalin - Musicians

Save Streetkids and get your copy here:

https://soundcloud.com/kollektiv-liebe/david-rausch-nimm-original-mix

David Rausch - Nimm (public demo)

Reflejo y Noche: 
¨¿Dónde estoy cuando no estoy en la realidad ni en mi imaginación? He hecho un nuevo pacto con el mundo: debe estar soleado de noche y nevado en agosto. Las cosas grandes se acaban, son las pequeñas las que perduran. La sociedad debe estar unida, en vez de fragmentarse. Basta observar la naturaleza para comprender que la vida es simple. Y que se debe volver al punto de inicio. Al punto donde tomásteis el desvío equivocado. Hace falta volver a los fundamentos principales de la vida. Sin contaminar el agua. ¡Qué clase de mundo es este si es un loco el que os dice que deberíais avergonzaros! Y ahora música.¨

Traducción del monólogo final en Nostalghia, 1983, A. Tarkovsky.
Cover Art : www.gabrieloshea.com
(Mastered in Valencia, Spain, by Pobla.)

Manhã De Carnaval (Niklaus Katzorke Remix)

Momentary

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