https://soundcloud.com/alexandrinahristov
https://soundcloud.com/freudenthal
https://soundcloud.com/fnstff
🛒 https://feinstoff.bandcamp.com/album/sirin-remixes
🔊 https://youtu.be/a6-e2eCESDQ

The genre-defining greats of Dark Disco, Neo Italo and Next Wave remix Romanian icon Alexandrina. Remixes come from Curses, Local Suicide & Radondo, Freudenthal, Borusiade, Walentin Pauer, and Mathmatrix.

Organically grown from the game-changing event series garnering showcases and international takeovers from Berlin to Cape Town, Feinstoff has hosted some of the scene’s greats, such as Damon Jee, Terr, Biesmans and Yame. As a revered music platform and a trusted spearhead within Berlin’s electronic music scene, Feinstoff launches its own label.

Well-known for offering a plethora of authenticity, Feinstoff continues to deliver a significant edge on innovative electronic music and disco movements. This ethos is omnipresent in their first release, a collection of remixes for Romanian icon Alexandrina.

Curses' ever-powerful sonic presence and undeniable influence on the scene is felt greater by the day. He delivers a refreshing touch to his remix of ‘Black Magic’, with his signature baritone guitar and defined drums. In his dub version, more driving tension is added, along with a faster pace. Curses delivers yet another two gems dripping in his unmistakable arcane romanticism.

Greco—German powerhouse Local Suicide and Slow Motion Records affiliate Radondo join forces on their ethereal remix of ‘Animal Power’. Alexandria's vocals weave between twinkling arps and an ominous call and response between synthesized vocals. We’re transported to the dimly lit realms of their respective tastes.

Feinstoff label head Freudenthal snaps ‘Sirin’ into action with a euphoric reimagining of the original. Soaked in Feinstoff’s contemporary Nostalgia and subtle nods to post-punk, Freudenthal readies the remix for the Summer. The remixes all carry the thread of Feinstoff’s abundance of arpeggiated dance-floor magic.

Bucharest’s Walentin Pauer provides a melodic flip of ‘Sirin' with flashes of Electro and an almost C78-style drum pattern. With cosmic-style FX and washed-out hi-hats, we are led to a powerful dark wave payoff.

Borusiade transforms ‘Animal Power’ into an emotive, cinematic soundscape riding a gently oscillating arp, which builds to the wails and cries of Alexandrina’s climatic vocals from the original.

Rounding off the remix EP with conclusive flair is Mathmatrix’s mix for ‘Magnetic Eyes', a cathartic, anthemic piece weaving through flashes of alt-pop. The vocals sit beautifully within the mix's crushed edges, resulting in a breathtaking meeting of visions.

With a mantra to give Nostalgia a modern twist and provide an ever-effective launch pad for artists to expand their horizons, Feinstoff’s first release sets a strong tone for future releases and solidifies this vision.

Tracklist: 

Alexandrina - Black Magic (Curses Remix)
Alexandrina - Animal Power (Local Suicide & Radondo Remix)
Alexandrina - Sirin (Freudenthal Remix)
Alexandrina - Black Magic (Curses DUB)
Alexandrina - Sirin (Walentin Pauer Remix)
Alexandrina - Animal Power (Borusiade Version)
Alexandrina - Magnetic Eyes (Mathmatrix Remix)

PREMIERE: Alexandrina - Sirin (Freudenthal Remix) [Feinstoff]

Le Funambule

Le Funambule (Extended)

Galaxy Walker

Galaxy Walker (Italo Brutalo Remix)

* Subscribe for more premieres: @BoltingBits
* Read more: https://boltingbits.com/louis-de-tomaso-jo-kazan-gjora-fabirzio-mamarella-remix-feinstoff
* Listen on Youtube: https://youtu.be/x-lAov2zb6s
* Pre-order: https://feinstoff.bandcamp.com/album/trisolaris-ep

Trisolaris is a four-track EP by Louis de Tomaso and Jo Kazan, rooted in neo-Italo with early trance influences. Across the release, lush pads and rave-inspired synths drive a focused, dancefloor-ready sound.

The title track opens with bold synth work, classic Orch-Hit stabs, and a peak-time energy built to move. Gjora follows with darker momentum — built around arpeggiated basslines and the duo’s signature blend of futuristic textures and nostalgic chords.

Remix support comes from Slow Motion Records head Fabrizio Mammarella, who reimagines Gjora with stripped-down acid tension, and Port Manteau, whose version of Trisolaris leans into raw 90s rave house with a tightly looped, club-focused spin.

For fans of: neo-Italo, acid, 90s rave, club-focused electronics.

PREMIERE: Louis de Tomaso & Jo Kazan - Gjora (Fabrizio Mammarella Remix)

Vintage synth fetishist Italo Brutalo brings you his superb sophomore album Second Horizon, released 29th May on his and his girlfriend very own Bungalo Disco label. The German producer possesses an incredible armoury of retro analogue synths, and he certainly knows how to use them. And push them to their limits. Congratulations, listener. You are about to step into an alternate electronic universe.

Kicking off with City Sight, every synth is a joy. Warm tones, clear, crisp symbols and snares. A beautiful melody intertwined with acid tweaks and dreamy vocoder vocals, sounding almost more keys than voice. And that 80s drum machine line. There are five different decades where this modern classic would feel right at home.

You want it darker? Here comes Memory Sync, bursting through your loading screen like an end of level baddy. Press ‘play’ and you will know exactly what I mean. The hi hat and kick drum pattern on Digital Freedom is to die for, the acid bass and Italo disco melody giving your day an instant serotonin boost.

Surveillance State kicks the tempo up more than a notch, this eerie 3-D soundscape literally makes you feel as though you are being watched by a Machiavellian force. You can literally feel the paranoia oozing from your speakers. Technology is like a souped-up Kraftwerk 33 played on 45. Close your eyes and imagine stop-frame footage of robots in a car factory. Just brilliant. Heiss Oder Kalt (Hot Or Cold) is a perfect title for this lush mix of warm and cool synths, with a vocal sample reminiscent of a mad scientist.

Chasing Shadows, The first single to be released from Second Horizon, is just damn well exciting. It’s like you’re driving K.I.T.T. on turbo boost, in pursuit of the Midnight Express. Strap yourself in as Italo Brutalo hits the TB-303 button on the console for an acid fuel injection. Just when you thought it couldn’t get better, the joyous robotic vocal kicks in. I dare you to try and stay still whilst Chasing Shadows plays. It’s impossible.

Free To Move takes the tempo down a notch, robotic melodies dancing with each other in beautiful synchronicity, giving life to a beautiful android, leading perfectly into Black Gold, a soundscape rich enough to deserve to grace a Hollywood masterpiece.

Human Code is a perfect companion piece to City Sight. Drop this one in a club and see the reaction. Pure bliss. Then comes dark and sleazy low tempo I am a creator pulls you into the thought process of Italo Brutalo, before Tonight finishes this perfect long player off to a joyous, satisfying conclusion.

Musical visionaries often find it difficult to write that difficult second album. With Second Horizon, Italo Brutalo has brought you an original masterpiece. Enjoy.

Cover Art: Bungalo Disco
Mastering: X at 12inch.Berlin
Laquercut: AB Mastering
Original Photos: Gerald von Foris

Second Horizon

Human Code (Original Mix)

When @RadialGaze meets @NicolaKubebe, the result is Iron Pinky Toad — a title that sounds either like a secret kung-fu move or a lost cartoon book. But don’t be fooled — this one hits hard.

The long-awaited collab brings three original tracks — Phantom Limb, Lights of Phoenix and the title cut Iron Pinky Toad — that effortlessly bridge the gap between slow-burning tribal techno and the raw pulse of new beat nested into an early techno nutshell. Imagine dancing barefoot in a ritual under a disco eclipse — you’re getting close.

To seal the record, @PlaygroundRecords boss @MartinNoise steps in alongside rising sensation @AnastasiaZems, pushing the release into full-blown dancefloor sorcery. The groove is deep, the bass is sweaty, and the toad… well, the toad is on fire !

Dropping Friday, July 18, 2025, via @THISBERecordings — available on vinyl and digital. Spin it, stream it, or whisper its name into the smoke at 3AM — either way, the dancefloor won’t know what hit it.

Let the amphibian groove begin.

Radial Gaze & Kubebe - Iron Pinky Toad (Martin Noise Rave Version)  [THISBE Recordings]

French-born and Barcelona-based, Jo Kazan lands on Espacio Cielo with Ride of the Bat, a double A-side that moves between shadowy club euphoria and cinematic nostalgia. The title track is a proper dancefloor weapon - brooding, driving, and tailor-made for late-night indie dance rituals. JG Outsider dials up the EBM intensity, turning it into a full-blown sonic missile that leaves no survivors.

On the flip, Whispers of the Southlands trades brute force for emotion, unfolding like a melancholic daydream powered by shimmering arpeggios. Label regulars Silicodisco and Mao Fonnegra team up again to remix it, adding muscle and mystery while keeping the cape firmly on your shoulders - yes, it's giving synthwave Superman.

Four cuts, one vision: emotional power meets club precision.

Jo Kazan - Whispers of the Southlands (Mao Fonnegra & Silicodisco Remix)

@roamrecordings label head @jasonpeters returns with his latest single, We Used to Watch the Sunrise — a nostalgic and emotionally charged track blending warm electronic melodies, acid-tinged rhythms, and an arpeggiated bassline. Anchored by Jason Peters’ own vocals, the song plays like a modern rave ballad, echoing the sentiment: "I remember when we used to watch the sunrise."

@neuromancer & @radondo slow things down with a lush, mid-tempo interpretation. Their remix leans into moody 80s nostalgia, infusing the track with a goth-tinged, neo-new wave aesthetic.

Jason Peters - We Used to Watch the Sunrise (Neu-Romancer & Radondo Remix)  [Roam Recordings]

Feinstoff rings the bell for its 16th release with a sun-drenched piano house anthem from Italo icon Maltitz. Little White Chapel is a juicy slice of high summer euphoria, all shimmering light, emotional peaks, and a big splash of 90s, capturing the heat and heart of the season in five and a half minutes.

Between altar calls and after-hours, this one delivers all the drama you didn’t know you needed. Gated choirs praise, snares hit with holy punch, and the piano goes straight for your serotonin. Church is in session, and like communion cues, Maltitz is dropping pure summer joy.

https://feinstoff.bandcamp.com/album/a-little-white-chapel-ep

Maltitz - A little White Chapel [Feinstoff]

'Radondo’s Chance EP features two standout tracks — “Doubt” and “Leather” — that perfectly embody his signature dark sound, skillfully blending his Italo, EBM, and New Beat influences.

The Italo maestro himself, none other than Franz Scala, graces the label for the first time with his unmistakable style and refined sound, delivering a magnificent remix of Radondo’s original track “Doubt.” 

Having previously hosted Franz at one of our events, we couldn’t be more thrilled to welcome him back — this time to contribute an exceptional piece of music to the label.' 

@ radondo
@franz-scala
@volition_london

Radondo - Doubt (Franz Scala Remix) [Volition]

INCOMING :  Laion - Hand Hand Paw #Feinstoff
Release date : 15/08/2025
BUY : https://feinstoff.bandcamp.com/album/laion-hand-hand-paw-ep

Laion touches down on Feinstoff with a sublime four-tracker that channels the sleek allure of Italo, the sun-drenched moods of early ’90s house, and a sprinkle of rave.
Opening with Hand Hand Paw, an irresistibly hooky bassline slides in early and takes hold, driving high-octane momentum with a glint of trance in its DNA, where rave energy fuses with crisp, Neo-Italo vibes. Built with the floor in mind, it pushes towards an acid-laced finale that seals the deal.
Doctr steps up for the remix, zeroing in on the original’s addictive bassline and letting it dominate the space. A commanding, stomping groove takes hold, stripped back to pure power, with precision layers and sharp dynamics showing Doctr in top form.
JYF shifts the mood into brighter territory, a dominating bassline carrying a French disco shimmer. Major and seventh notes add warmth and lift, while snare rolls build the tension toward a drop that slides in smooth and keeps the floor locked.
Closing with Spinelli Spielloni, the EP returns to darker terrain. An off-beat bass drives shadowy Neo-Italo vibes, stabbing chords slice through the mix, and harmonizing gated synths wrap the groove in a hypnotic grip.

☎️ Connect ☎️
https://soundcloud.com/the-laion
https://soundcloud.com/doctrmusic
https://soundcloud.com/fnstff

INCOMING :  Laion - Hand Hand Paw #Feinstoff

𝘿𝙅 / 𝙋𝙧𝙤𝙙𝙪𝙘𝙚𝙧 (𝙙𝙖𝙧𝙠 𝙙𝙞𝙨𝙘𝙤, 𝙨𝙮𝙣𝙩𝙝 𝙥𝙤𝙥)
💌 contact@moncherguy.com

- Winner of the 𝙈𝙖𝙙𝙘𝙤𝙤𝙡 𝙏𝙖𝙡𝙚𝙣𝙩𝙨 𝙁𝙚𝙨𝙩𝙞𝙫𝙖𝙡 in Madrid (2024).
- 𝙍𝙄𝙁𝙁𝙓 𝙧𝙚𝙫𝙚𝙡𝙖𝙩𝙞𝙤𝙣 at Delta Festival (2022).
- Released on 𝘾𝙖𝙛𝙚́ 𝙙𝙚 𝘼𝙣𝙖𝙩𝙤𝙡𝙞𝙖, 𝙈𝙪𝙡𝙩𝙞𝙣𝙤𝙩𝙚𝙨, and 𝙂𝙧𝙤𝙤𝙫𝙚𝙧 𝙊𝙗𝙨𝙚𝙨𝙨𝙞𝙤𝙣𝙨.

Cowgirl électro, Mon cher Guy est une DJ et productrice indie dance qui nous entraîne dans un univers forain merveilleux et cinématographique.

Après s'être affirmée sur la scène électro underground dès 2022 avec des dates au Rex Club, au Sucre à Lyon, au Badaboum ou encore au Warehouse de Nantes, elle franchit une nouvelle étape en 2024 en s'ouvrant aux musiques actuelles. Son EP Cowboy Circus, sorti le 13 juin, lance sa première tournée live set, où la jeune productrice nous entraîne dans un chapiteau sombre, porté par des compositions épiques aux rythmes galopants. L'EP comporte deux collaborations : l'une avec le groupe Les Clopes, l'autre avec Alice et Moi.

Mon cher Guy a été headliner au Popup! en février puis au Point Éphémère le 6 mai. Elle s'est produite à Madame Loyal, au Cabaret Sauvage, au Pitchfork, au Madcow et a remporté le Mad Cool Talents Festival à Madrid après avoir été révélée au Delta Festival par RIFFX.

www.moncherguy.com

Le Funambule (Extended)

𝕸𝖔𝖓 𝖈𝖍𝖊𝖗 𝕲𝖚𝖞

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