True ti The Game

A song about impatience

LYRICS:

When are you gonna get up?
When are you gonna get up?
When are you gonna get up?
This place is dead anyway!

What are you trying to say to me?
I got better things to do
Gotta apply some history
or it'll get up inside you
Whether or not we're gonna see this through
will come down to a roll of the dice
For better or worse we're gonna weather the storm
in the shed with the rats and the mice

Darling, I can't tell you how to feel
Unless you know what's going on
inside my head

When are you gonna get up?
When are you gonna get up?
When are you gonna get up?
This place is dead anyway!

What are you trying to do to me?
You're gonna burn everything that we built
At the end of the day, it was a stupid phrase
that I uttered out of shame and guilt
When the clock strikes twelve
we're gonna gather ourselves
all together in a cowering heap
And we'll all lie down
while the wolves surround us
like a flock of old, oblivious sheep

What are you trying to say?
I got better things to do
When are we gonna play?
I got a treat I've been saving for you
What are you trying to do?
You're gonna burn it all to the ground
And whether it's one or two,
it's not gonna matter when the wolves come around

When are you gonna get up?
When are you gonna get up?
When are you gonna get up?
This place is dead anyway!

Get Up

Drake type beat.
J cole typebeat.
Boom bap type beat.
Hip hop type beat.

What is love TB (Prod. Mondo Lafiet)

Underneath a modern moon,
Door to door with a hidden heart.
I see it coming soon, but I can’t make out what it is.

Overheard in a dulling dream,
I knew at once how I would die
And I wrote it on a magazine with a redwood cut down.
Just count the rings.

Late night in a sudden glimpse,
Stand out in the sea of stars.
You’ve got that look in your eyes,
could make a dead man dance.
Bite your lip. I've seen this before.
Here comes one more.
Here comes one more love song.

Fall back against the door.
Drown out that city hum.
Let's make time to chase the sun,
Tie her up, It warms my blood.
My blood, it boils.

There's a hunger.
A wildfire on the ridge could bring
The gentle giants to their knees and roots.
Nothing from something that you wanted endlessly.

You’ve got me by the tail,
Bewitched in the front lines
like sacrificial lambs.

We judge so much by how we think it will measure up,
A prison built from the inside out,
And etched into the wall

Is the secret,
Conspiracy in time to still the lion’s heart,
Misdirection’s art.
Pull the curtains.
I am haunted by your gaze.
Won’t you take me prisoner?
I am faithless at the feet of the guardians of the sun.
I am wicked and divided,
Frustrated and biting my thumb.
Keep me still.
Protect me from the lie that’s reinforced around us.
You and I, reflect the light into
the night.
Don’t go into the night.
_____________________________________________________

Produced by Curtis Peel
Coproduced by Dave Brandwein

Mixed by Jason "Jocko" Randall
Mastered by Jeff Lipton and Maria Rice
Engineered by Dave Brandwein
Vocal Engineer - Andrew Greacen
Album Artwork - Curtis Peel & Jason Risner

Galaxy Smith Studios - Brooklyn, NY
More Sound Studio - Syracuse, NY
Peerless Mastering - Boston, MA

Joey Campanella - Drums
Joshua Curry - Bass
Steve Okonski - Organ, Synthesizer
Curtis Peel - Vox, Electric Guitar, Acoustic Guitar, Synthesizers
Robert Sulzer - Electric Guitar

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Spring Songs
Duration: ca. 20'
Instrumentation: tenor and piano
Performers: American Modern Ensemble - Alok Jumar, tenor; Geoffrey Burleson, piano
Recorded at Opera America's National Opera Center, Marc A. Scorca Hall, New York, NY, USA, June 4, 2019
Publisher: Bill Holab Music: http://billholabmusic.com/store/index.php?keyword=spring%20songs%20-&main_page=advanced_search_result&search_in_description=1
For More Information: https://robertpaterson.com/spring-songs-version-for-tenor-and-piano

I. English Sparrows (Washington Square) (Edna St. Vincent Millay)
II.  April 5, 1974 (Richard Wilbur)
III. Done With (Ann Stanford)
IV. The Widow’s Lament in Springtime (William Carlos Williams)
V. Spring Rain (Sara Teasdale)

PROGRAM NOTES
Spring Songs for tenor and chamber ensemble or piano is my third song cycle celebrating the seasons. As with the first two, Winter Songs for bass-baritone and Summer Songs for soprano, this cycle contains settings of poems by various American poets.

Whereas both Winter Songs and Summer Songs end with scenes in New York City, Spring Songs begins with New York: a setting of English Sparrows (Washington Square) by Edna St. Vincent Millay, a poem about a scene that takes place in the morning in Greenwich Village, a neighborhood in New York City where Millay lived in the early 1900s. The second movement is a setting of April 5, 1974 by Richard Wilbur, a poem Wilbur wrote in honor of Robert Frost’s one-hundredth birthday, and I interpret as being about overcoming self-doubt through wisdom, and about understanding the change of seasons, but also a change of mind. The third movement, Done With by Ann Stanford, I interpret to be about death and rebirth. Stanford symbolizes this by a house being torn down and the ground paved over, the now suffocated plant life yearning to break through. The Widow’s Lament in Springtime, the fourth movement, is a setting of a poem by William Carlos Williams. I interpret this poem as a modernist, pastoral elegy that uses images of nature to lament the death of a loved one. The final movement, a setting of the poem Spring Rain by Sara Teasdale, is about a happy memory of a lover brought about by an evening thunderstorm.

Spring Songs was commissioned by Rick Teller and Kathleen Rogers and was premiered at Carnegie Hall’s Weill Recital Hall by the American Modern Ensemble, Alok Kumar, tenor, and Geoffrey Burleson, piano.

Spring Songs (Piano/vocal) - IV. The Widow’s Lament in Springtime (William Carlos Williams)

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MYSTIC

Producer/Artist & Song Writer
i stand by my work 100%, for all inquiries contact me at: Mondolafiet@gmail.com

What is love TB (Prod. Mondo Lafiet)

Mondo Lafiet

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