Нам пора feat s0.any

Taken from "Wildlife Processing" LP
ASYNC002 | Vinyl, Digital.
Released: Sep 18, 2020
@asyncro

https://asyncro.bandcamp.com/album/wildlife-processing

Instable Edit

Wraps 160

Wraps 130

various artists - ugly001 - megamix - 2xcd
limited to 100 copies, st. petersburg, russia 2022.
https://ug1y.bandcamp.com

13 - Audio 0006

Rain Step

what game

We are happy to present a debut mixtape by 0b3th (@user-27807423), including a few punchy unreleased tracks. Sounds promising!

WD Blue

0b3th - WD Blue

twoheaded dog

track 2 from "tumbling towards a wall"
LP out now
https://boomkat.com/products/tumbling-towards-a-wall

DIGITAL DIRECT: https://ullastraus.bandcamp.com/album/tumbling-towards-a-wall

soon at a store near uu

tumbling towards a wall

leaves and wish

releases November 20, 2020
mastering and lacquer cut :: Mike Grinser (Dubplates + Mastering, Berlin)
mixing assistance on "An Indefinite Lattice" :: Nathan Taylor

all proceeds to NHLC (Honolulu, HI) :: nativehawaiianlegalcorp.org

"Indefinite Lattices, the new 12-inch record by Glyn Maier, is rock music of a very different order. During visits to two mineral-rich sites, Maier collected field recordings of these environments which were then re-synthesized into four extended compositions. At Ringing Rocks in Pennsylvania, a field of boulders make bell-like tones when struck, as well as low-frequency tones that are unhearable by humans. (Scientists have yet to discern why the rocks ring, but believe it may have to do with the freeze-thaw cycle that produced them.) The other site visited by Maier—the fairly remote Kaʻena Point on the coast of O’ahu, Hawaii—was believed to be the departure point for souls leaving this world.

The unstable rhythmic patterns from these spaces, as well as Maier’s tappings, scrapes, and footsteps throughout the two sites, are paired with lullabilic progressions and ghostly effects. Instead of the artist’s personal expressions, the tracks on Indefinite Lattices are envisioned as lithic formations in their own right, as things grown rather than produced. They seem to have peaceful but complex lives of their own. Guided by notions of deep ecology—and an anti-colonialism that recognizes the bloody histories of these two sites—Maier refashions the instrumental utility of electronic music so that the agency of environments is emphasized.

Like watching rocks fall down a cliffside and splashing into a stream, or the humbling calm of a thunderstorm, one is left wondering whether this record is the result of human intention or a combination of natural forces. Treading the line between traditional and experimental approaches to ambient music, Maier edits the contingency of his gear’s electrical signals and the recorded environments into tightly conceived compositions. Indefinite Lattices is documentation of moments in the geological process, but also illustrates the geologic nature of art itself.

---

Glyn Maier is a sound & field recordist and conservationist living in the Unorganized Territory of South Oxford, Maine. He previously released music under the alias Lack. "

Indefinite Lattices

Glyn Maier - An Indefinite Lattice (ENM08)

contact: ladapassenger@gmail.com
@olegbuyanov

Wraps 160

Moneyisagas

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