Spooked!

~ IIKKI 002 ~

artist : andrea belfi 
album : alveare
duration : 34.26 mn
date : 17.01.17 
edition : vinyl, limited to 500 copies + fine art book, limited to 500 copies

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pre-order : January 03th / official release : January 17th, 2017

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all tracks played and composed by Andrea Belfi on drums, percussion and synthesizer.
Audrey Chen: cello on "grigio"
Attila Faravelli: rotating speakers on "abito"

mastering by Giuseppe Ielasi in September 2016
artwork by Matthias Heiderich
design : Sprflxgrfzm

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Links :

Andrea Belfi : 
http://www.andreabelfi.com
Matthias Heiderich : 
http://www.matthias-heiderich.de
IIKKI :
http://www.iikki-books.com
https://iikki.bandcamp.com
https://www.facebook.com/iikki.books

Andrea Belfi - Alveare (album preview)

Their Prayer

'Daydreams In Low Fidelity' is the new work from talented UK-based artist Halftribe, who brought us 'Luxia' last year. Presented in a beautiful 4-panel CDr with pictures by Brian Young.

Written and Produced by Halftribe. 
Mastering by Rob Small. 
Photography by Brian Young | www.instagram.com/losingtoday 
Archives33 // ArchivesCD014 
Archives / 2017

Buy CD/Digital

Halftribe - This Is Your Light

Full stream of Ellen Arkbro's stunning composition "Mountain of Air," a rework a track from her latest work, 'for organ & brass,' out on Subtext Recordings on April 14.

More info: https://www.xlr8r.com/news/2017/04/premiere-hear-a-stunning-new-composition-by-ellen-arkbro/

@ellenarkbro
@subtext-recordings

More info

Premiere: Ellen Arkbro - Mountain of Air

Arts and culture practitioners and organisations Declare a Climate and Ecological Emergency. See @CultureDeclares 

download to your phone, for participants in the Culture Declares in London ceremony, 3rd April 

'Sonum Vocis Magnum Parvo

This score comprises of both an amplified through composed piece of music and accompanying acoustic bells to be performed as a promenade. Shifting, phasing, moving like a sonic cloud.  Bells are traditionally used to call communities together, to mark the passing of time, to raise the alarm, we wanted to use these modest handbells, intrinsically a small sound, but when multiplied, the gathering of a small sound makes a big sound. Compassionate, compelling - we will be heard!  Sonum Vocis Magnum is a play on words the literal translation to Latin of Small Sound, Big Sound, but therein lies the voice - voices of the people, culture declares…  'Mira Calix 


written and produced by Mira Calix and Ed Handley

Sonum Vocis Magnum Parvo

B1 Kisiani

Silence

Infinite Snow

Frédéric D. Oberland and Irena Z. Tomažin - ARBA, DÂK ARBA - LP

Release date - June 5th 2020
Catalogue nr. - HG2005
Format - Ltd. Vinyl/digital

https://hallowground.bandcamp.com

Tracklist:
1. Grotta (14:29)
2. Amena (06:43)
3. Fumes (08:29)
4. Hieromancy (09:07)
5. Hereafter (04:54)

Credits:
Irena Z. Tomažin: voice
Frédéric D. Oberland: electric hurdy-gurdy (boîte à bourdons V) and processing
Recorded and mixed by Romain Poirier at Le Fresnoy, National Studio of Contemporary Arts, in Tourcoing. Edited by Fanny Béguély, Frédéric D. Oberland & Romain Poirier at Mer Noir, in Paris. 
Mastered by Lawrence English.

///
Frédéric D. Oberland and Irena Z. Tomažin’s »ARBA, DÂK ARBA« was conceived as the soundtrack for the eponymous installation piece by the French artist Fanny Béguély. First presented as part of the group exhibition »Panorama 21 - ›Les Revenants‹« at Tourcoing’s Le Fresnoy Studio National des Arts Contemporains in December 2019, Béguély’s chemically painted photographs focused on humankind’s propensity for self-examination and its attempts to probe the mysteries of the past, present and future. Oberland’s heavily processed electric hurdy-gurdy, the »boîte à bourdons,« provides the foundation upon which the Borghesia member Tomažin unfolds her gripping vocal magic(k). Their dense mesh of soundscapes and singing mediate between the mystic and the modern, the natural and the all-too-unreal to further examine our persistent desire to decipher the signs we find in nature. As the first collaboration between these prolific experimental artists, »ARBA, DÂK ARBA« is as evocative and thought-provoking as the art that has inspired it.

It’s easy to see why a curious instrument like Oberland’s electric hurdy-gurdy would be well suited for the duo’s ends, and within its first few minutes the opening track »Grotta« makes it clear that the Oiseaux-Tempête co-founder is more than capable of weaving dark psychedelic sound tapestries with only limited means. The ritualistic energy that Béguély’s »ARBA, DÂK ARBA« draws on is channeled through abstract drones that mirror the aesthetics of the eight suspended paper rolls the artist’s audience were faced with. When the music becomes denser and Tomažin finally enters the picture with her signature glossolalic vocal performance, it seems as if the drones emanating from her musical partner’s curious instrument bleed right into her voice. Even as the sound of the boîte à bourdons becomes more visceral and Tomažin’s voice more discernible, »Grotta« remains as intangible as the mythological oracles that had informed the work of Béguély. Shorter pieces like »Amena« or the closing track »Hereafter,« though condensed, offer just as much to decipher - a whole musical world to get lost in, full of riddles and uncertainties.

»Fumes« and »Hieromancy« in the second half of the LP are the best examples of how much creative friction lies at the heart of the French experimentalist and the Slovenian singer’s collaboration. While in the former song, Tomažin first takes the lead singing uncanny, circular motives before stepping aside so Oberland can let the processed sounds of his hurdy-gurdy evolve into chilling crescendi, the latter sees both of them take turns in channeling the pervasive mysticism around them. Blurring the lines between the physical and psychic as well as the real and the hallucionary with their music, Frédéric D. Oberland and Irena Z. Tomažin’s »ARBA, DÂK ARBA« is one of the most radical albums in recent years. An unsettling dialogue between two kindred, yet freely wandering spirits.

Frédéric D. Oberland and Irena Z. Tomažin - edits(HG2005)

'Chão Vermelho' (Red Floor) is a collection of ritualistic, lamenting pieces influenced by the increasingly dry ground of the surrounding area of central Portugal from where cellist and singer Joana Guerra resides.

LP (300xBrick red vinyl) + digital coming November 13th on Miasmah.

https://joanaguerra.com/
http://miasmah.com/recordings/

Infinite Snow

Monolake

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