Arcane - Illusions (EXX UNDERGROUND)

'PALMFood drops his second EP on Hommage. With "Manane", "Pelican Habitat" and "Easy Face". Feri, who hails from Budapest, delivers three more pieces of creamy music for our ears.'

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Premiere: PALMFooD - Manane [Hommage]

'Lost On You welcome Alex Cecil with his new 'Microdreaming', a stripped-back gem that won't disappoint.

'Microdreaming' starts off nicely, with its uplifting mood-lifting you from the first beat through beats and harmonies that will transport you back to those party days when the party is in full swing. The track twists effortlessly, while the vocals sit superbly on top adding an extra layer of groove.

'Oneironaut' is a furious and piercing weapon, mixing dancefloor functionalism with raw and distorted sounds. The resulting cut is a slice of electronica fuelled by a few techno tweaks, with as many faces as a Rubik's cube, as well as bass cuts, distorted chops with muffled effects, and vocals that keep things interesting throughout.

The EP is a highly accomplished piece of work that proves Alex Cecil is a true master of his craft. With two unique tracks, "Microdreaming" sends a clear message of emphatically sustained musical relevance to warm the soul that should not be missed.'

Follow: @iamalexcecil // @lostonyoumusic

Premiere: Alex Cecil - Oneironaut [Lost On You]

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Premiere: Disco Dreams - Ether Swamp

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PREMIERE: Billion Watсhers — Metal And Wind (Original Mix) [Polyptych]

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Premiere: Steven Weston -  Connected - Blank Dust

'Temples is a tempting invitation into another world, full of light and movement. From the second the synth comes in this track has got us deep in its pocket. Shotter manages something that is hard to achieve - he has us floating completely, yet steadily carried by tip-toeing metallic rhythm elements and the relentless swells of bright synths. The game changer in the second half is a new, gritty bass quality, which couldn’t roll in any more fiercely. At its fullest the track has us in an uncompromising trance, a relentless movement that we don’t ever want to escape from. Breaking back down to pleasantly gentle hi-hat reverb-tails and inducing synth patterns Temples lets us down easy, with the unspoken promise to return.

Ueno claims the room to itself completely and immediately. The rise and fall of melodic synth lines lead us through a labyrinth at first, leaving plenty of space for imagination. Before we notice playful call-and-response rhythms are teasing our ears, until the track surrenders itself to an ever-growing wave of synth patterns and their behind-the-beat-delay. It climaxes into a haunting silence with tenuous high-pitched sounds and a clear outer space feel. Finally, all elements lock into a comforting groove, driving us forward, not too fast, not too slow - exactly right.

The track starts off with a blissfully nostalgic vintage-feel - slightly muffled, like the humbling quality you get from an old Technics playing your favourite LP. But don’t be fooled, Cube March is bold. And unexpected. Stomping rhythms take over quickly and full-blown gritty synth-stabs cut the air effortlessly, like blades. An unapologetic and careless pumping bass line makes us want to move with every cell in our body. Shotter demonstrates his fearlessness in experimenting with heavy contrasts and elements from different genres here. A break with tastefully placed repetitive rhythm elements is complemented by the constant ebb and flow of melody lines. Both in volume and presence they fluctuate, one handing over the spotlight to the other seamlessly, keeping us hooked until the very end.

This remix lures you away from reality in a matter of seconds, with Definition’s signature heavy hitting bass dominating. He expertly weaves shimmery fills into buoyant synth lines and brings us a skilful mix of dark minimal techno, breaks and infectious monster synth lines. Every so often, he adds a new layer, increasing the depth of the track, before letting it all crumble in a breakdown where time stops and tension grows, as we impatiently await the next rise to carry us away. The lengthy build-ups give this remix the energy to fill any room, easily. It is subtle, yet propulsive, too - a lane that Definition seems to manage regularly.'

Follow: @allanshotter // @definition_artist // @definitionmusic_label

Premiere: Allan Shotter - Ueno (Definition Remix) [Definition:Music]

Pre Order here: https://www.beatport.com/release/macacos-rosas/3873867

Two years on since the release of their latest offering for the label, "Continents III", Swedish duo Elfenberg resurfaces on Stil vor Talent with "Macacos Rosas" - a four-track EP giving full room to their genre-hopping fantasies, playful persona and outside-the-box production philosophy.  Last but not least, this mouthwatering package comes complete with a remix from high-profile Mexican outfit, Zombies in Miami.

Drawing first blood, "Acid Sins Ever Since" channels a vibrant mix of energies, bending the scope between crisp breakbeat traction and 303-infused psy-ops with seamless ease. A proper bouncy joint, geared up for optimal soul and body entrancement down the basement. Proper EBM stuff by the book, laced with a hint of Detroit-influenced electro for good measure, "Bambaataa" takes us on a hectic ride with its laser-guided arpeggios painting all kinds of vivid, lysergic motifs in the sky - perfect for cosmonautical loiterings and frantic boogie sessions altogether. 

Taking Italo for a nocturnal stroll in the jungle, "Macacos Rosas" finds Elfenberg dishing out a melancholia-drenched disco workout, packed with enough all-night-ready oomph and dreamy vaporousness to withstand all types of DJ use and abuse. Adding their inimitably floor-efficient spin to the lead-single, Zombies in Miami pull out the heavy rave artillery for the occasion. A forward-dashing smorgasbord of processed Andean pipes, mystic forest sounds and powerhouse bass moves leading the charge, the Mexican duo's revamp summons visions so deep you'll have a hard time wriggling yourself out of their all-engulfing hoodoo spell.

Elfenberg – Bambaataa [Snippet]

PreOrder here: https://lnk.to/Cioz_DoItTheWayYouFeel_StilvorTalent

Second single lifted from Cioz upcoming debut long-player for Stil vor Talent, "Supermassive Whole", here comes the mischief-making "Do It The Way You Feel" - a two track slice of floor-atomizing manoeuvres all set at hocus-pocusing your heat-craving self into a solar-powered cascade of percussive house, feverish proto-breaks and jagged tech-y moves. Ready to set the hype'o-meter on overheat it is, so better buckle your belt! 

Lead joint "Do It The Way You Feel" is the epitome of a muscular piano-house anthem inbound for restless soul-snatching all the way. Injecting the classic appeal of a quality Chicago jack with proper knee-buckling breaks out the 90s UK sound vault, a kosmische-friendly sense of oneiric spaciousness and distorted cowbells jingling to deadly effect, Cioz' belter of a tune oozes consenting club disintegration in the making. Delving a darker place, "Harakat" goes a more straightforward route with its immersive oriental ambience and all-terrain 4x4 adaptability, trading the main track's loping swagger for a train-like chug that keeps on delivering bar after bar, gaining an intensity that shall prove all the more fuel-efficient in the field.

Cioz – Harakat [Snippet]

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Premiere: LIBS - Retrospection - Position Obscure

We Are Iconyc

Running out of Time (Frank Sonic & Larsun Hesh Remix) [feat. Amy Douglas White]

Booking: andy@notype-mgmt.com


 With recent releases on Einmusika, Lost & Found, microCastle, Stil Vor Talent  and their latest remixes on a lot of different high quality labels it is no wonder that these two dutch heroes are welcomed guests at every occasion. Their unique mixture of cinematographic and melodic techno forms highly enjoyable rides throughout every night.

Behind Mononoid are Igor and Andy from Groningen, the Netherlands. They took the word ‘Mono’ (as in solo) and the word ‘nooit’ (Dutch for never), which basically can be translated into "never alone".

Running out of Time (Frank Sonic & Larsun Hesh Remix) [feat. Amy Douglas White]

MONONOID

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