Minimal techno

Bleak, beautiful, and utterly locked in. EPs 1 through 5 trace Evigt Mörker’s early path: from cavernous ritual techno to shimmering, slow-burn transcendence. Each record stands on its own—but mixed together, they feel like one long breath held in the dark. Cold pressure. Deep time. Pure atmosphere.

Evigt Mörker – EPs 1–5 [Live Mixed Sequence]

For Episode 479 we are happy to present Gent.

Hailing from Kosovo, Gent boasts a wealth of experience having graced renowned venues such as Drugstore and major festivals like Ozora and MoDem, continuously pushing his craft both as a selector and label curator here he puts that ability into practice with a tunnelling session for us.

Follow :

https://soundcloud.com/gentvargmal
https://www.instagram.com/gent__gjonbalaj/

Tracklist:

Trømmel - Ecosystem
Scrase - Perc 12
Asusu - Too Much Time Has Passed
Deadbeat - Punta de Choros
Al Wootton - Break The Teeth Of The Wicked
Big Hands - Bacchanalia I (Al Wootton Remix)
Azu Tiwaline - Mei Long
Human Space Machine - Mind Expander
Azu Tiwaline & Al Wootton - Nine Points
Trømmel - The Bacterium
Shoal - Naik
IVU - San
Chris Cowie - Faith
Marco Shuttle - Bombaby
OK EG - Radial
Valentino Mora - Portal
Skee Mask - Stomp
Conforce - Celestion

MNMT 479 : Gent

Fran Acosta @ ExtraMostra x Klub Kollective / Moonback (Granada) / 01-02-25

@fran_acosta_fr
@klub_collective

Fran Acosta @ ExtraMostra x Klub Kollective / Moonback (Granada) / 01-02-25

For our twenty sixth installment we’ve invited Minù Jr, a DJ and producer based in France. He describes himself a as multifaceted project in constant evolution, always in search of new influences.

His music stands out with a hypnotic universe that blends deep techno pulses with sound experiments, creating an immersive atmosphere during his sets.

Last year, he joined the roster of the Lyon-based collective/label Monochrome, releasing an EP titled Qabam — four tracks of synthetic drum’n’bass tinged with dub.

Lately, he has been exploring live performance alongside another producer in the same genre, Tampo.

Some words about this mix:
“In this mix, I've embraced a slower tempo, which has been captivating me lately. Tracks with lower BPMs have become increasingly appealing, and I've been producing quite a few of them recently. They play a key role in my live set with my friend Tampo.

This podcast maintains a steady pace at 120 BPM, featuring tracks from artists I've been listening to for a while, along with some new discoveries.
I hope you enjoy this humble journey.”


Follow:
https://soundcloud.com/minujr
https://soundcloud.com/monochromeasso
https://www.instagram.com/minujr_/

HYPNOSIS 026 MINÙ JR

Some DJs treat genre boundaries like walls; others see them as doors. Craig Gonzalez belongs firmly to the latter camp. A staple of Detroit’s underground and a resident DJ at Paxahau’s Third Thursday monthly, he has long been drawn to what happens when techno’s linear propulsion collides with the restless syncopation of drum & bass. That liminal space, the “grey area” between the two, has become one of the most fertile playgrounds in electronic music over the past decade, and Gonzalez shows why. In this mix, recorded as the opening set on the Movement main stage, he handles tempo as a fluid variable, shifting gears without friction and letting polyrhythms function as the connective tissue. It’s the kind of approach that resists the obvious peak and instead builds a topology of groove, a groove that bends but doesn’t break, carrying dancers across time signatures almost without them noticing. 

And while opening a stage that would later host Deepchord, Sama’ Abdulhadi, Octave One, and Jeff Mills could be seen as a daunting warm-up role, Gonzalez treats it less as preparation and more as architecture. Across ninety minutes, he layers patterns with patience, calibrating intensity so that tension rises and releases without tipping into spectacle. The set moves like a conversation that shifts from whispers to declarations, never overstated but always persuasive. It’s a reminder that flow is not just sequencing but narrative logic, and that true mastery lies not in domination of a dancefloor but in shaping the conditions for everything that comes after.

@craig-gonzalez
http://instagram.com/cgonz313

Write up by @gilleswasserman

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Delayed with... Craig Gonzalez (@ Movement, Detroit, May 24th, 2025)

Berlin-based DJ Jesse G is known for her energetic, genre-spanning sets that surprise and delight crowds, her sound is a playful, wide-ranging medley of deep, metallic, trippy, groovy, jacking, and percussive techno, with diverse rhythms and a UK bass influence.

Her distinctive sound is also informed by an encyclopedic understanding of electronic music and from honing her craft over her nearly six years as an integral member of the staff at the hallowed Berlin record store, Hard Wax. In addition to having held down residencies at RSO Berlin and Tresor, she has played venues such as Berghain, De School, Open Ground, and Blitz Club; and graced festivals including ADE Het Weekend and Nachtiville.

Jesse shared some words about the mix:
“I wanted this mix to sound playful, energetic and organic with a few surprises here and then. It was also important to me to include many artists who inspired me in the last months - be it musically or / and also on a personal level, so this mix is also like a summary of my Summer and the past months.”

Dive in now to a masterclass of contemporary club music.

Follow:
https://soundcloud.com/jessegofficial
https://www.instagram.com/jesse_g/

MNMT 483 : Jesse G

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.
➡️ More info, more music: www.refugeworldwide.com

Help us stay on air by donating to our fundraiser: https://www.gofundme.com/f/help-refuge-worldwide-community-radio

Guest show - Ina Kacz - 25 Aug 2025

Live recording at the Future Intel headquarters in The Hague. Streaming live every Thursday and Friday on YouTube and futureintelradio.com. For more info, visit our website.

gappieouwe ╚═ Future Intel x PODD ═╗ 21 08 2025

One year on, I am so excited to share the recording of my set at Mo:Dem 2024, playing at The Seed stage 🌀💠🌀

My first experience of The Seed blew me away, opening new doorways in my mind and rewiring neural connections between genres and sonic sensations. Each stage at Modem @mo_dem is a universe of its own, and I felt completely at home at The Seed ~ a place for lucid dreaming and floating through the depths of space ✥

I played on Friday night from 11PM-2AM, slithering through subaquatic dubstep, spectral IDM, molten halftime and slinky psychedelic nighttime music of all shades ~

The set starts off propulsive, and as we descend into the night, the energy slowly evaporates, as The Seed shifts into a cocoon of pulsating luminescence for the late night hours. 

Thank you to @marcomental and @spekkiwebu for the invitation and inspiration. Returning to The Seed this year was equally special, it is now deeply nestled in my heart, and the recording of 2025’s set might also surface one day. But for now, I hope you enjoy this dive back to 2024 ~ three hours of psychedelic bass vibrations from the depths ✧｡⋆.

Feat. music by VC-118A, Jonnah, Eusebeia, Forest On Stasys, Eafhm, MARMO, RM Estali, Javier Salazar, Trois-Quarts Taxi System, LOIF, Varuna, Refracted, Toki Fuko +++

📷 by @timnah-sommerfeldt

꧁꧂


Sybil @ The Seed Mo:Dem 2024

There’s always that one set at Perpendicular that people talk about after. In 2024, it was Fhionbarra’s closer, a set that caught everyone's attention and ultimately became the reference point for the entire edition. Coming into this year, expectations were quietly building. The line-up mixed familiar crews with newer names from across Europe and beyond, with London showing up particularly strong. That blend is what makes Perpendicular tick: the local warmth, the international cross-pollination, and the sense that discovery is just as important as reunion.

This time, the slot was different. Instead of a final word, Fhionbarra was handed Saturday late afternoon, when the forest is still glowing with light and people are searching for a balance between motion and pause. He leaned into it with a set built on breaks and halftime, cut clean and calibrated for the hour. No force, no shortcuts, just patience, groove, and trust in the moment.

The effect was undeniable. The crowd didn’t need intensity, they needed direction, and he gave it to them. The floor moved easily, the heat started to fade, and suddenly the afternoon was marked by that rare kind of clarity when the right DJ meets the right context. Fhionbarra proved last year wasn’t a one-off, he can shape a moment on his own terms, no matter the slot.

https://soundcloud.com/fhionnbarra
https://www.instagram.com/fhionbarra_

@espacio-perpendicular
Write up by: @gilleswasserman

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Delayed x Perpendicular: Fhionbarra

We’re excited to announce an exclusive track from MOD label boss Klaudia Gawlas’s forthcoming LP. Vision is set to be released on the Munich-based label Credo on November 21st.

www.mnmt.no

Vision

MNMT Premiere: Klaudia Gawlas — Utility

Spiros Kaloumenos invites some of his favorite producers / techno heroes to remix his latest album 'Unlocked Paths' .
First part features : The Advent & Industrialyzer , Ricardo Garduno, Michel Lauriola, Jusai & Kloves.
Techno at it's finest !

Unlocked Paths Album Remixes, Pt. 1

Anger Management (Jusai Remix)

Buy on Juno: https://www.juno.co.uk/products/maxx-polymeric-10/691286-01/

Buy on Toolbox: http://www.toolboxrecords.com/fr/product/30871/techno-hardtechno/polymeric-10/

Polymeric 10

MAXX - No Reply [Polymeric 10] Out Now!!!

Drumcode returns with its seventh annual ‘A-Sides’ compilation featuring Charlotte de Witte, ANNA, B.Traits and more. B.Traits’ ‘I Feel The Music’ is a huge, percussive big room techno cut...

Read more: https://bit.ly/2LedT9o

Premiere: B.Traits ‘I Feel The Music’

Spectrum - Don`t Stop Me Now - Technodrome

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MNMT Premiere: Klaudia Gawlas — Utility

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