This piece was composed and recorded between November 2013 and April 2014.

A new version of this track is part of the cassette "The Sky Had Vanished" released in July 2015 by Ecstatic Recordings.

https://ecstaticrecordings.bandcamp.com/merch/abul-mogard-the-sky-had-vanished-cassette-2nd-edition-white-cassette


My other works can be found at my bandcamp page:
https://abulmogard.bandcamp.com/


Desires Are Reminiscences By Now

Order here:
www.juno.co.uk/products/benedikt…-vinyl/920213-01/

Emotional Response completes its 10th anniversary by welcoming Benedikt Frey to the label with a special release, a fantastic dub-psychedelic cover of Joy Division, delivered in multiple versions, including a wonderful dub-meets-prog reinterpretation from Lucas Croon.

An established producer for over a decade, with a releases for a myriad of respected labels like ESP Institute, Crème Organisation, Hivern Discs, Live At Robert Johnson and Serious Trouble, plus Frey’s own excellent R.I.O Records that is quickly becoming label to watch, it’s pleasure he joins Emotional Response with a fresh, but respectful remake.

Alongside PiL Ltd, Joy Division were the ultimate post punk band, the music, design and untimely passing of lead signer Ian Curtis, creating a mystique around the band that survives today. Opening their second, and final, album Unknown Pleasure, the song is a big part of their history. Frey’s version – with secret vocalist Carla Koller – offer a wide-screen retake, the dub bass and modulated snare wrap around lyrics, while haunting guitar adds to an unease.

Starting with a classic, but perfect Vocal Mix, there is an accompanying Instrumental that together highlight a propulsion and incessant groove, allowing the space between to herald the production’s beauty.

This is backed with a live remake by Lucas Croon. A label fan since his appearances in Stabil Elite, BAR and The Kloom, this Dusseldorf fraternity member continues Emotional Response’s long-standing association with the city. With celebrated releases on Aiwo Recs and Themes From Great Cities, his fireside remix begins as some dub-psyche odyssey before morphing in to a steppas-delight rock out that will capture the open ears and minds.

To close, Frey returns with his own Dub. Possibly the EP’s stand-out, this half step remix sucks the listener to the spaces between, as vocals dissipate and collapse within, bass bins distorting to distraction, the pull of a true and worthy dub symphony.

B1. Benedikt Frey - She's Lost Control (Lucas Croon Dub)

A1. Benedikt Frey - She's Lost Control (Vocal)

Loose Threads

winter is here and we reminisce about warmer times, embracing the cold with a new lurmix by walter berge recorded at pond earlier this summer.

walter, a producer/DJ active with projects like "Идиот" and "xtc in the xiv", delivered a set of playful rhythms and eclectic sounds that lead us into the late morning hours, forming a deep connection between soundscapes and the nature surrounding the pond#2 dancefloor.

press play,
 and let the music imbedd you in it’s gentle atmosphere

𓍊𓋼𓍊𓋼𓍊𓆏

[lurmix003]: Walter Berge

Archaeologies of Destruction is a meditation on decay, vacancy, latent potential, and dormant life. Unfolding as both a sonic and socio spatial reflection, it gathers material recorded over two years during the production of a hybrid documentary project of the same title. Condensed into a single long-form piece, these recordings peer and listen inside some of the thousands of derelict buildings scattered across Lisbon and its peripheral neighbourhoods, a city now enduring an acute housing crisis.

Obscenely empty, left to rot, these structures shelter sonic micro-ecosystems within their crumbling walls. Recorded, processed, and amplified live in situ, they resonate with abandonment and void – yet also point toward hidden life, availability, and the possibility of reuse.

Thanks to „Tia“ Helena Carvalho, João Cão, Marta Lourenço do MUHNAC, Pessoal do Segundo Torrão, Renata Camargo, Francesca di Luca, Tânia Casimiro, João, Joel e Xico do Centro de Arqueologia de Almada and CADA 1. NET

 All tracks composed by Susana Santa-Marta @moodybeaches and Francisco Tavares Moura (frã) @2222catarinaaarbusto8888
supported by: SKH, Stockholm University of The Arts

#noise #fieldrecording #deconstruction #76666 #mixtape

OCO – Archaeologies of Destruction

8_DMN7_buchla_craze_2019.wav

BUY VINYL: http://www.darkentriesrecords.com/store/vinyl/deux-filles-silence-wisdom-double-happiness-2xlp/

The short, mysterious career of the female French duo Deux Filles is bookended by tragedy. Gemini Forque and Claudine Coule met as teenagers at a holiday pilgrimage to Lourdes, during which Coule's mother died of an incurable lung disease and Forque's mother was killed and her father paralyzed in an auto accident. The two teens bonded over their shared grief and worked through their bereavement with music. However, after recording two critically acclaimed albums and playing throughout Europe and North America, Forque and Coule disappeared without a trace in North Africa in 1984 during a trip to visit Algiers. The short and terribly unhappy lives of Forque and Coule are at the root of the small but fervent cult following the mysterious duo have gained since their disappearance, not least because the placid, largely instrumental music on the duo's albums betrays no hint of the sorrow that framed their personal lives.

This would be a terribly sad story if a word of it were true. In reality, Deux Filles were Simon Fisher Turner, former child star/teen idol and future soundtrack composer, and his mate Colin Lloyd Tucker. Turner and Tucker left an early incarnation of The The in 1981 to pursue another musical direction. Turner claims that the idea of Deux Filles came to him in a dream, and he and Tucker strictly maintained the fiction throughout the duo's career. Not only did they pose in drag for the album covers, the duo once even played live without the audience realizing that the tragic French girls on-stage were actually a pair of blokes from south London. Deux Filles released two albums through Turner and Tucker's Papier Mache label, 1982's “Silence & Wisdom” and 1983's “Double Happiness”. Both albums are included here and  blend watery piano, occasionally ghostly vocals, sheets of synthesizers, heavily processed guitars and the barest minimum of percussion. Drifting and wistful, they’re a pair of lost ambient gems from a time when the genre had yet to mature, an excellent example of post-Eno, pre-Orb ambient music.

All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in gatefold sleeve with original front covers of both albums, and a centerfold of archive images and the original liner notes.  Each LP includes a sticker of the Lino cuts by Adrian Gill that was included with the original pressing. “Like an early French film soundtrack with melodramatic overtones, the sound is jagged and disjointed but never harsh. Lilting guitars and ample use of echo smack of Vini Reilly, relying on the hypnotic qualities of the sound rather than abrasive noise" (Sounds, 03/1983)

02 L'intrigue

No One Dances Quite Like My Brothers

Begin to Remember

On the heels of her critically acclaimed, Geoff Barrow-produced debut album, Anika returns with this seductive self-titled EP which features Anika's version of Shocking Blue's "Love Buzz".

The tracks were all produced by Geoff Barrow and Beak>.

stonesthrow.com/anika
Anika EP (buy here) http://bit.ly/WeUxTU


Loose Threads

Moody Beaches

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