    VCO – Voltage Controlled Oscillator, a continuous voltage source, which will output a signal whose frequency is a function of the settings. In its basic form these may be simple waveforms (most usually a square wave or a sawtooth wave, but also includes pulse, triangle and sine waves), however these can be dynamically changed through such controls as sync, frequency modulation, and self-modulation.
    Noise source - A source that outputs a random voltage. Common types of noise offered by modular synthesizers include white, pink, and low frequency noise.
    LFO - A Low Frequency Oscillator may or may not be voltage-controlled. It may be operated with a period anywhere from a fortieth of a second to several minutes. It is generally used as a control voltage for another module. For example, modulating a VCO will produce frequency modulation, and may create vibrato, while modulating a VCA will produce amplitude modulation, and may create tremolo, depending on the control frequency. The rectangular wave can be used as a logic / timing / trigger function.
    EG - An envelope generator is a transient voltage source. A trigger in the presence of a gate, applied to an Envelope Generator produces a single, shaped voltage. Often configured as ADSR (Attack, Decay, Sustain, Release) it provides a transient voltage that rises and falls. It can be triggered by a keyboard or by another module in the system that produces a rapidly rising trigger in the presence of a gate. Usually it controls the amplitude of a VCA or the center frequency of a VCF, but the patchable structure of the synthesizer makes it possible to use the envelope generator to modulate other parameters such as the frequency or pulse width of the VCO. Simpler EGs (AD or AR) or more complex (DADSR—Delay, Attack, Decay, Sustain, Release) are sometimes available.

Processors - characterized by a signal input and an output; it may have control inputs.

    VCF - Voltage Controlled Filter, which attenuates frequencies below (high-pass), above (low-pass) or both below and above (band-pass) a certain frequency. VCFs can also be configured to provide band-reject (notch), whereby the high and low frequencies remain while the middle frequencies are removed. Most VCFs have variable resonance, sometimes voltage-controlled.
    VCA - Voltage Controlled Amplifier, is usually a unity-gain amplifier which varies the amplitude of a signal in response to an applied control voltage. The response curve may be linear or exponential. Also called a two-quadrant multiplier.
    RM - Ring modulator - Two audio inputs are utilized to create sum and difference frequencies while suppressing the original signals. Also called a four-quadrant multiplier or balanced modulator.
    Mixer - a module that adds voltages.
    Slew limiter - is a very-low frequency lowpass filter which slows down changes in voltage. This can be used to create glide or portamento between notes.
    S&H - Sample and hold, is usually used as a control-voltage processor. Depending upon the design, usually an ascending edge (trigger), captures the value of the voltage at the input, and outputs this voltage until the trigger input reads another voltage and repeats the process.
    Sequencer, is a compound module which produces a sequence of voltages, usually set by adjusting values on front panel knobs. Basic sequencers will be stepped by a trigger being applied to the trigger input. More complex designs may have the sequencer step forwards or backwards, or only run for a limited number of stages.
    Custom Control Inputs - It is possible to connect any kind of voltage to a modular synthesizer as long as it remains in the usable voltage range of the instrument, usually -15V to +15V.

Modular Synthesizer

Highlights the 105m, the drone loop the track is built over is processed with a percussive setting, and the only overdub is another percussive voice, in this case a looping preset on the Sub Phatty (bank 1, preset 2) feeding the sync on the 107 which in turn is run through the 105m to create hand drum-like patterns, which were sped up & down to follow the motion of the piece. The drum feel is augmented by feeding that signal through 108m to accent different resonances of the tone. Slow animation of the 105m across the main track (with mix & envelope around 7 & rate at 2) creates a subtly shifting stereo signal from the Sub Phatty's mono output.

III | M. Geddes Gengras

MI Frames Quad LFO mode in control of the madness.... Clouds, Braids, Rubicon, VCO-2rm, Z-dsp......

Modular Heaven

My modular started playing tekno this morning.... could not resist to make a recording.

Tekno Modul1

Live Analog Synth Jamsession 
Elektron Drummaschine SPS1 & FutureRetro

http://whrikk.com/
https://soundcloud.com/whrikk 


Analog Jamsession with Whrikk & Yons

Turbo Nerds Test02

The Deviants are stoked to announce their 7th release- which is nothing less than the debut album of YaraKaviam: Experiment !

This full length 9 track masterpiece is brought to you by the fusion of the two creative minds, Yara and Malkaviam, who spent excessive working hours in the laboratory, analyzing and researching the effect of modulated soundwaves on the human mind.
The groundbreaking audio-outcome of their studies is showcasing perfectly the unique signature sound the duo developed over the years.
The whole album is defined through heavy basses &kicks, underlined by deep atmospheres blending together with mesmerizing layers of sound, all trickily arranged and produced on a high quality level.

User Advice: To maximize the intended effects, we recommend listening on high volume during late night-hours!

10. Yarakaviam - Constructive Resonance

God Rest Ye Merry Gentlemen

Techno-rhythmic emancipator Russell E.L. Butler adopted four Mother-32s and one week later, “Sirens From a Distance” was born.

Watch the video here: https://www.youtube.com/watch?v=slY-F8VJrg0

Sirens From a Distance | Russell E.L. Butler

Oh Holy Night recorded entirely with the Moog Animoog iPad app. if you like it please go here: http://www.facebook.com/moogmusicinc?sk=wall&filter=1 and "Like" it for the Moog Holiday Contest. thanks!

Oh Holy Night Animoog

Christmas Eve (Moog Style) 2011 Animoog Holiday Song Entry

Short jingle mad using Moog animoog. Drums come from Moog filtatron on ipod touch.

2011 animoog holiday song entry

The Vince Guaraldi holiday classic...
HONOURABLE MENTION in Moog's Animoog 2011 Holiday Contest
LOOK FOR the new Mr.PETE HOLIDAY album at https://petedako.bandcamp.com/

Skating [excerpt]

Sevivon (Chanukah)

BLIND BLUE,,,

Artist and musician Emily A. Sprague creates a calming multi-sensory experience set to the ambient sounds of an original arrangement crafted with the Moog One polyphonic synthesizer.

“Chasing Light” is from a short film inspired by the beauty of nature and the joy of connecting with one’s surroundings through sight and sound. To accompany Emily's dreamy soundscapes, this piece (shot primarily with Super 8mm film) takes you inside the artist’s world—her home, the ocean, the mountains. It represents a day in the life of Emily, as she shared her favorite places with us, capturing them through the lens of a camera the same way we captured her adventure.

Watch the film here: https://youtu.be/IzJ9dgGabuo

Photographs taken of and by Emily, along with an in-depth interview about her creative process, are featured at https://www.moogmusic.com/news/chasing-light-emily-sprague. 


More about Emily A. Sprague: https://mlesprg.info

More about Moog One: https://www.moogmusic.com/products/moog-one

Emily Sprague | Chasing Light

∴ memories (Costa Rica Live acts con los amigos, eventos a los que asistimos alguna vez)
★https://soundcloud.com/wizack_twizack (Stone Age https://soundcloud.com/user-691313601) (20/10/2007)
★https://soundcloud.com/ironmadness1 /Sahadai & TDR (7/3/2008)
★https://soundcloud.com/blisargon-demogorgon (2009)
★https://soundcloud.com/para-halu (https://soundcloud.com/psyliferecords) (2/5/2009)
★https://soundcloud.com/malice-in-wonderland (https://soundcloud.com/2to6-records) (31/10/2009)
★https://soundcloud.com/magma_ohm (2010)
★https://soundcloud.com/0restis (2010)
★https://soundcloud.com/terranoise (Doof) (26/08/2011)
★https://soundcloud.com/bodhi1320 (https://soundcloud.com/2to6-records)
★https://soundcloud.com/silly_twit (https://soundcloud.com/neurotrance-records) 
★Grim (https://soundcloud.com/caleidoscopiorecords /Lisergica 25) 
★https://soundcloud.com/lsdemon (https://soundcloud.com/shivasquad-records) 
★ https://soundcloud.com/outstanding-nerd
★Kitsune (9th Circle)(26/8/2011)
★https://soundcloud.com/electrypnose (https://soundcloud.com/2to6-records) (30/5/2012)
★https://soundcloud.com/antagonmedia (https://soundcloud.com/damaru_records) (16/6/2012)
Collaborating with visuals VJ Klados
★Syrus vs https://soundcloud.com/xhamanik-ritual vs Damaru (https://soundcloud.com/isotropicsoundsrec) (16/6/2012)
★https://soundcloud.com/franticnoise (https://soundcloud.com/dark-prisma-records) (16/6/2012)(20/10/2018)
★https://soundcloud.com/dragon-darkpsy (2013)
★https://soundcloud.com/dj-mutaro (21/12/2013) (https://soundcloud.com/deviant-force-records)
★Audiodidaktik & Dj Joshi (https://soundcloud.com/deviant-force-records)
★Dj Styx
★Smoke Sign (https://soundcloud.com/zenon-records) (2016)
★Purist (2022)
✶★✬  🌬.•*¨🐜.¸🦗,•^'➰ᘞ🦇 ※ ∴ ♫ •̃̾↯♪•
maya cosmos records

III | M. Geddes Gengras

moog music

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