moog sound studio

Petals in Sound (Louise Baldwin) is a London-based (UK) artist, producer, and DJ. Born and raised in the seaside town of Southport in Merseyside, Petals in Sound has spent the past two years crafting her sound as an artist/producer, citing techno, disco, house, and everything in between as her influences. 
Having spent years writing music, performing in bands and working in the music industry, it wasn’t until 2017, after purchasing an Arturia Minilab MKII, Ableton Live and a Pioneer DDJ400, that she immersed herself into the world of electronic music production and DJing.  Heavily influenced by the synth-heavy production techniques used by the likes of Daniel Avery and Bicep, Petals in Sound’s music draws references from both acts as well as LOFI-house favourite Baltra, through to the downtempo jazz sounds of Laurence Guy and Chaos in the CBD. She is also a huge fan of all things WOLF Music.
Her debut EP 'PALACE' was released in September 2020 under Miami + Mexico-based Space/ Techno/ House label and party producer Boyanza Records. Additionally, her track ‘Sunlight’ features on the VA compilation ‘SPHERES OF SOUND: In support of Roshni and UKBP' (released 20th July 2020) in collaboration with Manchester-based collective Shifting Spheres.
Petals in Sound playfully attacks the fabric of deep house, pushing and pulling the genre into modern territory with clever and precise production techniques. Warm, lush heady house music, even the mildly weightier darker track of 'Titahi Bay' still stays connected to the heady feeling which is true testament to the producer. With DJ appearances at Folklore and Rye Society in London under her belt, Petals in Sound has also pulled together mix sessions delivering a unique blend of genres including house, disco, Italo, techno and minimal house for the likes of Melodic Distraction (Liverpool), SISU (London) and Empty Plate Radio (Miami).
https://soundcloud.com/petalsinsound
https://www.petalsinsound.com

TRACKLIST:
Laurence Guy - Dreamer
Marina Trench - Train Call
Peggy Gou - Hundred Times
Felipe Gordon - Deep Like The Hole We Live In
Jess Bays - In This Alone
Lis Sarroca - Razz
Felipe Gordon - Gotta Keep Us Separated
Eluize - Up All Night 
Martin Bausch - Drum Me
Letherette - Your Love
Petals In Sound - Dance
Lea Lisa - From Garage
Franc Moody - Flesh and Blood (Harvey Sutherland Remix)
Peggy Gou - Day Without Yesterday
Wantigga - Comigo
Gene Tellem - Big Bill
Petals In Sound - Buoyancy (Bruise Remix)

f:p podcast episode 81_Petals In Sound

Paranoise Live Set 27/03/2021

Poursuite du takeover de Move UR Gambettes ce soir ; on démarre à 19h avec Yagi-Uda sous rythmes syncopés et electro, avant de passer la main à Gioya pour un set breakbeat et technoïde à 20h.
www.radio-sofa.com

20.05.21 - Takeover Move Ur Gambettes - Yagi-uda

Black vinyl
Bleep: bit.ly/2S0SGsF
Phonica: bit.ly/3opugVP
Red Eye: bit.ly/3omvp0z
Norman: bit.ly/3ydoyej
Juno: bit.ly/3hqTdyN
Horizons: bit.ly/3by4pWq
Deejay: bit.ly/2RZiTIc
Decks: bit.ly/3wcqz8S
HHV: bit.ly/3hADjSF
Clone: bit.ly/3wf67UN

Colored vinyl (Limited Edition)
Bleep: bit.ly/2S0SGsF
Phonica: bit.ly/2SY8DQX
Red Eye: bit.ly/3ojM6cI
Juno: bit.ly/33Oo1kU
Deejay: bit.ly/3yhwon2
Decks: bit.ly/3uRdvp6
Clone: bit.ly/2Ro5B7V

D Humanoid - Seen Last

Taken from the upcoming 'Humanoid - 7 Songs' LP, released 30 July 2021 on De:tuned.

www.fsoldigital.com
www.facebook.com/detunedrecords

7 Songs

Pre-order

D Humanoid - Seen Last

Cin Cin returns with a mid pandemic pick me up courtesy of @risataniguchi

Tokyo’s Risa Taniguchi provides some no nonsense big room hypnosis with “Not Yet” primed for the dancefloors re-opening worldwide

Justin Cudmore / Risa Taniguchi ‘Out Run / Not Yet’ EP

Risa Taniguchi - Not Yet

Risa Taniguchi - Not Yet  [clip]

Back in 1997, at the peak of Italy’s underground hardcore movement, a young producer named Manuele Tessarollo, known today as T78 or Activator, dropped his first-ever release under the alias Manuel E.S.. The EP, titled “Welcome to the Next Level”, marked not only his debut into the world of electronic music, but also introduced a raw, energetic, and uncompromising sound that resonated deeply with the hardcore and gabber community of the time.

Released on Italian Steel, a niche sub-label of the legendary D-Boy Records, the EP quickly became a cult vinyl, passed from DJ to DJ and treasured by collectors. With no digital release and no availability on streaming platforms for decades, its legend grew quietly, fueled by word-of-mouth and rave nostalgia.

At the heart of the EP is the track “Old Soul”, a hardcore anthem that encapsulates the raw energy and emotion of the late ’90s gabber scene. 

The rest of the EP delivers exactly what the title promises: a journey into the next level of hardcore — full of distorted aggression, high-speed rhythms, and a youthful defiance that foreshadowed Tessarollo’s future evolution into one of Italy’s most respected techno and hardstyle producers.

Now, after more than two decades in obscurity, Infamia Records has finally reissued the EP using the original master recordings. This long-awaited re-release is a gift to die-hard fans and an invitation for a new generation to discover a hidden gem from one of Italy’s foundational producers.

Artist: Manuel E.S.
Title: Blow Your Mind
Version: Original Mix
Release Date: 05/09/2025

For infos & Licensing contact:
info@autektone.com

Follow The Label:

https://www.facebook.com/Infamiarec
https://www.instagram.com/infamiaofficial/

Welcome To The Next Level Ep

Blow Your Mind (Original Mix)

INF089 - Manuel E.S. "Blow Your Mind" (Preview)(Infamia Records)(Out 05/09/25)

Call me Jeff

Fractured reality - #001

OP-forums presents: OP-1 Battle #72 “1972”

Sounds created with OP-1 (Pulse, Cluster & dBox) and Elektron Analog Rytm mk2
Recorded/mastered on OP-1

https://op-forums.com/t/battle-072-1972/18867?u=lyingdalai

--
Jacques Gourmelen took this photo on April 6, 1972 in Saint-Brieuc (Brittany, France). The striker, Guy Burmieux, and the anti-riot policeman, Jean-Yvon Antignac, had grown up together.

OP-1 Battle #72 “1972”

Moral mirror for a minor

Night Flight

New World

Bass & Sequencer

Night Driver

Apercu

About Face

Quindi Records continues to yield intriguing prospects as we reach the third edition, moving from Woo’s astral ruminations via Cabaret Du Ciel’s sonorous meditations on to the dusty, dusky mantras of Dead Bandit. Maintaining the ambiguous creative practices of the label’s previous releases, ​From The Basement r​eaches to the earth for the malleable grit of post-rock while making the most of the broader sonic outlooks afforded by kosmische and electronic effects processes.
Dead Bandit are Chicagoan songwriter Ellis Swan and Canadian multi-instrumentalist James Schimpl. Swan has previously released solo works including the stunning, inward-looking album ​I’ll Be Around​, a lo-fi Southern gothic dragging the husk of country ballads through battered signal chains. In Dead Bandit, Swan and Schimpl’s artistic vision casts its gaze outwards on a vast expanse, where the distortion has space to stretch its legs and the drums pound out into open space. There’s a common tonality at work here, the duos guitars telling a thousand hard-bitten tales where Swan’s voice falls silent. It’s no surprise to learn Swan and Schimpl’s reference points include Neil Young’s Dead Man soundtrack, SF noise rockers Chrome and the imperial work of the late, great Mark Sandman of Morphine.
You can sense Jim Jarmusch’s America just lingering behind the road-weary thrum of ‘These Clouds’ and detect the shadow of Tom Waits lurking in the raunchy lurch of ‘FF M’. The pointedly titled ‘Sedated’ calls to mind the slowcore movement and its rejection of rock n’ roll’s fixation on speed. Instead, tonality and atmosphere are key across ​From The Basement​, although the ambient lull of ‘I See Her There’ is the exception rather than the rule. Dead Bandit’s desert sound has vibrancy and immediacy to match its moodiness, from the sultry swagger of opening track ‘Mud’ to the bold and borderline bombastic ‘When I Looked Around’.
Like the previous Quindi releases, this record is inherently experimental in nature, but not at the expense of its warmth and instant appeal. From the basement, an inquisitive pair with primitive tools look out and imagine a colossal plain as the canvas on which to paint their picture.
*
*
*
*
*

All tracks, written, recorded, mixed and performed by James Schimpl and Ellis Swan.
Also appearing: Adam Smith (Drums on "Untitled" and "Valentine"; 1st Drum Loop on "These Clouds"; Percussion/Harmonica on "I See Her There") and Steven Skolka (2nd Bass on "I See Her There").

Artwork & Graphics by Visnja Susak. Photographs by Ellis Swan.

Mastered by MA Spaventi. Manufactured at R.A.N.D. Muzik.

Dead Bandit's special thanks: Eva, Rowan, Hazel, Rachael, Jason, Diane, Andrea, Katherine and Jolene.

Quindi's special thanks to Ellis Swan and James Schimpl, Paul H Williams aka Memphis for discovering Dead Bandit and LEDX for their support.

Unconditional love for Ivana and Milla Vittoria

p + c Quindi Records 2021


PRE ORDER LINKS:

https://www.roughtrade.com/gb/dead-bandit/from-the-basement

https://www.normanrecords.com/records/186962-dead-bandit-from-the-basement

https://www.forcedexposure.com/Catalog/dead-bandit-from-the-basement-lp/QUI.003LP.html

http://www.wordandsound.de/article/125663

https://quindirecords.bandcamp.com/album/from-the-basement

https://www.hhv.de/shop/en/item/dead-bandit-from-the-basement-821971

https://www.juno.co.uk/products/dead-bandit-from-the-basement/824737-01/

Night Flight

moog music

Related tracks