Name: Moonoton - No (Bootleg Mix) by Moonoton in Tracks
Duration: 4 min 40 s
Description: The first track from a new Moonoton bootlegs series. Enjoy!

Tracks

Moonoton - Nasty Verse

Moonoton - Let Me Stay

PREMIERE: Retromigration - B=E² [International Chrome]

🟢 Buy Track: https://www.beatport.com/track/crying-robot/20449248
🟢 Buy / Listen Release: https://www.beatport.com/release/vol-3/5063042

🌏 Stay in touch:
www.instagram.com/analogconcept
www.analogconcept.bandcamp.com
www.facebook.com/analogconcept

Vol. 3

🟢 Buy

Fasme - Crying Robot

Moonoton makes a powerful return to IDA with Come Back — a five-track statement featuring three original cuts and two explosive remixes. His late trademark sound is fully intact: an energetic fusion of techno, body music, and industrial textures, delivered with dry, punchy production. Catchy vocal samples and rave melodies ride the line between tension and euphoria, defining a style that has been igniting countless dancefloors. 

Follow
https://soundcloud.com/moonoton
https://soundcloud.com/idasound

BANDCAMP

NEW HIT: Moonoton - Come Back [IDA Sound]

* Subscribe for more premieres: @BoltingBits
* Read more: https://boltingbits.com/last-chance-cauchemar-dance-prima-vista
* Listen on Youtube: https://youtu.be/BbztJb2hcw4
* Pre-order: https://perceptfr.bandcamp.com/album/past-forward-privi004

At the crossroads of genres, Last Chance gives birth to Past Forward. On this second project, the producer plays with the codes of trancy house, blending them with a genuine love for dark disco! This year, Last Chance has refined their musical identity—shaped by frequent trips to Berlin—infusing their tracks with a strong new wave influence. Still enamored with nights spent lost in synths, Last Chance takes us on a retro-futuristic journey deep into the 80s, into a no-tomorrow cyberpunk dystopia where only the dancefloor matters.

PREMIERE: Last Chance - Cauchemar Dance

Buy on Bandcamp: https://tinyurl.com/58ub88wf

Follow on SoundCloud:

https://soundcloud.com/moonoton
https://soundcloud.com/idasound

Follow Suprematic Sounds:

✖ Bandcamp ▸ https://bit.ly/3vU2JPJ
✖ Membership ▸ https://bit.ly/2E9IKCH
✖ SoundCloud ▸ https://bit.ly/2I1OW0g
✖ YouTube ▸ https://bit.ly/3nqP2DS
✖ Spotify ▸ https://bit.ly/suprematic
✖ Facebook ▸ https://bit.ly/2Th3BNY
✖ Instagram ▸ https://bit.ly/2MqfZc7

Buy on Bandcamp

PREMIERE: Moonoton — Their Father [IDA]

* Subscribe for more premieres: @BoltingBits
* Read more: https://boltingbits.com/yablochko-zelenoe-2001-tats-dionysian-mysteries
* Listen on Youtube: https://youtu.be/cGEkWilu4cI
* Pre-order:  https://dionysian-mysteries.bandcamp.com/album/funkthepopulation

Drawing inspiration from ‘90s breakbeat and big beat nostalgia—think The Dust Brothers, Propellerheads, Fatboy Slim, The Prodigy, among others—paired with the a more modern flair, FUNKTHEPOPULATION by Yablochko Zelenoe gives the beloved sound of the ‘90s a massive resurgence. Drenched in infectious raw grooves and packed with hip-hop and heavy metal influences, it’s a spewing fountainhead of optimism for global headbanger syndicates.

“Poison” is unrelenting and rugged, with unsuspecting switch-ups and breaks that keep the listener on their toes. Idealistic rave stabs are peppered with soulful, energizing vocals.

“Groove Street Hooligan” is lowrider-approved, with saucy leads, busted Three 6-style vocals, acid basslines, and tough recordscratches—all repurposed and dialed in for 2025

“2001 Tats” will send any summer party into a frenzy with its catchy riffs and percussive swagger—a menacing DJ’s secret weapon on the dance floor.

“Everyday Underdog” throws back to the grungy elements with its crossover of hip-hop and rock—sounding like something you’d hear at a Prodigy concert: stripped-down, loud, and full of bite.

“Digger Girl” is a heart-filled optic core energy anthem—simple yet effective in its approach, glowing with golden hour radiance.

Yablochko Zelenoe revives the past as he mutates it into something futuristic and entirely his own.

PREMIERE: Yablochko Zelenoe - 2001 Tats

READ > inverted-audio.com/premiere-som-1-akua

French imprint AWO tee off their release schedule with ‘Akua‘, a new single from Montpellier-based production duo SOM.1...Clocking in at 135 BPM, 'Akua' simmers with dark textures and mutant breaks. Peppered with 90s hip-hop vocals, a tightly-coiled arrangement of terse breaks skitters over an ominous fog. Floating amidst cyber-fuelled ceremony and UK bass futurism, ‘Akua’ is music for the dance.

@s-o-m_1

SOM.1 - Akua [AWO Records]

* Subscribe for more premieres: @BoltingBits
* Read more: https://boltingbits.com/first-epoque-al-tarif-redstone-press
* Listen on Youtube: https://youtu.be/77qK3T-CQ6Y
* Pre-order: https://firstepoque.bandcamp.com/album/the-antonelli-scrolls

Redstone Press uncorks another anomaly with the latest offering from First Epoque – The Antonelli Scrolls; an expansive four-track EP of riddled percussive tension and mythic resonance. A relic from an unknown era, like finding a USB stick inside a fossil. Precision-tooled dread, dubbed through unknowable years.

“To The Sea” opens like an ancient machine rebooting underwater — initiated by tidal sub-pressure and log-drum basslines, while rusted pads coalesce like liquid metal in the water. Each sound feels scrubbed of excess, chiselled to bone. It’s ritualistic techno, stripped back and hollowed out, possessed by half-remembered visions of Atlantis.

“Al-Tarif” follows with sharpened urgency — syncopated low-end funk coiled inside a lattice of unstable percussion. An encrypted script traced in stuttering kicks, cavernous bass drops and vapour-trailed synths; its structure feels less composed than summoned. The rhythm moves like a ritual procession: reverent and deliberate. Each percussive accent lands like a glyph etched into ancient stone.

“WRONGMANOEUVRE” — a misstep in the timeline, or a doorway left ajar. The track opens in disarray: detuned pads flicker like emergency lighting in a decompression chamber, while subaquatic kick-drums stutter and buckle under their own weight. The groove is broken but determined, dragging itself forward with a sense of mechanical dread.

Final transmission “Époque No. 25” hits like a rupture in the temple wall — a burst of high-velocity techno carved from scorched circuitry and panic-coded rhythm. It barrels upwards with relentless thrust. There’s no refuge here — only pursuit, propulsion. An overwhelming sense that something unknowable is closing in.

There’s no overt genre allegiance on The Antonelli Scrolls — just the steady unravelling of linear time. One for the initiates. Not easily explained. Not meant to be.

Moonoton - No (Bootleg Mix)

Moonoton

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