EVAPORATE

Pre-orders available here- https://alienjams.bandcamp.com/album/rkss-cutoff-ep

Artwork- Maxi Springer 
Graphic Design- Joe Gilmore
Mastering- Rupert Clervaux

Special thanks to the Carvery

rkss- Wave

Félicia Atkinson - Ma Langue La Premiere (Love Means Taking Action Mix)

Taken from the album 'taking into account only a portion of your emotions' released as CD and Download

taking into account only a portion of your emotions

pinkcourtesyphone 'Reference Point Intermission 1' (EMEGO 236)

INFO => self-titledmag.com/2018/05/11/ne247-meyers-negative-artist-mix/

NE247: Meyers - 'Negative Artist' Mix

core is a feedback loop of the fsh-1 frequency shifter, inside the loop is c0 and mmf-1. modulated by r*s dsg. rhythm and pads itb.

something like a patch diagram: https://imgur.com/6oNm0yH

one output of the fsh-1 goes into the c0 delay (the delay is crucial in this patch, most of the sound gets produced here), the output of the delay goes into a limiter and then back in one input of the fsh-1.
another ouput of the fsh-1 goes into the mmf-1 filter in dual bandpass mode, from there the signal goes again into a limiter and into the second input of the fsh-1.
this is now the basic closed feedback loop, i listen to the mix output of the fsh-1.
by playing around with all the settings i get different tones, again, the delay is crucial here, how much feedback is determined by the limiter and general volume controls or frequency controls of all three modules... now to get a rhythmic patterns going i plugged this "bouncing ball" envelope into the second input of the filter, that is enough to only get feedback at the high portions of the envelope eg i get a rhythmic feedback pattern. variations in tone by manual control of the bandpass settings and the delay time plus occasional tweaks at the limiter section for louder or more distorted feedback. the patch is delicate, i tried to replicate it and i wasnt able to come close to these tones, but other great ones:) enjoy modular synthesis!

fsh1

Released on Longforms Editions March 2019
The title Stereo'frogi'ic is a play on the word stereophonic – to play with the illusion of multi-directional audible perspective – in this case presenting a quasi-bioacoustic sound piece, crafted from found recordings of frogs, insects, a recording of an animal scattering in the bushes and other 'vocal' animals wavering about in a stereo field. This piece was recorded and edited in the summer of 2019.

I have used slightly modified animals sounds to create aural illusions, morphing the perception of animal and machine generated sounds or raw recordings and digitally effected sounds. I wanted to create a tempo that would mimic something similar to the meditative sense you can experience from the flow or sound of the wind and other elements, when you are sitting in an open field while recording.

Stereo'frog'ic (Longforms Editions 2019)

Pre-order availabe now via Imprec.com
Cassette edition of 100 via Cassauna/Imprec

ALEXANDRE BAZIN​ is a member of the ​Groupe de Recherches Musicales​, better known as the GRM, for which he writes documentaries about music for the radio. He is passionate about experimental music and more specifically acousmatic music created by members of the GRM, such as Bernard Parmegiani, Francois Bayle and Guy Reibel. Due to his background as a classical and jazz pianist, Alexandre Bazin is also passionate about instrumental music by the likes of Steve Reich, Erik Satie, Brian Eno ... This album attempts to synthesize these two worlds that are so dear to the composer, either in symbiosis or in opposition to one another with simple and loose melodies as its main theme. The use of analog synthesizers and acoustic sounds are at the heart of the composer's creative process. His music has already been heard thanks to Umor Rex Records in Mexico and the Moogfest festival in the USA.

OCEANS :

"Oceans" ​was written for Marimba, Piano and Buchla Music Easel, in 4 movements around the theme of the Ocean. Simple and loose melodies, played on piano and Buchla. They rotate around the marimba which evokes breathing and the rhythm of the swell. Suspended melodies reminiscent of Generative music although in this case they are an improvisation around a simple motif. Through its title and movements, this work evokes a reflection around climate change and our relationship to Oceans: water, breathing, the repetition of movement, but also its immensity which reminds us of our limits. The piece was performed by Alexandre Bazin on Piano, Buchla Music Easel and Marimba as well as Gabriel Benlolo on Marimba, a member of the Radio France Philharmonic orchestra.

Alexandre Bazin  -  Underwater (Part 4) From Oceans/Dream - Land - Cassette

Moon Wheel — Fördämningar

Everything Minus All

A foretaste of the upcoming Album, winter 2021 (-OUS Records).
_______
Mastering by VFBM 
_______
Immersed in an amniotic atmosphere, we are invited to bathe in the atemporality of the world before birth.

Against a liquid sound background, horizontal sounds intervene that cross space at full speed, stretching time in their course. The speed with which they intervene has the effect of an arrow shot in the direction of a distant future, which brings us back to a linear, horizontal, narrative, historical time, that is to say, to the ordinary world perceived as a successive sequence of events.

The transparency and weightlessness of crystalline sounds act like seraphically elements that connect the fantastic and earthly worlds. At the same time, anecdotal sounds that remind us of specific moments in our lives cross our mind -- liquid, metallic, soft, subtle sounds -- and dense drones mingle to create an experience of their own, each one embedding itself in the personal experience of the listener.

From the beginning we were immersed in this atemporal amniotic atmosphere and then there was the birth, the irruption into the world, history began. We plunged into time to look for the origin, to deepen the story, to understand.

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&#128192; A Blissful Amnesia (Berlin 2021)
&#128192; Okänt Land — Where To Now (London 2015)
&#128192;  Moon Wheel — Not Not Fun (Los Angeles 2013)
&#128192; Black #3 — Nous (Berlin 2016)
&#128192;  For S.M.J — Wool Recordings (Paris 2013)
&#128192; Conglomerate 2 — Minicromusic (Warsaw 2017)
&#128192;  Firmament — Habitat Tapes (Melbourne 2015)
&#128192;  Split w/ Ill Winds — Noisekölln Tapes (Berlin 2012)

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Moon Wheel — Fördämningar

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