wow i love this track, is there a download/purchase link you could share with me? <3

from the album 'ghost poems' available 4/15

Ghost Poems

earthen sea 'rough air'

The inimitable Kranky Ltd, live from LA once a month.

https://www.nts.live/shows/kranky/episodes/kranky-19th-october-2022

Kranky 191022

Flamingo Road musically describes a path full of emotions and feelings that have accompanied me for the last 4 years. Like the flamingo searching for nourishment in the mud, I was on a journey in the mud of time to redefine my musical path and found it in places I had not expected. So I put this album together with its so many different facets to discover the beauty in it like the flamingo. As a drummer and percussionist, the focus is on the rhythms that symbolise the pulse of life. Enjoy the journey with this special music. Made with passion, dedication, love for music and peace.

Legal : www.ullip.eu/video-production
The use of my music to train AI and generate similar compositions is strictly prohibited and will be prosecuted. European and German copyright law applies in all cases. All rights reserved ©

Flamingo Road

Harmonic Waves remastered

Harmonic  waves remastered

All original tracks, this work dates back all the way up until 2016. This album is my life's work up to this point, some unfinished tracks and some finished, I've decided to put it all out there for the world to see and everything is going to be alright now. 

a warm hug from the universe

Circuits of the Soul 417 Hz. [Dark Nature Concept]

Music from the forthcoming EP by Luke Abbott and Jack Wyllie of Portico. 

Released via Buffalo Temple (BFFT003) on 25th September available on 12" vinyl and digitally.

Etxeberri

First episode of a new series of drone music project, have a good travel. 

download on: https://fingersinthenoise.bandcamp.com/

Thanks for all support!

Laurent 

FPR# 011 
released 24 September 2015 
Produced and mastered by Laurent Bisch 
Artwork & Photo: Laurent Bisch 

Drone Serial n° 00​:​29​:​36 (24bits)

Первый Солнечный

Taken from Movements II by Xeno & Oaklander, out May 11, 2017.

The Ghostly Store: https://www.theghostlystore.com/products/movements-ii
Retailer of your choice: https://Ghostly.lnk.to/xo-movements-ii

Movements II

Xeno & Oaklander - Movements II B

An ethereal, unresolved presence fading into the stereo field, Hilja breathes into life with a haunted synth line and self-sampling vocal hook that instantly creates an enchanted space. Hilja is the debut album by Glasgow-based musician Maria Rossi aka Cucina Povera. Named after a style of southern Italian traditional cooking associated with precarity and making-do, a philosophy of simplicity and stoicism that applies perfectly to the spare but beautiful music Rossi experiments with. Hilja’s marriage of minimal synth, field recordings and the hymnal dexterity of Rossi’s vocal performances creates a new language, sometimes literally, to be spoken in some mythological Fourth World we’ve yet to create.
 
Originally from Finland, Rossi brings an acute sense of space, surroundings, and practicality to her working practice, with each composition often relying on a limited sound palette to create deeply affecting messages which transcend language. Cucina Povera’s power is to communicate purely, often down to the solo-choir nature of Rossi’s multi-layered voice, an achingly beautiful instrument which has seems to have an innate spirituality in its grain. The tension between the means and the end is at the heart of Cucina Povera, the invocation of a kind of secular spirituality at times using nothing but Rossi’s voice. Indeed there’s almost a Dogme-like purity to the arrangements: Elektra is a soothing song based around the lapping waves of Rossi’s wordless backing vocals and a simple field recording of stones knocked together. Kehoitus is completely a cappella, a haunted fairytale told in glossolalia, evoking a quasi-religious experience with very little.
 
For music often minimal and simple there’s a boldness that belies Hilja’s status as a debut. Rossi allows each word, each sound and rhythm to exist in its own space, finding its own relationship with its surroundings. Mesikämmenen Veisu is perhaps the most ecclesiastical sounding composition here; burbling water trickles below a virtuoso vocal, with incredible arrangements in several registers undulating above. A meditation to relieve hunger and restriction, it’s a perfect summing up of Hilja, a music ambient but completely earthed, finding enchantment in what you have to hand, the realism of magic, the magic of realism.

Cucina Povera: Totean

Moon Wheel — རྡོ་རྗེ་རྣལ་འབྱོར་མ་

Artist: ASUNA & Jan Jelinek
Album: Signals Bulletin
Label#: Faitiche18
 
Faitiche is delighted to announce the release of a new collaboration between the Japanese sound artist ASUNA and Jan Jelinek: the album Signals Bulletin brings together joint improvisations and compositions made over a period of three years in Berlin, Kyoto and Kanazawa. ASUNA’s meandering organ drones merge with Jelinek’s pulsating synthesizer and field recording loops to create dense superclusters that span broad harmonic arcs.

-

Watching the Japanese sound artist ASUNA playing the organ, some people might be surprised. ASUNA is no virtuoso flying over the keyboard in a rage. Instead, with the calm gestures of an office worker, he cuts strips of adhesive tape to the correct length before sticking them onto the keys of his instrument. In this way, large clusters of keys are held down, creating a dense and sustained range of frequencies, while the sound artist continually prepares further sets of keys or removes tape again. I have rarely seen a more convincing performance concept, with such a power to fascinate.

I first met ASUNA when we both gave a concert at the 21st Century Museum of Contemporary Art in Kanazawa, his home city. He performed the organ drones as described above and I immediately knew I wanted to collaborate with him. Six years and five meetings later, we completed Signals Bulletin. The album includes both joint improvisations and compositions, recorded in Berlin, Kanazawa and Kyoto.

Whether using prepared organ, Casio keyboards or mechanical plastic toys, ASUNA creates rich textures of sound that barely change over long stretches of time. It is a music without breaks. For a while, I was unsure how my loops made using modular synthesizers and live sampling fitted here – until I realized the role I had to take in this duet: I would provide the rhythmically pulsating foundation over which his dense continuums could unfold.

The result is harmonically drifting superclusters that put us into a meditation-like state. It can perhaps be compared to Automatic Writing – a mode of creative expression floating somewhere between concentration and distraction. Both the structure of our pieces and our approach to our instruments allow a similar “absence”: we let the machines play and repeat themselves – while we, in a mild form of trance, adopt the role of observers, intervening only occasionally.

It is no coincidence that ASUNA owns a collection of Doodle Art – drawings jotted down during conversations or while talking on the phone. It is said that works made like this point to the unconscious and reveal pet motifs – because a doodler always inadvertently returns to his or her favourite themes. The artwork for Signals Bulletin features pictures from the collection, in this case sheets of paper from the pads provided in stationery shops to test out pens. The special quality of such doodles is that the jumble of drawings is the work of a collective whose individual members do not know each other. Layer by layer is added, by someone different each time – until it becomes a dense cluster of lines and symbols ...
Jan Jelinek, Berlin 2018

ASUNA & Jan Jelinek: Relief, Pt.1

From "We Can Sleep Now", available on cassette and digital from Unifactor:
https://unifactor.bandcamp.com/album/we-can-sleep-now

The Mountain (cassette out now on Unifactor)

The sound on this release has been examined and produced throughout March and April 2019 in Frankfurt am Main during a music-residency initiated and hosted by "Künstlerhaus Mousonturm" and MMODEMM.

Written and Produced by Asuna Arashi

Asuna - Cloud River Seen From The Window

http://boomkat.com/vinyl/572440-andy-stott-luxury-problems

Andy Stott - Sleepless

@hedon-the-cat

https://hardwax.com/18513/hedon-the-cat/from-inner-space-to-outer-rhythm/

KS Podcast 16: Hedon The Cat

ᴅɪꜱᴄᴏɢʀᴀᴘʜʏ
&#128192; Dewi Ratih (Indonesia 2023)
&#128192; Sketches from Babahan (Indonesia 2023)
&#128192; Khorlo (Berlin 2021)
&#128192; Phyal (Berlin 2020)
&#128192; A Blissful Amnesia (Berlin 2021)
&#128192; Okänt Land — Where To Now (London 2015)
&#128192;  Moon Wheel — Not Not Fun (Los Angeles 2013)
&#128192; Black #3 — Nous (Berlin 2016)
&#128192;  For S.M.J — Wool Recordings (Paris 2013)
&#128192; Conglomerate 2 — Minicromusic (Warsaw 2017)
&#128192;  Firmament — Habitat Tapes (Melbourne 2015)
&#128192;  Split w/ Ill Winds — Noisekölln Tapes (Berlin 2012)

&#128221; hello @ moonwheel.org

ꜱᴇʟᴇᴄᴛᴇᴅ ᴘᴇʀꜰᴏʀᴍᴀɴᴄᴇꜱ
&#x1F1F8;&#x1F1EA; Intonal, Malmö, Sweden, 28/4/17
&#x1f1e7;&#x1f1f7; Teatro São Pedro, Porto Alegre, Brazil, 6/10/16
&#x1F1FA;&#x1F1F8; New York City, Palisades, 5/3/16
&#x1F1FA;&#x1F1F8; Washington D.C, Broken Dreams Club, 27/2/16
&#x1F1EB;&#x1F1EE; Kaiku, Helsinki, 29/1/16
&#x1F1E8;&#x1F1E6; Bethlehem, Chaudetime, Montréal, 27/11/15
✔ Total Control, West Germany, Berlin 20/11/15
&#x1F1F8;&#x1F1EA; Norbergfestival, Sweden, 31/7/15
&#x1F1EC;&#x1F1F7; Βαζακι, Chaniá, Crete, 21/6/15
&#127970; Panorama Bar, CTM Festival, Berlin, 29/1/15
✔ F.T.K., Neue West, Berlin, 8/1/15
✔ about:blank, Oscillate #1, Berlin, 27/11/14
✔ Institut für Zukunft, Leipzig, 31/10/14
&#x1F1F3;&#x1F1F1; Todays Art, Den Haag, 27/9/14
✔ Atonal, Berlin, 23/8/14
✔ BCR #2, ACUD, Berlin, 12/7/14
&#127970; Berghain, Not Equal, 16/5/14
&#x1F1EC;&#x1F1E7; Corsica Studios, London, 27/2/14
✔ Boiler Room, Berlin, 27/11/13
&#x1F1F5;&#x1F1F1; Brutaż, Warsaw, 18/10/13
&#127970; Berghain, Polymorphism #8, Berlin, 4/10/13
✔ Gegen, KitKat Club, Berlin, 3/4/13
✔ RAUM, Berlin, 17/12/11
&#x1f1e6;&#x1f1fa; Jah Jah's, Melbourne, 21/1/11

Moon Wheel — རྡོ་རྗེ་རྣལ་འབྱོར་མ་

🌓

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