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SOUTHSIDE

Eternity's Moratorium

BLACK KRAY - PINK CHXPPV

BLACK KRAY - HIDE OVT

lil ugly mane - porcelain slightly

LIL UGLY MANE - WITH BLEACH & ACCIDENTS

A couple of months ago, we picked out our <a href="http://www.stampthewax.com/2013/08/05/top-five-fela-kuti-reworks/" target="_blank">Top Five Fela Kuti Reworks</a> to mark the 16th anniversary of his death. The overwhelming response was confirmation of the feeling that had compelled us to write the feature; that Fela's musical legacy still resonates strongly today. Another testament of this is Red, Hot & Fela, a new compilation marking the 75th anniversary of Fela's birth, containing 13 interpretations by ?uestlove, tUnE-yArDs, Spoek Mathambo, Nneka, Tony Allen and Chance The Rapper. Our standout, however, was an interpretation of 'Sorrow, Tears & Blood' by a selection of names who were initially a little less familiar: Grammy award-winning string ensemble Kronos Quartet and TV On The Radio's Kyp Malone and Tunde Adebimpe.

Read our thoughts at <a href="http://www.stampthewax.com/2013/10/09/kronos-quartet-sorrow-tears-blood/" target="_blank">Stamp The Wax</a>.

Kronos Quartet & Stuart Bogie - Sorrow, Tears & Blood (STW Premiere)

HotGirl

Lord Jah-Monte Ogbon levels up again on new album Beautifully Black, entirely produced by fellow underground legend Navy Blue. Navy would be a premier choice for collaboration for anyone who knows their rap music, but with someone as talented as Jah-Monte on the mic the results outclass any expectations with ease. Elsesser’s production is smooth and luxurious, a perfect fit for someone of Jah-Monte’s rapping calibre. The two part ‘The Missing Link / The Sneaky link’ is exemplary of this style, the MC’ing on top form but also giving plenty of breathing space for the classically-influenced beat. Not only does Navy match his energy on each of these 11 tracks, he also creates a kind of cohesion often missing on full albums from single rapper/producer combos. It’s been a while since the last time Jah-Monte tapped in with a single artist like this, so to position himself alongside Navy like this is a move that feels as calculated as it does organic. 

‘Tried Your Best’ and ‘Pray For Fame’ feature the very talented Kelly Moonstone, a rapper well worth mentioning for her contributions here because her chemistry with both Jah-Monte and Navy results in two of the best tracks on the record. There’s other features here too (including a standout contribution from Navy himself), but it’s on these tracks that the album’s strongest suite of songs emerges. The beats here really are beautiful, reminding us once again that when it comes to artists with incredible and consistent work rates Navy is right there alongside Jah-Monte himself. In many senses then, this is the perfect album for the two to release at this point in time. 2021 has well and truly belonged to the scene that the two inhabit, and as two of its most proficient members they deserve all of the acclaim that they receive. The fact the last song is titled ‘Complex & Pitchfork Opinions’ should tell listeners everything that they need to know about Jah-Monte’s place in the game, and the further greatness that is undoubtedly to follow. 

https://kingcallis.bandcamp.com/album/beautifully-black-produced-by-navy-blue
credits
releases November 24, 2021

The Missing Link - The Sneaky Link

Bird's Fly

Good news folks ! 
Now available on Itunes. Yeah !

Follow the guide: https://soundcloud.com/trocadero/sets/nrj-club

Womack & Womack - MPB (Missin' Persons Bureau) by Frankie Knuckles ♫ ♫♫

Super-Sonic Jazz was the first album to be released on El Saturn Records, the label run by Sun Ra and his business partner Alton Abraham. Set up in 1955, they released their first singles, including a doo-wop group The Cosmic Rays and the Arkestra's Saturn, at the beginning of 1956, and had recorded the whole of their first album by the end of the year, to be released in March 1957. El Saturn is now considered, along with Charles Mingus and Max Roach’s Debut label and Harry Partch’s Gate 5 label, "one of the very first and most active artist-owned record labels." Often pressed in editions of 75 — sometimes as few as 20 were made for specific concerts — the records would be manufactured using local black businesses, and often put together in Abraham's own home.

*Sun Ra And His Arkestra - India (Mop Mop's Rework)*
Additional production and remix by Andrea Benini
Used Equipment :
MFB Tanzbär Drumcomputer
Roland Space Echo RE-201
Monacor EEM-2000 Analog Echo
Boss KM-60 Mixer
WEM Audiomaster Power Mixer

www.mopmop.com
www.facebook.com/mopmopofficial


Sun Ra And His Arkestra - India (MM's Rework)

https://open.spotify.com/album/4XfjbetSzQqOXXE0NVdOjl

https://music.apple.com/us/album/the-moving-finger/1663546857?i=1663546858

The Amazing Dorothy Ashby in a slight extended version for her beautiful creation "The Moving Finger".

Dedicated to my newborn Aviv "Ginger".

Dorothy Ashby - The Moving Finger (Ginger Dream Edit)

Mario Kart DS [OST]   Yoshi Falls

Alice Russell - High Up On The Hook

Songs ancient and divine - the seventh volume of Jazzman’s acclaimed Spiritual Jazz series examines the influence and impact of Islam on four decades of jazz innovation.

Through Malcolm X and Muhammad Ali, the civil rights era in America saw African American liberation politics famously associated with Islamic belief. This was not the first time that radical developments in African American cultural life had been widely and famously associated with Islam - that distinction belongs not to political or sporting giants, but to the progressive jazz musicians of the bebop generation. Kenny Clarke, Art Blakey, Sahib Shihab, Gigi Gryce, Idrees Sulieman, Ahmad Jamal, Yusef Lateef; all these legendary jazz pioneers - and countless more - were early converts to the spiritually charged Ahmadiyya school of Islam.

Their faith profoundly influenced the music that they made, and the presence of prominent and innovative Muslim musicians at the heart of jazz culture in America has been recognised ever since. The tracks on this collection follow the story of Islam and jazz from the 1950s to the 1980s. Recorded by Muslim jazz musicians, they often draw specifically on Middle Eastern or Islamic music, dream of an esoteric or spiritual Afro-East, or invoke the landscape and sound worlds of Islamic Africa. Spiritual Jazz 7 presents a selection of visionary music - inspired by faith, powered by jazz.

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