Slow ambient, high synth usage, and hypnotic vibes. Updates every Wednesday with popular tracks in Nordics.

Focus Brainwaves

Waltz in F Minor

Shores

The Old Fisherman's Hut (Atmospheric Piano & Ambient Live Strings)

Sheet Music: https://sebastianmorawietz.bandcamp.com/album/passage-of-time-free-sheet-music
Video: https://youtu.be/A-NPT_9SKG4
Hey, it’s me again!
This piece has a long history. I wrote it many years ago, back when I was living in Liverpool. The original title was Waterloo – named after the small seaside town just outside the city. I often took the train out there, just to walk along the shore and gather my thoughts.

The sea has always had a deep, humbling power to me – vast, strong, timeless. It teaches you humility. Being near it felt like standing next to something ancient and wise.

Recently, I rediscovered this piece and played it again. It felt like a quiet conversation with the sea – me asking, the sea answering. That’s how I shaped the sections of the piece: a dialogue between the searching and the still, the questioning and the calm.

The visuals in the video are simple – I’m still learning and experimenting – but they’re meant to hint at that inner process, that silent exchange with something greater.

Thank you for listening.

Yours truly,
Sebastian Morawietz

>> Video <<

Passage Of Time (Notes From The Shore)

Music : MooVan
Producer : MooVan
Cover Art : MooVan

Spotify :
https://open.spotify.com/track/3JOkoAl6LSvbezLFKP5N90?si=acedb543286348bd

Follow MooVan :
📲 You Tube : www.youtube.com/@moovan7
📲 Spotify : open.spotify.com/artist/4EMCDabyk…qjSDWfndcplQtmDw
📲 Telegram : t.me/MooVan7
📲 SoundCloud : @moovan
📲 Instagram : instagram.com/_moovan_

Abandoned

Video Game Legends

Stickerbush Symphony (from "Donkey Kong Country 2")

Winter Moonlight

Glare of Us

Taken from my sophomore album SUNK COST FALLACY, out now via Pilot.
Download/Stream: https://foxstevenson.ffm.to/sunk-cost-fallacy

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Join me on:
Discord → https://discord.gg/foxstevenson
Facebook → https://facebook.com/FoxStevensonMusic
Instagram → http://instagram.com/foxstevenson
Twitter → https://twitter.com/foxstevensonnow
YouTube → https://youtube.com/foxstevensontv

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Artwork by Yue: https://yue-arts.com ❤️

Follow @PilotRecordsUK
Instagram → https://instagram.com/pilotrecordsuk
Twitter → https://twitter.com/pilotrecordsuk

Sunk Cost Fallacy

Download/Stream

Interlude Canyon

At my expense 2

Live Video: https://youtu.be/SUlkvdyt_UU

Hey – it’s me again!
This is Talking to Ghosts — the second release from my ongoing project Cycles I.

I’ve refined my TouchOSC loop engine for this one, making it easier to switch between loops in real time. It’s a quiet but important step forward in my setup — less distraction, more flow.

The piece itself has a strange kind of presence. The loops start talking back. Layers appear, disappear, reappear — like echoes of something that was once there. Or maybe still is.

Over the past weeks, this piece slowly became more personal. As the anniversary of my brother’s death approached, certain memories and emotions began to resurface — quietly, insistently.
I didn’t plan for it to become personal, but somehow it did.
There’s a feeling of reaching out — not knowing who (or what) might answer. A sense of speaking into something unseen, hoping to hear something in return.

Maybe that’s what looping is: a conversation with what’s left behind.

The world is shifting — AI, music, identity, everything. I’m trying to figure out what it means to exist as an artist right now. What can I offer? What am I even trying to say? I don’t have answers yet. But this is part of the search.

Let me know what you think of the piece — and of this format.
It means a lot to hear from you.

Yours truly,
Sebastian

Talking To Ghosts (Live Looping Session)

original sample: https://www.youtube.com/watch?v=pn-yzvKxiW0

her w// lofty

Avenya

Longing

Oasis of Mind

you pass butter

Select your favorite platform: https://ampl.ink/Tangible

"Minimal, elegant, graceful. The beautiful simplicity of ‘A Child Hugging The Tree’ is augmented by a sense of wonder and joy, stirring deep emotions; the sustained notes and elongated pauses allow the music to soak into every pore"

“The album Tangible was composed towards the end of the Covid lockdown. It’s inspired by personal reflection about real and virtual experiences; society has been forced to evolve in terms of how we relate to each other, and to spend a large amount of time staring at screens. However, as the poet Pedro Salinas reminds us: “You always live in your actions. With the tips of your fingers you press the world, you tear off auroras, triumphs, colors, joys: it's your music. Life is what you touch”. 
In this way, the album aims to evoke the strength and purity of the tangible – the experience of hugging, touching wet soil, or getting gently wet from a fine drizzle, arms open and looking up at the sky” B.S

“Right from the start, Bruno Sanfilippo’s Tangible is a blissful, serene dream. The record’s songs blossom gently, like an autumn sunrise, and convey a profound sense of joy and euphoria. Combining piano, strings, and minimalist electronica, there’s real beauty here too; fragile piano lines woven with soaring strings and soft synth washes. Yet Bruno doesn’t merely evoke deep emotions – his work is playful in places, imbued with a little mischief. It’s what gives Tangible its heart and humanity. Sinking into these twelve tracks is wondrously life-affirming, and confirms Sanfilippo as one of the best, most soulful pianists and composers in the world” Derek Robertson, freelance journalist and music writer: Guardian, Independent, NME, VICE, Timeout, The Quietus, The Face.

Recorded by Bruno at Onix II Studio · Barcelona · spring 2020
Analog Mastered by Ian Hawgood
Cover photo and layout CD by Ximena Contreras
Music Video by Aleix Font
Violin in ‘Amapola’ by Laura Masotto
Cello in ‘Amber Light’ by Antonio Cortesi
© ℗ ad21 · under exclusive license to Believe

www.bruno-sanfilippo.com

Tangible

A Child Hugging the Tree

Select your platform

A Child Hugging The Tree

He works in music composition, mixing, and arrangement. His primary instrument is the piano, which he continues to study diligently. He is passionate about Electronic Ambient and Lo-Fi genres and has significant experience creating mashup remixes, narrations, and instrumental pieces (Lo-Fi, Ambient). The main objective in all his work is to create unique textures and atmospheres of the highest quality to evoke specific feelings and moments for the listener. Furthermore, he was primarily responsible for mixing Bamdad Afshar's album "Storyboard 4."

Abandoned

MooVan

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