Heatwave

Perera Elsewhere - Heatwave

Past Machine” (originally written for John Peel):
 "Only a few weeks before the late great John Peel died, he honored Lali Puna by inviting them for a Peel Seesion. It was recorded in BBC's studio 4 in London on sept 30th 2004. The band performed ''6-0-3" , "Small Things" , as well as the exclusive song "Past Machine" and "Nin-Com-Pop"

Lali Puna: Past Machine (John Peel Session 2004)

From the recordings that produced Drums Between the Bells - the collaboration between Brian Eno and British poet Rick Holland – comes an all new EP titled Panic Of Looking.

The 6 tracks continue the exploration of how lyric & song- writing are perceived in the post-everything era.  As the Sunday Times suggests, "The poems aren't sung, yet the pieces are undeniably songlike, first because the music refuses to act simply as background, but lurches frequently, sometimes unexpected to the fore, and second because we hear the meaning of the words in the way we normally pick up song lyrics," while WIRED Magazine calls Eno’s soundscapes, "a tapestry of pillowy synths, minor-key melodies, chiming guitars and skittering drums."

All of these elements come together for the November 7th/8th release of the EP, which was produced by Eno and features his original artwork on vinyl, CD & digital formats.

Panic of Looking

panic of looking

Brian Eno and the words of Rick Holland - panic of looking

"Fantasy" is taken from Prince Rama's forthcoming album, "Xtreme Now," out March 4th, 2016.

Pre-order the album here:
iTunes w/ instant grat: http://smarturl.it/xtremenow_itunes
Carpark shop: http://smarturl.it/xtremenow_carpark

Catch the duo on tour this spring: http://bit.ly/1HT48v5
March 2nd – Kingston, NY – BSP Kingston
March 4th – Brooklyn, NY – Baby’s All Right
March 5th – Washington, DC – Comet Ping Pong
March 6th – Baltimore, MD – Metro Gallery
March 9th Richmond, VA – Strange Matter
March 10th – Durham, NC – The Pinhook
March 11th – Savannah, GA – Savannah Stopover – Club One
March 12th – Atlanta, GA – The Earl
March 13th – New Orleans, LA – Siberia
March 24th – Phoenix, AZ – Valley Bar
March 25th – San Diego, CA – Soda Bar
March 26th – Costa Mesa, CA – The Wayfarer
March 29th – Los Angeles, CA – Resident
March 30th – Oakland, CA – Starline Social Club
April 1st – Portland, OR – Doug Fir Lounge
April 2nd – Vancouver, BC – The Cobalt
April 3rd – Seattle, WA – Barboza
April 7th – Minneapolis, MN – 7th St. Entry
April 8th – Chicago, IL – Schuba’s
April 9th – Indianapolis, IN – Tube Factory Artspace
April 11th – Detroit, MI – Marble Bar
April 12th – Toronto, ON – The Garrison
April 13th – Montreal, QC – Casa Del Popolo
April 14th – Allston, MA – Great Scott
April 15th – Philadelphia, PA – Ortileb’s Lounge

Prince Rama - Fantasy

More infos : http://www.bornbadrecords.net/releases/el-blaszczyk-rock-band-himself-the-quirky-lost-tapes-1993-95/

OUT ON 24th SEPTEMBER 2016

EL BLASZCYK - ROCK BAND HIMSELF-  Quand Tu M'caresses - 1993

Taken from Park Jiha's album 'Communion'
Release Date: March 2nd, 2018
Buy: https://goo.gl/F1NYhR
tak:til / a glitterbeat label
www.glitterbeat.com

Over the last few years a rising tide of new Korean artists have staked a place in the global music conversation. Groups like Jambinai, Black String and Park Jiha’s earlier duo 숨[suːm] have created exciting soundworlds that deftly combine the instrumentation and complex expression of Korean traditional music with an array of contemporary sounds such as post-rock, doom metal, downtempo jazz and classical minimalism.

While Park Jiha’s most recent musical endeavor, her debut solo album “Communion,” is another decisive step towards a more personal and forward-looking musical vocabulary, it also is deeply rooted in her traditional music education and background.

“I play a traditional Korean instrument called piri which is like an oboe. Piri is a double reed bamboo flute so it can be quite loud. Another traditional instrument I use is a saenghwang. A saenghwang is an instrument made of bamboo which has many pipes. It is similar to a mouth organ. It’s an instrument where the sound is made from inhaling and exhaling the air.”

“My main instrument is piri. But I choose saenghwang (mouth organ), yanggeum (hammered dulcimer), percussion or vocal according to the type of music I’m composing. Picking an instrument has to do with the voice in which I choose to talk. Just like human voice, every instrument has its own charm. Piri, which has the simplest structure - yet holds so many variations in playing - is for me the most attractive of all.

The shape of the instrument is humble but it can express sensitive yet deep energy. I feel most like myself when I play piri.”

Though she has played piri since her youth, Park Jiha started her music career by founding the duo 숨[suːm] with Jungmin Seo in 2007 - after she had finished her musical studies. 숨[suːm]’s music, composed with an array of traditional instruments and buoyed by unorthodox musical structures, was an
immediate and profound influence on the new Korean music scene. The duo released the album ‘Rhythmic Space: A Pause for Breath’ in 2010, and ‘숨[suːm] 2nd’ in 2014. Their innovative, neo-traditional compositions began to echo outside of Korea and they were invited to acclaimed international festivals such as WOMAD and SXSW.
.
But Park Jiha started hearing a much different music - one that directly interacted with more distant sound traditions and a more eclectic instrumental palette. Putting 숨[suːm] on pause for the moment, she started collaborating with John Bell (vibraphone) and Kim Oki (bass clarinet, saxophone) to create “Communion,” her first solo album. Originally released in Korea in 2016, the album’s compositions are sometimes hushed and other times slowly swelling and dynamic. But they all share a stark rejection of
ornamentation. It is a music of fundaments and clarity. It skillfully unites hypnotic minimalism and experimental strategies with Park Jiha’s distinctive mastery of the piri, saenghwang, and yanggeum.

One can sense that this music is deeply connected to its composer. It is not an abstraction. It carefully and conscientiously draws in the world around her. The flow of water and the dawning of seasons. Love and loss. Light. Shadows. Nothing superfluous. A meticulous balance. A communion.

“I don’t know what kind of music I will play in ten years. But I know for sure that I will have been living sincerely.”

Communion

Sounds Heard From The Moon

Park Jiha - Sounds Heard From The Moon

Collaboration with Lucrecia Dalt for C/L/A/W Radio RBMA

Underneath The Red Earth

Taken from the album Debris, released January 17th, on @theleaflabel. Pre-order: 
https://keeleyforsyth.bandcamp.com/album/debris

Debris

Mountain Dub

'Fearless' taken from the forthcoming Jon Hassell album 'Seeing Through Sound (Pentimento Volume Two)' out July 24 on NDEYA.

Pre-order here: https://ndeya.ffm.to/seeingthroughsound

FURTHER READING ON JON HASSELL:
Fourth World in the 21st century: www.residentadvisor.net/features/2984
Brian Eno on Jon Hassell: www.theguardian.com/music/2007/nov/09/jazz.urban

https://jonhassell.com/
https://jonhassell.bandcamp.com/
https://www.facebook.com/OfficialJonHassell/
https://twitter.com/ndeyarecords
https://www.instagram.com/ndeya_records/

Jon Hassell | Fearless

by Masayoshi Fujita & Jan Jelinek 
"Bird, Lake, Objects" (2010 Faitiche)

I'll change your life / Masayoshi Fujita & Jan Jelinek

Morr Music merges electronic and indie musical disciplines that many consider the label to have invented its own genre. It's roster is certainly a testament to this fact - the likes of Lali Puna, Múm, Isan, Seabear, Sin Fang, Sóley, It´s A Musical, Masha Qrella, Tarwater, Fm Belfast, Pascal Pinon, Butcher The Bar, Telekinesis, Opiate, Ms. John Soda, Tied & Tickled Trio, Electric President, Radical Face, The Go Find, and B.Fleischmann making for an impeccable roster. With more than 100 Albums in its catalogue, Morr Music is a label that truly has something for everyone. 


Lali Puna: Past Machine (John Peel Session 2004)

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