Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'The Last Day':

“Spike had become friends with Skyler Grey a few years ago. When I first started working on the record, we were coming up with list of possible collaborators, and her name came up. Skyler just has a remarkable gift for lyrics and melody, and her voice has such a distinctive, beautiful quality. 

For ‘The Last Day,’ we collaborated on the lyrics and the performance: I wanted the vocal to have this specific, delicate vulnerability to it. The last thing I did to this song was add six tracks of Sonic Youth/Glenn Branca-style feedback: I put in earplugs, did open tunings on some guitars, put them through two distortion pedals into the amp, and just recorded track after track of feedback to create this weird subsonic wash. In it, the loud feedback is mixed really quiet, which gives the song a kind of atmospheric space the song wouldn’t have otherwise.”

Innocents

The Last Day (feat. Skylar Grey)

Buy on iTunes

Há de ventar
Composição: Letra: Bruno Morais / Música: Bruno Morais E Tomás Falqueiro

Se tem vento lá fora,
deixa entrar.
Não se esconda,
debaixo da cama também há de ventar.
Abra os olhos, movimento involuntário.
Só os faça abrir e encarar de uma vez,
há de ventar.

Abra os olhos, reconheça,
há de ventar.
Abra os olhos, reconheça,
vento bom há de ventar

Há de ventar

The remix is created by using stems from 5 different tracks from the Moby's "Innocents". 1.The Last Day 2.Everything That Rises 3.A Case For Shame 4.Saints 5.Almost Home.

Remix by Poordream
Original track by Moby

Poordream is the personal music project of composer & sound designer John Valasis
www.johnvalasis.com

Moby - The Last Day (Poordream Remix)

Two Feet - Call Me, I Still Love You (Extended Version) (Slowed + Reverb)

THE FAMILIAR - "Rooms" EP (2014)
WORLD ENDS VIDEO - youtu.be/73AATZ9m-qI
Tromsø, Norway/ Brooklyn, NYC
facebook.com/TheFamiliar
thefamiliar1.bandcamp.com

Rooms

World Ends

Taís Alvarenga - Ainda Penso - Versão CD (Tema Verdades Secretas).mp3

MashUp entre: 
Massive Attack - Angel 
e All Saints - Black Coffee

Coffee Angel Black (MashUp Remix by Bernardo Baena) Trilha Sonora 'Verdades Secretas'

Dreamers

Golden Hours

Artificial Nocturne

From the album Dormarion, out April 2, 2013 on Merge Records.
http://www.mergerecords.com/store/store_detail.php?catalog_id=927

Dormarion

Buy from Merge

Telekinesis "Ghosts and Creatures"

Telekinesis is both a band and a person. It’s taken Michael Benjamin Lerner, now a wizened, grizzled 26-year-old, four years to come to terms with this and understand what responsibilities it does and does not entail, although one would not, from listening to its/his previous two albums, 2009’s self-titled debut and 2011’s 12 Desperate Straight Lines, detect any hint of confusion or self-doubt, aside from the songs that were directly about confusion or self-doubt. His third album, Dormarion, is, then, in ways both practical and profound, the sound of a man figuring out exactly who he is. Also, it’s a total fucking hoot.
Lerner wrote the 12 songs that comprise Dormarion in early 2012—half at his home in West Seattle and half at his family’s house in the San Juan Islands—with the original intention of recording the album completely on his own. Instead, he road-tripped over the summer and made the record in two weeks with Spoon drummer Jim Eno in his Austin, TX studio, Public Hi-Fi. On Dormarion Lane, to be specific. “It’s a beautiful-sounding word, and if you Google it, nothing but this one tiny street comes up,” says Lerner, although this is obviously about to change. “No origin, no description. I can’t tell you what the word means. It’s like something from Lost.”
So there’s two drummers, and no one else, collaborating shoulder-to-shoulder on a musically adventurous album containing two centerpiece songs on which there are no drums whatsoever. The breakthrough, musically and otherwise, came with the eighth song written for the record, “Ghosts and Creatures,” a keyboard-driven, spacey, and darn near Goth turn that marks a conscious departure from his guitar-bass-drums power-pop racket. “That was the most unlike-me song I’d ever written.”
When you see Telekinesis perform this year, Lerner will be backed by Erik Walters of The Globes on guitar, Say Hi’s Eric Elbogen on bass, and Rebecca Cole of Wild Flag and The Minders on keyboards.

Telekinesis: Ghosts And Creatures

Morr Music merges electronic and indie musical disciplines that many consider the label to have invented its own genre. It's roster is certainly a testament to this fact - the likes of Lali Puna, Múm, Isan, Seabear, Sin Fang, Sóley, It´s A Musical, Masha Qrella, Tarwater, Fm Belfast, Pascal Pinon, Butcher The Bar, Telekinesis, Opiate, Ms. John Soda, Tied & Tickled Trio, Electric President, Radical Face, The Go Find, and B.Fleischmann making for an impeccable roster. With more than 100 Albums in its catalogue, Morr Music is a label that truly has something for everyone. 


Telekinesis: Ghosts And Creatures

morrmusic

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