Adieu l'enfance

Adieu l'Enfance

Hercules & Love Affair - Painted Eyes

MERCI BEAUCOUP

02 - This is not your song

Replonger

Music to hump to #2. A weekly foray into tracks to make love to your old lady (or dude) to.

This week, a homage to 90's messed up 6am humping.


DEATH IN VEGAS - Your Loft My Acid (Fearless Trans-House Mix)

The Knife- Got 2 Let U

Charlotte Gainsbourg - Deadly Valentine (SV REMIX)

Extract of Scratch Massive new album "Nuit de rêve".
with featuring of Jimmy Somerville (Bronski Beat / The Communards), 

(c) Pschent Music 
(p) Because Editions / Sawnd

Scratch Massive Feat Jimmy Somerville - Take Me There - Album Version

CHROMATICS – LOOKING FOR LOVE

you can hold my hand and we can laugh about it but dont make me understand that what we have right now could be more ... if only we could sleep together and wake up as better friends eat breakfast while we talk about how ugly we look in the morning bet you that would be a great start to the day we can call

Gold Lip - Breakfast Song

The new album from Hercules & Love Affair - Blue Songs is out on CD, limited edition 12" and download on 31st January. It features collaborations with Kele Okereke, Shaun Wright and Aerea Negrot as well as the new single My House.

[www.myspace.com/herculesandloveaffair]
[www.moshimoshimusic.com]
[www.cooperativemusic.com]

Painted Eyes

Moshi Moshi Records started off as a hobby in 1998. Set up by three friends who had jobs working for major record labels. It was intended as a way of working with the bands that they loved but which didn’t fit in with the agenda of the day-job taskmasters. Early single releases from Zan Lyons, Kathryn Williams & Pedro and J Xaverre earned the label some plaudits. And sold a few records. Over the next five years Moshi Moshi slowly started to build a reputation for interesting, slightly leftfield, low-key releases. Then in 2004 things changed. For a start Moshi stopped being a hobby and became a fulltime job. Very soon after, Hot Chip and Bloc Party arrived and Moshi Moshi quickly became a name known to more than a few. Chart success followed with Yeti and The Rakes and higher-profile album releases from Architecture In Helsinki and Au Revoir Simone helped lift the label onto a new level. Then from 2006 onwards came artists such as Hot Club De Paris, Tilly And The Wall, The Wave Pictures, Slow Club, James Yuill, The Drums, Summer Camp, the list goes on.

In late 2006 the two remaining Moshi Moshi founders decided they wanted to get back to their one-off 7” release roots and the Moshi Moshi Singles Club was born. The intention was to try and release one 7” each month by a new up-and-coming artist. It would be limited to 1000 and only be available in a select group of indie stores. The artwork would be restricted to one colour and be designed by the bands themselves. Now some 40+ releases later the singles club’s roster makes an impressive list – (including) Kate Nash, Late of The Pier, Friendly Fires, Lykke Li, Florence and The Machine, Kindness, Dananananayckroyd. Disclosure. In 2011 Moshi Moshi expanded its remit by partnering up with some very talented young A&R folk to set up the imprints Tender Age, Not Even, Apricot and Dream Beach. Working under the Moshi Moshi umbrella these new labels have already yielded a clutch of exciting releases by artists from as far afield as Kenya and Seattle.

At the same time as running the record label Moshi Moshi Management has been quietly guiding the career of Metronomy and Slow Club as well as producers Ash Workman and Ollie Bayston. From 2012 this side of the business started to expand dramatically and now features a sizeable roster of emerging artists.

Looking back on the Moshi Moshi roster (particularly since the label ‘went fulltime’ in 2004) it’s a collection that bears comparison with any of its peers. For a label run by two people with no financial backing, it’s nothing short of an inspiration.

Painted Eyes

moshi moshi music

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