http://www.butwehavemusic.com/au-revoir-simone-we-both-know-pete-wiggs-remix-26991

Thinkspace Masters Students 2016

Crystalised

KASHKA - Smoke It Out

A fantastic Pete Wiggs remix of We Both Know, taken from Au Revoir Simone's new remix album "Spectrums", out today. 

Get it here: http://smarturl.it/ARSSpectrums

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Au Revoir Simone - We Both Know (Pete Wiggs Remix)

Timber Timbre 'Curtains?!' [DOOMSQUAD Remix feat. Simone Schmidt]

Ménage à Trois - Overseas

"Musical Odyssey"

Sad State

PMC03A Adventure Game Cue 4 Mark Aldous

Pirate Girl Theme

I was inspired to write something slightly melancholic after reading about a group of musicians who held an impromptu concert in the ruins of their town after it was bombed in WWII. The piece opens with a solo violin in C minor and a simple piano backing, leading via contrapuntal brass to a long crescendo fugue in the wind instruments linking to the centre section in Eb major (a glimmer of hope and optimism for our fellow musicians as they seek to rebuild their lives in the ruins of the town). The coda sees a return to the opening solo violin in C minor (as harsh reality of their situation still remains).

After The Storm

Recorded and Produced by SWEAT.

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Journey

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Gold & Youth - City Of Quartz

New album "Plexus" available: http://lnk.to/Hypnolove_Plexus

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Plexus

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Hypnolove - Sauna

Moshi Moshi Records started off as a hobby in 1998. Set up by three friends who had jobs working for major record labels. It was intended as a way of working with the bands that they loved but which didn’t fit in with the agenda of the day-job taskmasters. Early single releases from Zan Lyons, Kathryn Williams & Pedro and J Xaverre earned the label some plaudits. And sold a few records. Over the next five years Moshi Moshi slowly started to build a reputation for interesting, slightly leftfield, low-key releases. Then in 2004 things changed. For a start Moshi stopped being a hobby and became a fulltime job. Very soon after, Hot Chip and Bloc Party arrived and Moshi Moshi quickly became a name known to more than a few. Chart success followed with Yeti and The Rakes and higher-profile album releases from Architecture In Helsinki and Au Revoir Simone helped lift the label onto a new level. Then from 2006 onwards came artists such as Hot Club De Paris, Tilly And The Wall, The Wave Pictures, Slow Club, James Yuill, The Drums, Summer Camp, the list goes on.

In late 2006 the two remaining Moshi Moshi founders decided they wanted to get back to their one-off 7” release roots and the Moshi Moshi Singles Club was born. The intention was to try and release one 7” each month by a new up-and-coming artist. It would be limited to 1000 and only be available in a select group of indie stores. The artwork would be restricted to one colour and be designed by the bands themselves. Now some 40+ releases later the singles club’s roster makes an impressive list – (including) Kate Nash, Late of The Pier, Friendly Fires, Lykke Li, Florence and The Machine, Kindness, Dananananayckroyd. Disclosure. In 2011 Moshi Moshi expanded its remit by partnering up with some very talented young A&R folk to set up the imprints Tender Age, Not Even, Apricot and Dream Beach. Working under the Moshi Moshi umbrella these new labels have already yielded a clutch of exciting releases by artists from as far afield as Kenya and Seattle.

At the same time as running the record label Moshi Moshi Management has been quietly guiding the career of Metronomy and Slow Club as well as producers Ash Workman and Ollie Bayston. From 2012 this side of the business started to expand dramatically and now features a sizeable roster of emerging artists.

Looking back on the Moshi Moshi roster (particularly since the label ‘went fulltime’ in 2004) it’s a collection that bears comparison with any of its peers. For a label run by two people with no financial backing, it’s nothing short of an inspiration.

Music for film, TV, games, and animation.  I have worked on award winning films and nationally aired TV commercials including on Sky Movies and MTV.  Composer for 'Click Click Clack' a finalist for Frame London Dance Film Festival 'Tunnel', a finalist in NZ Tropfest Film Festival, 'Kia Ora Miguel' which won Reading Cinemas Best Digital Shorts and a Short Film Otago award, and 'The Pirate Boy' which has been shortlisted for the New Zealand Film Commission fresh shorts 10k scheme. Currently working on several films for A list festivals and also arranging for Australian choir 'Low Rez'.

Au Revoir Simone - We Both Know (Pete Wiggs Remix)

moshi moshi music

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