that steel drum is so well placed and mastered. vibes. 

Amelie

Peter Kruder Private Collection [GSCD036]
Label: G-Stone Recordings / 2009

Chateau Flight - Superflight

Download: http://www.xlr8r.com/mp3/2015/07/ballerino-love-bunki-remix/

@bunkimusic



Ballerino - Love (Bunki Remix)

Buy Album ● https://paveldovgal.lnk.to/the-aura

More information: http://projectmooncircle.com/releases/pavel-dovgal-the-aura/

The Aura

Buy 2LP/Digital

Pavel Dovgal - Waiting For The Sun  (The Aura - Project: Mooncircle, 2016)

Taken from 'The Night Land' released 03.03.17
Pre-order - https://randsrecords.lnk.to/the-night-land


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Talaboman - Safe Changes

12" blue vinyl ~ bit.ly/2rZUTX3
Digital ~ smarturl.it/rnremix
"Elytral" album pre order ~ smarturl.it/Elytral

Written by Mary Epworth
Remixed by Richard Norris
Produced, engineered and mixed by Thom Monahan.
P & C 2017 Sunday Best Recordings under exclusive license to PIAS.
Published by Duchamp, Inc.

12" Vinyl

Me Swimming (Richard Norris remix)

From the Near Negative EP available December 15th, 2017 from Western Vinyl

"Monday Give Me Monday" showcases Art Feynman's signature grooves, krautrock slink, and staccato bounce, all captured on his trusty four-track cassette recorder.

Earlier this summer, Art Feynman released his debut full-length album Blast Off Through the Wicker and toured the US with Stereolab's Laetitia Sadier. Pitchfork describes him as "a cool purveyor of coked-out dub-kraut." Consequence of Sound calls his debut a "funky, psychedelic slice of afro-pop" and Tiny Mix Tapes regards it as an "analog masterpiece."

In 2018 Art Feynman will return with his sophomore LP that takes us even further into his motorik and afrobeat inspired world of sound.

Near Negative

Art Feynman - "Shelter"

DOOR SHUTTER alt mix

Neneh Cherry & The Thing - Dream Baby Dream (Four Tet remix)

Charlotte Adigéry - 1,618

Sillyboy’s Ghost Relatives can proudly claim to be “Greek radio’s favourite soft rock band”. The Athens-based quartet – fronted by bass-wielding former TV commercial composer turned Balearic popster Charalambos Kourtaras – are rising stars in their home country, with listeners warming to their distinctive blend of atmospheric guitars, retro-pop synths and head-in-the-clouds grooves.

So far, international stardom has passed them by, though their distinctive songs have caught the ear of a range of DJs across the globe. One was Claremont 56 founder Paul ‘Mudd’ Murphy, who has worked his magic on one of the band’s previously unreleased gems, “In A Small Place”.

Perfectly capturing the claustrophobic reality of life in a small, remote town or village where everyone knows everyone else’s business, the song sees Sillyboy plan his escape over a mesmerizing backing track rich in ghostly synthesizers, chunky bass guitar, spacey electronics and a shuffling groove that sits somewhere between pitched-down dub disco and early ‘80s West Coast AOR.

Murphy’s “Extended Version” allows the track room to breathe, teasing out the clandestine and atmospheric instrumentation – eyes-closed guitar solos included – before introducing Sillyboy’s rueful and paranoid vocals. You’ll find the Greek band’s slimmed-down – and arguably even more trippy – original version on the B-side, completing a fittingly high quality musical package to kick-start Claremont 56’s 2019 release schedule.

In A Small Place (Mudd's Extended Mix)(Clip)

The second single from Fimber Bravo - a haunting ode to the loss of direction in today's world.

Innovatively combining the steel pan with the solo vocal of Alexis Taylor, The Way We Live Today is out now as a digital download.

Buy his debut album, Con-Fusion here: http://bit.ly/11Zrl5w

Buy Con-Fusion

Fimber Bravo (feat. Alexis Taylor) - The Way We Live Today

Moshi Moshi Records started off as a hobby in 1998. Set up by three friends who had jobs working for major record labels. It was intended as a way of working with the bands that they loved but which didn’t fit in with the agenda of the day-job taskmasters. Early single releases from Zan Lyons, Kathryn Williams & Pedro and J Xaverre earned the label some plaudits. And sold a few records. Over the next five years Moshi Moshi slowly started to build a reputation for interesting, slightly leftfield, low-key releases. Then in 2004 things changed. For a start Moshi stopped being a hobby and became a fulltime job. Very soon after, Hot Chip and Bloc Party arrived and Moshi Moshi quickly became a name known to more than a few. Chart success followed with Yeti and The Rakes and higher-profile album releases from Architecture In Helsinki and Au Revoir Simone helped lift the label onto a new level. Then from 2006 onwards came artists such as Hot Club De Paris, Tilly And The Wall, The Wave Pictures, Slow Club, James Yuill, The Drums, Summer Camp, the list goes on.

In late 2006 the two remaining Moshi Moshi founders decided they wanted to get back to their one-off 7” release roots and the Moshi Moshi Singles Club was born. The intention was to try and release one 7” each month by a new up-and-coming artist. It would be limited to 1000 and only be available in a select group of indie stores. The artwork would be restricted to one colour and be designed by the bands themselves. Now some 40+ releases later the singles club’s roster makes an impressive list – (including) Kate Nash, Late of The Pier, Friendly Fires, Lykke Li, Florence and The Machine, Kindness, Dananananayckroyd. Disclosure. In 2011 Moshi Moshi expanded its remit by partnering up with some very talented young A&R folk to set up the imprints Tender Age, Not Even, Apricot and Dream Beach. Working under the Moshi Moshi umbrella these new labels have already yielded a clutch of exciting releases by artists from as far afield as Kenya and Seattle.

At the same time as running the record label Moshi Moshi Management has been quietly guiding the career of Metronomy and Slow Club as well as producers Ash Workman and Ollie Bayston. From 2012 this side of the business started to expand dramatically and now features a sizeable roster of emerging artists.

Looking back on the Moshi Moshi roster (particularly since the label ‘went fulltime’ in 2004) it’s a collection that bears comparison with any of its peers. For a label run by two people with no financial backing, it’s nothing short of an inspiration.

Fimber Bravo (feat. Alexis Taylor) - The Way We Live Today

moshi moshi music

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