Peter Kruder Private Collection [GSCD036]
Label: G-Stone Recordings / 2009

Chateau Flight - Superflight

A fantastic Wolf Müller remix of Invisible Giving, taken from Mariam the Believer's debut solo album "Blood Donation", out now. 

You can get the full remix package including remixes by Justus Kohncke, Boxed In, Richard Norris and Prins Thomas exclusively from Beatport on 27th October.

Remixes

Invisible Giving (Wolf Müller Mix)

Mariam the Believer - Invisible Giving (Wolf Müller Remix)

Geri Baird - Backside Of The Desert

FUNK DE SERENITY

Taken from Saffron "Petra I", out on cassette and digitally 24 March 2015.

Buy Tape: http://1080pcollection.bandcamp.com/album/petra-i

Press: http://1080pcollection.net/saffron-petrai.html

www.facebook.com/1080pcollection

Saffron - Yalla (Moksa)

From the upcoming album "Principe Del Norte" out February 19th on Smalltown Supersound!

Pre -order here:
http://smalltownsupersound.thisisrobot.com/musikk/principe_del_norte_pre_or/

Prins Thomas - B

Ccolo drops his OG EP on the genre-defying Multi Culti.

'Bumblebeez' producer and frontman Christopher Colonna - Australia’s answer to Pablo Picasso - steps out to the world with an extended player of pure, unadulterated sonic imagination that perfectly represents the ethos of Multi Culti's vibe. 
 
Largely written and produced in the backwoods of Hackney in 2014 and refined at the ‘BBZ HQ Braidwood 2622,’ the songs take cues from all over the place: classical composers, trips to South Africa, the electricity of the Diwali festival, peace of mind, French women recalling their sexual nightmares, yearning for the Outback & Global roaming. Layers of tropical sounds, a collection of myriad samples & bedroom beats all at play together in an alternate reality. These uncut diamonds were previously unreleased, but an early version of Ghana was included on Multi Culti Japan, which got support from Roman Flügel, Erol Alkan and Boris Dlugosch, among others. Exoticaspeakerjam was also exclusively featured on Tiga’s BBC Radio1 mix.

It's useless to categorize, and difficult to describe, but what matters most is that the listen is warm and rewarding. It's dense with ideas, but the whole thing is wrapped up in a light-hearted charm that feels extra-precious today. 

RELEASE DATE: JANUARY 11, 2016

Visions

MC018 - Visions EP

Ccolo - Save The World

If You See Me

Odyssey - Who

This is the second volume of the Diavol Edits series. 
This time we are proud to present four italian gems nicely edited by DJ and producer Nassau. 
The tracks go from shameless disco floorfillers (Patrizia Pellegrino, Umberto Tozzi) to dreamy and balearic mid tempo songs (Anna Oxa, Vasco Rossi).

Released January 10, 2012. 
Edits by: Nassau - soundcloud.com/nassau
Artwork by: Martin Di Paola - www.martindipaola.com.ar 
Available on Diavol Bandcamp: https://diavol.bandcamp.com

Anna Oxa - Controllo Totale (Nassau Torre di Controllo Edit)

Charlotte Adigéry - 1,618

Moshi Moshi Records started off as a hobby in 1998. Set up by three friends who had jobs working for major record labels. It was intended as a way of working with the bands that they loved but which didn’t fit in with the agenda of the day-job taskmasters. Early single releases from Zan Lyons, Kathryn Williams & Pedro and J Xaverre earned the label some plaudits. And sold a few records. Over the next five years Moshi Moshi slowly started to build a reputation for interesting, slightly leftfield, low-key releases. Then in 2004 things changed. For a start Moshi stopped being a hobby and became a fulltime job. Very soon after, Hot Chip and Bloc Party arrived and Moshi Moshi quickly became a name known to more than a few. Chart success followed with Yeti and The Rakes and higher-profile album releases from Architecture In Helsinki and Au Revoir Simone helped lift the label onto a new level. Then from 2006 onwards came artists such as Hot Club De Paris, Tilly And The Wall, The Wave Pictures, Slow Club, James Yuill, The Drums, Summer Camp, the list goes on.

In late 2006 the two remaining Moshi Moshi founders decided they wanted to get back to their one-off 7” release roots and the Moshi Moshi Singles Club was born. The intention was to try and release one 7” each month by a new up-and-coming artist. It would be limited to 1000 and only be available in a select group of indie stores. The artwork would be restricted to one colour and be designed by the bands themselves. Now some 40+ releases later the singles club’s roster makes an impressive list – (including) Kate Nash, Late of The Pier, Friendly Fires, Lykke Li, Florence and The Machine, Kindness, Dananananayckroyd. Disclosure. In 2011 Moshi Moshi expanded its remit by partnering up with some very talented young A&R folk to set up the imprints Tender Age, Not Even, Apricot and Dream Beach. Working under the Moshi Moshi umbrella these new labels have already yielded a clutch of exciting releases by artists from as far afield as Kenya and Seattle.

At the same time as running the record label Moshi Moshi Management has been quietly guiding the career of Metronomy and Slow Club as well as producers Ash Workman and Ollie Bayston. From 2012 this side of the business started to expand dramatically and now features a sizeable roster of emerging artists.

Looking back on the Moshi Moshi roster (particularly since the label ‘went fulltime’ in 2004) it’s a collection that bears comparison with any of its peers. For a label run by two people with no financial backing, it’s nothing short of an inspiration.

Mariam the Believer - Invisible Giving (Wolf Müller Remix)

moshi moshi music

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