What's the d'Dorf vibe? ☀️☀️☀️☀️☀️☀️😎😎😎

Teleman! Ive got my girlfriend my girlfriends mother my baby daughter and her grandaddy into your music. Ha your welcome. All ive listened to for a week os teleman and kurt vile. Skeleton dance and 5his one is my 6 month olds favs. Shes actually besotted by them beyond belief. We are teleman. 🤘🏻😎👌

Amason - Älgen

MONTREAL SEX MACHINE. GM056. DEBUT 12" OUT 15 JUNE 2014.

press contact nbs at entergodmode dot com

Montreal Sex Machine - Blackout - GODMODE

SW011- Teleman - Strange Combinations

Outfit - On The Water On The Way

Future Islands - Chase

Add to playlists on Spotify: http://smarturl.it/DusseldorfSpotify

The first single taken from Teleman's new album Brilliant Sanity, due for release on 8th April. Pre-order the album now to get an instant download of this track at http://www.telemanmusic.com

They tour the UK & Europe from March 2016 with NZCA Lines in support (with the exception of Cambridge & Birmingham, where it's Oscar): http://smarturl.it/TelemanLive

http://www.telemanmusic.com
http://www.twitter.com/telemanmusic
http://www.facebook.com/telemanmusic
http://smarturl.it/TelemanSpotify

Brilliant Sanity

Teleman - Dusseldorf

WARPAINT "Ashes To Ashes" (taken from WE WERE SO TURNED ON: A TRIBUTE TO DAVID BOWIE; October 2010/ MANIMAL)


Paul Beahan/MANIMAL 2010

WARPAINT - "Ashes To Ashes"

New album "Malamore" available April 15th

The collaborative garage psych duo are returning with a new album, "Malamore" on 15 April, and the first track taken from the record,' Garden Of Love' has been recorded with Peter Hook (Joy Division, New Order) on bass & vocals.

Video trailer: https://www.youtube.com/watch?v=usHOBkzaT2c
Facebook: https://www.facebook.com/theliminanas/
Twitter: https://twitter.com/theliminanas

The Limiñanas - Garden Of Love (feat. Peter Hook)

Sea Birds

From Porcelain Raft's album 'Strange Weekend'

Unless You Speak From Your Heart

"DANCE GHOST

Moshi Moshi Records started off as a hobby in 1998. Set up by three friends who had jobs working for major record labels. It was intended as a way of working with the bands that they loved but which didn’t fit in with the agenda of the day-job taskmasters. Early single releases from Zan Lyons, Kathryn Williams & Pedro and J Xaverre earned the label some plaudits. And sold a few records. Over the next five years Moshi Moshi slowly started to build a reputation for interesting, slightly leftfield, low-key releases. Then in 2004 things changed. For a start Moshi stopped being a hobby and became a fulltime job. Very soon after, Hot Chip and Bloc Party arrived and Moshi Moshi quickly became a name known to more than a few. Chart success followed with Yeti and The Rakes and higher-profile album releases from Architecture In Helsinki and Au Revoir Simone helped lift the label onto a new level. Then from 2006 onwards came artists such as Hot Club De Paris, Tilly And The Wall, The Wave Pictures, Slow Club, James Yuill, The Drums, Summer Camp, the list goes on.

In late 2006 the two remaining Moshi Moshi founders decided they wanted to get back to their one-off 7” release roots and the Moshi Moshi Singles Club was born. The intention was to try and release one 7” each month by a new up-and-coming artist. It would be limited to 1000 and only be available in a select group of indie stores. The artwork would be restricted to one colour and be designed by the bands themselves. Now some 40+ releases later the singles club’s roster makes an impressive list – (including) Kate Nash, Late of The Pier, Friendly Fires, Lykke Li, Florence and The Machine, Kindness, Dananananayckroyd. Disclosure. In 2011 Moshi Moshi expanded its remit by partnering up with some very talented young A&R folk to set up the imprints Tender Age, Not Even, Apricot and Dream Beach. Working under the Moshi Moshi umbrella these new labels have already yielded a clutch of exciting releases by artists from as far afield as Kenya and Seattle.

At the same time as running the record label Moshi Moshi Management has been quietly guiding the career of Metronomy and Slow Club as well as producers Ash Workman and Ollie Bayston. From 2012 this side of the business started to expand dramatically and now features a sizeable roster of emerging artists.

Looking back on the Moshi Moshi roster (particularly since the label ‘went fulltime’ in 2004) it’s a collection that bears comparison with any of its peers. For a label run by two people with no financial backing, it’s nothing short of an inspiration.

Teleman - Dusseldorf

moshi moshi music

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