Eddie C - My Woman (Wolf Mix)

BANDCAMP: https://luvshackrecords.bandcamp.com/album/burnin-tears-permanent-midnite-u-dont-get-me-luv012
JUNO: http://www.juno.co.uk/products/burnin-tears-jakobin-domino-permanent-midnite/520062-01
JUNO DOWNLOAD: http://www.junodownload.com/products/burnin-tears-georges-perin-permanent-midnite/2397218-02
ITUNES: https://itunes.apple.com/us/album/permanent-midnite-single/id809777057

"Permanent Midnite" is a slow and undeniably 80's flavoured groover, that evokes even stronger "disco-era feelings" when the dreamy voice of singer Georges Perin kicks in. 

The trademark dub elements give this vocal track the Burnin Tears feel for real!

Out in March 2014 on Luv Shack Records

http://luvshackrecords.com/burnin-tears
https://luvshackrecords.bandcamp.com

Buy vinyl: http://www.juno.co.uk/products/burnin-tears-jakobin-domino-permanent-midnite/520062-01/

Georges Perin [AEPI]: vocals
Panagiotis Skraparlis [AEPI]: lyrics

P&C Luv Shack Records, 2014

Burnin Tears - Permanent Midnite (feat. Georges Perin) - LUV012

Video @ http://youtu.be/FXyXyLqsmLI
Track @ https://clipez.bandcamp.com/track/sensual

Sensual

NUfrequency team up with Ben Onono for another song to be taken from their first forthcoming album. Born in Cardiff but raised in West Africa, Ben has written for artists as diverse as Tim Deluxe, Cicada, Bob Sinclar, Fatboy Slim and Natalie Imbruglia, and his dance tracks have been championed on both sides of the Atlantic by DJs from Pete Tong to Joe Claussel. Ben's sound is a wonderfully fresh perspective on world music and Fallen Hero is a very special moment !
Rennie Foster drops an incredibile techno soulful remix with an early Detroit feeling.
One of the best producers around at the moment, from Germany Danilo Plessow aka Motor City Drum Ensemble follows his lucky Raw Cuts series with a fantastic remix. His music takes a cut-and-paste approach to house music, splicing up disco and soul loops to create tracks that managed to be retrospective and forward-thinking at the same time.
Birmingham hot producer Mark E slows things down delivering an hypnotic and effective dub editing part of the original instruments and adding his distinctive sound !
Nottingham finest producers, Amillionsons are back on the scene with a completely different re-work giving the song a special Tango re-interpretation !
	Fallen Hero

B1 nufrequency feat ben onono - fallen hero (motor city drum ensemble remix)

Homebreakin Records proudly serve up a hot new single from Vancouver-based DJ and producer Neighbour, featuring the vocals of Piper Davis, and bolstered by a selection of top remixes from 6th Borough Project, Cyclist, Tad Wily and Enno Karr.
Homebreakin Records and Punchout label co-boss Neighbour is known for his disco, deep house and analog flavours and is a prolific talent who really knows how to nail a groove. Here he enlists the local vocal services of Pampa star Piper Davis.
Their single ‘Light Breaker’ is a slo motion disco-house chugger with steppy, arpeggiated synths driving it along. The louche drums are as lazy as the rippling melodies that light up the track, and oodles of sensuousness comes from the dreamy, icy vocals of Piper Davis. It’s a starry, expansive feeling track that will send hands in the air and as well as making you dance will have you singing along in no time.
First to remix - and he does so twice - is famed disco dons 6th Borough Project aka Craig Smith & Graeme Clark (The Revenge) who have worked together in the studio for almost a decade and very much define the output of labels like Instruments Of Rapture, Domino Records and Delusions Of Grandeur. Their first remix is a squelchy, go slow bit of organic funk with grinding drums and swathes of lovely reverb. Their second, which features as a digital exclusive, is a slightly flabbier, more melodic version littered with little keys and percussive effects that makes it all the more magical.
Next comes Mark Penner aka Cyclist, who has remixed and collaborated with some of modern disco’s greatest names. His version is full on cosmic, with celestial explosions of melody and big, slow, fat synth lines all dancing above churning, purposefully deep and groovy drums.
Then Polish born, London based producer Tad Wily (Matt Kuderski) steps up following fine work on Gomma and Retrofit. His version is a darker, more insular affair that does clever things with the original vocal and packages it into more of a post punk, new wave groove with twanging guitars and rooted drums at the heart.
Lastly, South African born artist Enno Karr is a musician, composer and DJ residing in Calgary. His remix was the winner in a recent competition carried out by the label in association with Ableton Beat Camp and features here as anotehr digital exclusive in the package. Karr’s version is the most blissed up and chilled out, with soothing vocal intonations, cute melody stabs and a breezy pop-dance vibe that really strikes at your most sensitive emotions.
This is a fulsome packaged stuff with all sorts of disco bombs that cannot fail to find their way into your affections.

Neighbour Feat Piper Davis - Light Breaker (Tad Wily REMIX)

Modular Synthesizer - Spoon 3

VINYL ONLY - 250 COPIES

GET IT @WWW.SNORKELRECORDS.COM

PREMIERE : Hubbabubbaklubb - Tomme Lommer [Snorkel Records]

Watch the official videoclip : https://youtu.be/cd6cRjqO7A8

Listen DESCENDS EP http://smarturl.it/descends
(p) & (c) 2017 Play It Loudly Records, under license to Partyfine

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Weekend Affair - Descends (YUKSEK Tropicinstrumental Edit)

The Balearic bomb has been regrooved and will be released digitally for the first time in 2022

Bad Desire

Bad Desire 2022 The Dead Rose Music Company

This sweet love (prins thomas sneaky edit)

Quixote feat. Lisa Li Lund - Before I Started To Dance (Prins Thomas Diskomiks) - Versatile Rec

Moshi Moshi Records started off as a hobby in 1998. Set up by three friends who had jobs working for major record labels. It was intended as a way of working with the bands that they loved but which didn’t fit in with the agenda of the day-job taskmasters. Early single releases from Zan Lyons, Kathryn Williams & Pedro and J Xaverre earned the label some plaudits. And sold a few records. Over the next five years Moshi Moshi slowly started to build a reputation for interesting, slightly leftfield, low-key releases. Then in 2004 things changed. For a start Moshi stopped being a hobby and became a fulltime job. Very soon after, Hot Chip and Bloc Party arrived and Moshi Moshi quickly became a name known to more than a few. Chart success followed with Yeti and The Rakes and higher-profile album releases from Architecture In Helsinki and Au Revoir Simone helped lift the label onto a new level. Then from 2006 onwards came artists such as Hot Club De Paris, Tilly And The Wall, The Wave Pictures, Slow Club, James Yuill, The Drums, Summer Camp, the list goes on.

In late 2006 the two remaining Moshi Moshi founders decided they wanted to get back to their one-off 7” release roots and the Moshi Moshi Singles Club was born. The intention was to try and release one 7” each month by a new up-and-coming artist. It would be limited to 1000 and only be available in a select group of indie stores. The artwork would be restricted to one colour and be designed by the bands themselves. Now some 40+ releases later the singles club’s roster makes an impressive list – (including) Kate Nash, Late of The Pier, Friendly Fires, Lykke Li, Florence and The Machine, Kindness, Dananananayckroyd. Disclosure. In 2011 Moshi Moshi expanded its remit by partnering up with some very talented young A&R folk to set up the imprints Tender Age, Not Even, Apricot and Dream Beach. Working under the Moshi Moshi umbrella these new labels have already yielded a clutch of exciting releases by artists from as far afield as Kenya and Seattle.

At the same time as running the record label Moshi Moshi Management has been quietly guiding the career of Metronomy and Slow Club as well as producers Ash Workman and Ollie Bayston. From 2012 this side of the business started to expand dramatically and now features a sizeable roster of emerging artists.

Looking back on the Moshi Moshi roster (particularly since the label ‘went fulltime’ in 2004) it’s a collection that bears comparison with any of its peers. For a label run by two people with no financial backing, it’s nothing short of an inspiration.

This sweet love (prins thomas sneaky edit)

moshi moshi music

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