2018-03 The March Playlist

''Breezy presents its seventh release with Migues, delivering a deep, groovy, and danceable track built on striking atmospheres, hypnotic basslines, and refined details that drive the dancefloor with energy and sophistication. It’s a sound designed to keep the momentum alive and captivate listeners from start to finish.

The remix comes from Eli Maret, who adds his unique signature and an extra layer of depth, transforming the composition into an even more immersive and polished experience.

An EP that highlights the artistic identity of the label, reinforces its commitment to quality, and ensures the groove remains vibrant in every beat.''

https://breezyrecs.bandcamp.com/album/brz007-migues-time-to-go-home-incl-remix-eli-maret

https://soundcloud.com/breezyrecs
https://soundcloud.com/miguesdj

PREMIERE: Migues - Atomic Hood (Eli Maret Remix) [Breezy Records]

Gladstone Deluxe is one of the most exciting musicians in the US right now. They make futuristic, deep, percussive yet smooth techno, deep house and electro. They also play timbales in NYC queer and trans salsa band Las Mariquitas, and are a frequent collaborator with fellow East Coast sonic trailblazers Kiernan Laveaux, Johnny Zoloft, and Mira Mira. They have released on Black Techno Matters, Data Disk, Misc, Innocent Music, How Things Are Made, and now Fixed Rhythms is excited to add to the Gladstone lore with their new offering, “No Haterade EP”.

https://gladstonebutler.bandcamp.com/album/no-haterade-ep

https://soundcloud.com/fixedrhythms
https://soundcloud.com/gladstonedeluxe

PREMIERE: Gladstone Deluxe - Cleanse [Fixed Rhythms]

The mastermind behind Basic Channel, Hard Wax and Rhythm & Sound doesn't do mixes. For RA.1000, he made an exception.

Trace Mark Ernestus's path, and you trace the evolution of electronic sound itself. The timeline of contemporary Berlin is unimaginable without him. At first, that meant Hard Wax, the crucial hub that shaped the early era of the city's techno revolution. Carl Craig once said it plainly: "Mark was ground zero."

From there, Ernestus never stopped. There's the birth of dub techno and the near-flawless catalogue that followed through Basic Channel and Rhythm & Sound. There's his immersion in Senegalese mbalax with Ndagga Rhythm Force. Lately, that means Open Ground the Wuppertal bunker that's letting people hear music as never before.

As part three of RA.1000, Ernestus has kindly supplied his first studio DJ mix. As you might expect, it's technically immaculate, but more than that, it feels like a substantial and generous conduit to one of the world's most vital genres.

Amapiano remains underexplored in music media. Publications like our own are still learning to keep pace with the South African sound's global pull, animating millions across the globe. 

You'll hear the range and richness of the genre across the near two-hour mix, from the gothic, percussive stomp of Caltetonic's "Bambela"  to the devotional glow of GemValleyMusiq's "Something Spiritual."

Through all of this, Ernestus has remained understated. He lets the music speak for him, with a quiet honesty that lies in decades of opening doors—creating the conditions for new sounds and scenes to flourish and carry the culture forward.

@opengroundclub @hardwax 

Find the tracklist and interview at ra.co/podcast/1011. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Mark Ernestus

Kuba Sojka is a prominent Polish electronic music artist renowned for his live performances and innovative approach to detroit techno, minimal and house music. Since 2009, he has released music on respected labels such as Matrix, Mathematics Recordings, Dogmatik, and RSPX, earning support from global icons including Jeff Mills, Marcel Dettmann, Laurent Garnier, and many others.

linktr.ee/kubasojka

SYNAPSA PODCAST | 077 | Kuba Sojka (hybrid set)

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. Full send — this one's special.

When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the series' history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. 2012, incidentally, is farther away from 2025 than 2012 was from 2000... if we have to clock it, so do you.

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around start-to-close combinations. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is 385 scintillating minutes of arpeggiated chug and slow-cresting climaxes, chronicling a moment when the resting heart rate of dance floors plunged lower than potentially any comparable point in the 21st century. A masterclass, and entirely self-contained in audio form.

If you've got time to spare, a fun side game is sussing out who plays what. A disco-dub cover of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM feels practically like a racecar.

When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. We sought to render an accurate picture of DJ culture in 2025 for the longhaul.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠ – Gabriel Szatan (Editor, RA)

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

For the penultimate RA.1000, we take it back to the source with unreleased tapes from the private collection of Frankie Knuckles, the Godfather of House.

This is Pt.I, from 1989. The mix is provided courtesy of the Frankie Knuckles Foundation.

For RA.1000 Frankie Knuckles in full and all information on this unearthed audio, head to https://ra.co/podcast/1018 or 1000.ra.co

RA.1000 Frankie Knuckles Pt.I (1989)

For the penultimate RA.1000, we take it back to the source with unreleased tapes from the private collection of Frankie Knuckles, the Godfather of House.

This is Pt.II, from 1996. The mix is provided courtesy of the Frankie Knuckles Foundation.

For RA.1000 Frankie Knuckles in full and all information on this unearthed audio, head to https://ra.co/podcast/1018 or 1000.ra.co

RA.1000 Frankie Knuckles Pt.II (1996)

For RA.1000, we take it back to the source with two never-before-heard tapes from Frankie Knuckles's private collection

There is no house music without Frankie Knuckles, literally or figuratively. The queer icon's luxurious DJ sets at Chicago's Warehouse gave a rising movement its name. From there, countless offshoots splintered and travelled the globe. But what did the genesis and growth of the sound really feel like?

The Godfather of House left behind not only timeless records, but personalised cassettes with hand-drawn liner notes handed out to friends and family. Two of those, dated to 1989 and 1996, have been digitised especially for RA.1000. (Thank you to the Frankie Knuckles Foundation.)

To put that in context: the first tape predates not only many of today's active clubbers, but the entire existence of jungle, drum & bass, UK garage, French touch, Jersey club, Afrobeats, IDM, baile funk, hardcore, footwork, dubstep, dub techno, tech house, breaks, minimal, maximal, gqom, gabber, grime and hyperpop.

In short… that's a very, very long time ago. The world of dance music was much smaller. DJ culture was functionally unrecognisable from the one we see in 2025. 

And yet, to some degree, what you'll hear on RA.1000 hasn't changed at all. It's a capture of not only what made Frankie Knuckles one of the beloved pioneers of first-generation dance music, but what draws people to club culture in the first place.

The mood on these Frankie Knuckles sets outlasts even its creator: a spirit of optimism that floods the world's best dance floors and keeps dance music pulsing on into the future, nearly 40 years later, in spite of it all. We end our 1000th mix celebrations here because it all starts there.

Find the tracklist at ra.co/podcast/1018. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Frankie Knuckles

Introducing to you "U-Topic Guests": a series of mixes from national and international artists, who's art we admired and want to share it to the world.

For the 32th guest, we leave again our homeland and we cross the ocean to Central Europe.

Moskalus was born and currently resides in Ostrava, Czech Republic. He started his musical journey back in 2007 when he created his first YouTube channel where he would upload music from various artists to help them promote their music. With his second channel, he started doing music videos because he wanted to be a part of the scene, not only as a regular uploader, but as someone who wanted to express his own feelings. 

In November 2014, he had his first big break by making the music video for Bambounou's track "Onto This" which was released on 50 Weapons. After that, he gained a greater audience that helped him to work with labels such as: Lobster Theremin, Shall Not Fade, Die Orakel, Pinkman and Lehult. He has also had the opportunity to work with artists such as: Baltra, Fjaak, J. Albert and Benedikt Frey.

After years of listening to music and making videos for such artists, Moskalus has developed a wide-ranging taste. In his DJ sets you can expect to hear anything from disco to house, techno, UK Garage or dubstep from the golden era.

Follow Moskalus
@moskalus
instagram.com/moskalus
facebook.com/Moskalus
twitter.com/moskalus 
youtube.com/c/Moskalus
 residentadvisor.net/dj/moskalus-us

Follow Us
www.facebook.com/utopic.py
www.youtube.com/c/UTopicAgency
www.instagram.com/utopic_py

Contact
utopic.booking@gmail.com

(U)Topic Guest 032: Moskalus

This piece felt calming to me the moment I saw it. The simple shapes and soft colors give it a minimalist style, which made me focus more on what’s there instead of what’s missing. Even though the painting doesn’t show the whole figure, the part we do see — the blonde hair pulled into a bun — felt very real and personal.

The clean blue space around the figure made the image stronger, like silence that makes a single sound stand out. It reminded me that sometimes less is more, and beauty can be found in quiet details.

In the end, what made me smile the most is the bun itself. It made the painting feel not just elegant, but also familiar — since I’ve always liked buns and how simple yet stylish they are.

Strictly Weekly Vol. 5 Featuring "Petra von Kazinyan"

Terrace Audio EP

Terrace Audio - Nina

* Read more: : https://boltingbits.com/long-island-sound-ease-in/ ‎
* Watch on YouTube : http://www.youtube.com/watch?v=epn6Jy5sjDY
* Pre-order : http://bit.ly/2F5IQhb

Alas, the first run of the wonderfully well-received and expertly curated origami series from Melbourne-based Kyoku Records is coming to an end. However, before moving on to new endeavours, we're going to be graced with one last appearance from the orizuru, hachidori, oumu and hakucho, that is, the paper crane, the hummingbird, the parrot and the swan. The aptly titled "Odoru Tori" EP which translates to "Dancing Birds" is the first of its kind various artists compilation for the Australian imprint, featuring the same group of producers who were at the helm for each of the label’s solo releases to date. Making their return are Dorsi Plantar, Long Island Sound, Sune, and Ethyène (alongside Folamour and Marc Bianco).

You may find the artwork for today's premiere familiar, and that is because the parrot has already made an appearance both for Kyoku and for Bolting Bits in the form of a premiere of Long Island Sound's Delusions from their solo "Last Place You Look" EP released almost exactly a year ago. We're more than happy to follow that one up with today's feature, Ease In, the B1 on the forthcoming VA compilation. The Irish duo employ a familiar recipe here, finding another catchy vocal hook and intricately weaving it in along with other samples into an engaging arrangement that not only makes you want to listen but more importantly makes you want to dance as well. The main string sample lends a dreamy character to the song while the tougher drums and groovy bassline pleasantly contradict it. Pair all of the above with their adept synth work and you've got yourself another surefire hit.As always, this one comes highly recommended and will be vinyl only, so be sure to get your copy at Juno.

Odoru Tori EP

PREMIERE : Long Island Sound - Ease In

To be released soon on vinyl on Berlin based @smile-for-a-while

Matthieu Faubourg - The Perfect Time [Out soon on Smile For A While]

READ > inverted-audio.com/premiere-st-theodore-mortal-strike

'Mortal Strike' @land-of-dance-records is an immersion into cold acidic landscapes, the pulses omitted from the TB-303 teleport the listener into a frenzied state, presenting a well balanced mix of EBM chords, a subtle techno kick and new wave excursions.

St. Theodore - Mortal Strike [Land Of Dance]

She walked with purpose and principle, her head held high with dignity and damn right. The walkway was packed during rush hour with tourists hustling to take pictures and anxious business people wandering back and forth hurriedly. Each of them looked more "important" than the last and each had a sense of unrivalled urgency as if to indicate that their next meeting was far more important than yours. Gigi didn't care for the likes of their haste, she walked slowly but surely and with delicate precision. 

Roza Terenzi is set to release a new EP on Kalahari Oyster Cult following the success of her acclaimed first on Good Company Records. This time she draws for the breaks and delivers a fierce statement of intent.

Mwah

PREMIERE: Roza Terenzi - Gigi [Kalahari Oyster Cult]

Strap yourselves in as Post Pluto takes flight with French duo, RBDP, on their fresh self-titled EP. The record features four tracks of high altitude cruisers, soaring through the elements of acid, deep house, breaks and dubbed out synths. We depart the troposphere with “Acid R”, a mellow and low-end fusion of dubby textures and acidic lines. “Like Dat” follows, with moody pads, percussive grooves and celestial tones. On the flip, “St San” takes the record into an acidic journey of 303 sequences and saturated 707 drum patterns, with a sublime zero-gravity remix by Red Ember Records bossman Ewan Jansen.

https://soundcloud.com/rbdp
https://soundcloud.com/postpluto

comming soon

PREMIERE: RBDP - Acid R [Post Pluto]

Music enthusiast.
Only full tracks. 
No mixes & no snippets/previews. 
¯\_(ツ)_/¯

How to submit music: http://bit.ly/How2SubmitMusic

My name is Moskalus and i run a YouTube channel and upload music regularly.
Booking/Contact/Promo/Submissions
moskalusxoxo@gmail.com

PREMIERE: RBDP - Acid R [Post Pluto]

Moskalus

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