وأنا أيِضًا
لا أحمل في قلبي كُرهًا لأحد
يكفيني ما فيه من رصاص وتوابيت 

حزني هو حزني
أصدّقه وأواسيه
لا أكذّبه وأدّعيه

المرأة التي قلت لأول مرة لها أحبك
قالت وأنا أيضًا أحبني

والرجل الذي باعني رصيفًا للنوم
في الصباح وجدناه موسومًا على وجهه
لطخة حذاء

والطفل الذي انتشلناه من تحت انقاض قصف البارحة
وجدته اليوم يرضع الغيم ويغني هللويا

امشي نحوي ولو مرة يتيمة
هذه الكتف صدئة دون رأسك
هذه اليد مهجورة دون أصابعك
هذا  القلب تغزوه المناجل من دونك

ولكل الذين غادروني
أنا أيِضًا
أحمل قُبلة وخنجر 
قبلة على الخد وخنجرًا في ظهري.

قُبلة وخنجر لـ وائل محروس

موشح چادك الغيث

إيمان | ظافر يوسف | عمرو إسماعيل | ليال وطفة | موجة حارة

In the deep, something sacred remains — a quiet devotion that inspires the soul.

The Deep

TDJ2-Recording_(the touch of the Masters Hand) audio track

“Laka Anta” is the title of Rabea Beirut’s fist album, including 5 instrumentals and 5 songs, in addition to Fouad Abed Al Majid’s “mouwashah”: Aajaban Li Ghazal, produced in 2009.

The album’s works were completed in Beirut, during the period stretching from 2004 till late 2008, thus reflecting the critical reality Lebanon endured throughout those years. The tracks’ order serves an ascendant mood, translated by new instruments, various arrangements, and leading to an increasing musical expressivity.

All those new features are not an attempt to break with the cultural achievements of the 19th and 20th century of Arab music, but serve more accurately the angry and anguish mood, its anxious expectation, leading to a lighter ease; many ways of expression combining oriental and western music, for as many states of mind. 

With the completion of the 5 musical pieces, Nadine’s multi-toned voice brings even more dramatic layers to the songs, and contributes in building the figurative poetic content in Samih Al Kasem’s and Palestinian poet Samar Jaber’s works, in various dimensions from love and passion, to rebellion and anger, While the selection of deceased poet Abed Al Majid Al Mestqawi’s beautiful “mouwashah”: Aajaban Li Ghazal, might seem at first as a clear identification to the Egyptian Arabic music school, the door is open to contemporary arrangement techniques in addition to modern enterprises and experiences in the Middle East, from Egypt to Lebanon to Palestine. 

The ascendant electric temper of the CD reaches its paroxysm with Tamer Abu Ghazaleh’s visionary interpretation of “Ya Abana”, the last track, reaching explosive madness. 

Laka Anta

Salamat

Download Album حمّل

Rabea Beirut - Salamat ربيع بيروت - سلامات

Poetry and vo: Mostfa Ibrahim
music: Band : MONO

الْبَنكْنُوتُ

أغاني تربيعة في برنامج قعدة مزيكا على إذاعة نجوم إف إم

تربيعة - عبدالحميد

Drums: Mahmoud Barakat
Bass Guitar: Omar Sherif 

www.facebook.com/cherinesproject

Alwan Al Taif , Studio Version

الخواجة لامبو - عبد الرحمن الأبنودي

Sekak - سِكك

We are here to tell new stories, and to find beauty in new sounds. we are here to levitate quality Arabic music to the ears of the Arab masses, and to the heart of the worldwide music industry. we are independent Arabic music.

Update: The label is now closed for business. You can still enjoy the works of the outstanding artists of our catalog at their respective profiles on streaming platforms and social media.

Rabea Beirut - Salamat ربيع بيروت - سلامات

Mostakell Records إنتاج مُستقلّ

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