Yan Cook - Mirror Maze - Delsin Records - Inertia-10

vinyl: https://www.delsinrecords.com/release/7163/yan-cook/mirror-maze
digital: https://yancookdelsin.bandcamp.com/album/mirror-zone-ep


a1. Buddy
a2. Lemur
b1. Mirror Maze
b2. Gambler

@yan_cook back on the Delsin Inertia series. Four tracks of highly effective techno gear.

Buy @ Delsin Shop

Yan Cook - Mirror Maze EP (Inertia-10)

This is the track I donated to the BPM Japan Charity album - njoi. 
I wrote this track in 1996 whilst working on the Drone Sector album. 
It was too "light" for the album, quite rightly so and never found a home until now with all the proceeds and contributions of 60 different artists being donated to the Red Cross Japan.

https://www.beatport.com/en-US/html/content/release/detail/362359/bpm-japan-charity-album-volume-1

Planetary Assault Systems - BPM Japan Charity - Radiance (Unreleased 1996 Drone Sector track)

Forthcoming on Prologue ...Please note i have had to mute this preview after 24 hrs ... 
available for listening again after 1 months mutation ..

A1 - Mike Parker - Lustration Eleven (Sarychev) - Edit Select Remix - (Master)

You most probably know of Nuel from his previous collaborative efforts with Donato Dozzy, or his fantastic LP on Further Records from 2011. Needless to say news of more material from him is welcome news around these parts. This time his powers are served via a remix of Claudio PRC and Ness' 'Icore'. Catch it when it arrives on Outis Music.

Be sure to grab your copy on release day, March 16.

Claudio PRC & Ness "Icore (Nuel Remix)" - Boiler Room Debuts

Digital: 
https://spaziodisponibile.bandcamp.com/album/paramagnetism

Vinyl:
https://clone.nl//item43664.html

Once again, Donato Dozzy & Neel's Spazio Disponibile label has come correct with a fantastic new EP, this time from Donato Dozzy in collaboration with US artist Mike Parker. 

Parker has a very unique and well styled brand of techno that fits in perfectly with the deeply hypnotic sounds favoured by Dozzy. Together they cook up four more brain frying cuts that are expertly crafted and meticulously sculpted. 

‘Meltemi’ goes first and is a grainy bit of subterranean ambiance that sounds like being stuck in a cave. ‘Paramegnetism’ then picks up the pace with a loopy and trippy techno track that has a lead synth hook burrowing deep into your brain and sci-fi details and rubber drums roll below. ‘Opalesce’ is then even harder, with more prying loops sending you wild as drums roll on uninterrupted below. It is darkened mind music of the highest order before last cut ‘Stegosauria’ sends out sonar blips and pulses as microbial synths scurry around the ticking groove. Once again then the Spazio label serves up its special brand of techno in real style.

A1.	Mike Parker & Donato Dozzy - Meltemi
A2.	Mike Parker & Donato Dozzy - Paramagnetism
B1.	Mike Parker & Donato Dozzy - Opalesce
B2.	Mike Parker & Donato Dozzy - Stegosauria

Spazio006 - Mike Parker & Donato Dozzy - Paramagnetism

A1 / 1. Twelve (Marcel Fengler Rework)
A2 / 2. Diesel Drudge (Function Rework)
B1 / 3. Surface Noise (P.A.S. Live Edit)
B2 / 4. Twelve (Psyk Rework)
C1 / 5. Booster (Octave One Rework)
C2 / 6. Function 6 (KSP Rework)
D1 / 7. Surface Noise (Lucy Rework)
E1 / 8. Temporary Suspension (SLAM Rework)
E2 / 9. Tap Dance (P.A.S. Live Edit)
F1 / 10. Raid (Steve Bicknell Rework)
F2 / 11. Whistle Viper (P.A.S. Live Rework)

Having already unleashed a considerable amount of collaborative magic with the “Planetary Funk: 22 Light Years” series of remix EPs, Luke Slater has now upped the ante with six full sides’ worth of material, all of them injecting the spirit of classic P.A.S. into new sonic organisms. Using motifs from past P.A.S. successes, Luke Slater and his cohorts join here to make something radical and revitalizing: too cohesive for a “compilation album” and with too much autonomy granted to the guest remixers to be a simple “tribute,” this new LP is the boldest statement in the series yet.

Three of the tracks in the program are intense and captivating live re-workings from Slater himself, hurtling from the speakers with an apparent minimum of post-production polish and an optimal level of buzzing energy. The first of these, his new “Surface Noise” treatment, sends listeners wading through a dark pool of restlessly throbbing sound with a single buzz-tone as a beacon, adding new percussive fuel to keep the journey going just when it seems all will fade into enveloping darkness. “Tap Dance” brings a brighter sound set to the mix, but without forsaking the trademark steamrolling bass and the contrasting effect of gravity-resistant ephemeral sound clouds. The last reworking, “Whistle Viper,” caps off this ‘set-within-a-set’ in similar fashion.

While this on its own would make for a compelling listen, the album is also laden with contributions from an international assembly of electronic soul controllers (to wit: Marcel Fengler, Psyk, Lucy, Slam, Octave One, Function and KSP). Fengler kicks off the proceedings with an ecstatic and lustrous rework of “Twelve,” a melodic sunrise joining a synth pad massage to a locked-in and systematic rhythm. Psyk’s own interpretation of the same track preserves the same insistence but applies it to a completely different time and place, driving the listener through a wilderness of coded signals and an ambiguous repetition of the title that sounds like it could be as much a warning as an indicator of progress.

KSP’s version of “Function 6” gradually builds a cyborg leitmotif from an overdriven martial beat and epileptic machine breakdowns – a fascinating audio case study of perfect discipline disintegrating into something rather unexpected. Sequencing this with Octave One’s “Booster” rework is an ideal choice, as the squared-away EBM / electro-funk sequences and flanged hi-hats seem to refer to a different phase in the life cycle of the same machine. Function’s “Diesel Drudge,” on the other hand, moves from the machine world into a totally oneiric world typified by backwards-masked / time-traveling voices and a thick strobe-lit haze. Taking a cue from this atmosphere is Lucy’s re-envisioning of “Surface Noise”, in which he doubles down on the original’s feel of liquefied darkness to create a piece of endlessly vibrating sonic mesmerism, a no-nonsense tantric exercise in shedding preconceptions and inhibitions.

Rounding out the collection is Steve Bicknell’s “Raid” version – a breathing mosaic of rhythmic pulses and clattering objects – and Slam’s characteristically intense modification of “Temporary Suspension,” whose low-end sequences continually bubble and seethe yet never completely boil over.

MOTELP03 - Planetary Assault Systems - The Light Years Reworks

DJ NOBU - KOKO - TAKAAKI ITOH BITTA REMIX - BITTA - BITTA04

Alltaf verið draumur að fylla húsið af risastórum plöntum þar sem páfagaukar geta flögrað um og haft það gott. Fuglasöngur er nærandi fyrir líkama og sál og langaði mig að samtvinna Minimal Techno og róandi fulgahljóð í sömu sæng....

Lagið kom út á "Strenght" minni annari breiðskífu á Force Inc records í Þýskalandi árið 1999.

Exos - Birds in Bedroom

Voiceprint: 20th Anniversary Edition is remastered and pressed to vinyl!

Voiceprint: 20th Anniversary Preview

Irregular Passion Reshape

Shamefaced (Valentino Mora Cosmic Trance Rephase)

Amotik releases three remixes from his recent Vistār LP on his own Amotik imprint. The remixers are Ellen Allien, Tensal and Anthony Linell, whose version of track "Chautis" is Monument's pick for the premiere.  

The release is out on digital format on February 21st, vinyl will be shipped a bit earlier.

@amotikmusic
@anthonylinell

MOTELP03 - Planetary Assault Systems - The Light Years Reworks

Mote-Evolver

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