https://buttechno.bandcamp.com/album/inland-expire

Pavel Milyakov — gtr trancing

Mayu Islapi (collab. with Ana Quiroga, Fil Uno & Ignacio Briceño)

Crocodile or Real? A ghost dub broadcast shaped from a special K.

Over-ripe bananas and quaaludes, looking across the concrete at screeching burnouts resonating into echo-streaked good morning sunshine. 

Beat a zig zag serpentine passage, and drift towards solid ground on the platform, are you coming down? Ported and stacked, slip into a stuttering seventh dub. 

Alarm bells and scattering footsteps in the carriage, that is ugly (what’s going on?) 

Space liquid danger waters, sink or swim, float forward inside out, Queens Park conga, last train (to Glasgow Central). 

Perfect storm clouds, take a beat dub cut-up bud, splash it out.

Wherever you are, listen in, K

“Crocodile or Real?” is a new record by Dip Friso, following 2020’s “If The Worm Turns It Could Turn Ugly”. Dip Friso is a recording project of Murray Collier, who also releases music as Grim Lusk (Domestic Exile, 12th Isle), Sunny Balm (Sacred Summits) and as one half of Pussy Mothers (Optimo Music).

Artwork by Rudi Brito
Screen printing by Matthew Rich, M.A.R.S Studio, Glasgow
Mastered by Sam Smith
Text by Joehari Lee and Hannan Jones

Looking

distortions, inversions of all this chamber made music to replace nightlong shakings between white or red horrors, fermented words; an imperfection being committed, beneath helpless intoxication, searching for a safe side of distance, libera, dreadful mourning. a spark of hope to all, bearing in mind a massive silence to be stopped by cheering from all around. 

when russia invaded ukraine it altered everything. writing music in these troubled days, during these historical events has become more sublimated than it has ever been; habitual leisure has been replaced by volunteering, the territorial defense of hometown, or the front line in the army. despite everything, music remains a significant part of our lives and continues to be the voice of history, communication, time, and memory. 

all revenues go to the ukrainian charities and defense forces.

cover designed by ratx.cc 
mastered by all options

hegs - dont sit

DELIVERED FROM THE HEARTS OF CHUNTANGO REBELS

very tall very buff
Kiki hold my heart
as I stand so far

blue hair, are you there, I need you 
(she’s tall) (2X!!!)
as i feel so small


iNdependence debates
(she knows them)
taking so much time


Hey Kiki

(WHACHYU ASKIN)

can you tell me what is the best thing about Switzerland
 (the flag hahahaha)

KIKI CAN YOU TELL ME HOW ARE YOU NOW AND THEN (she tells ab her butt)

She likes kiwi with the skin on
She’s in love with the Lupini show 
(its her dj crush <33)
Kiki also likes gym
lifts 500 on a whim

she likes motorcycles I think
and shes always up for some vape and tea

KIKI DAY

Sudany is the first single of Sofie Birch and Antonina Nowacka's collaborative album Languoria. The full album releases 7 November.

Languoria is a collaboration between Denmark’s Sofie Birch and Poland’s Antonina Nowacka. While Birch describes herself as an ambient musician, Nowacka’’s primary instrument is her own voice; they share in common a facility for creating complex, layered work.

Birch and Nowacka were first brought together by Unsound to perform at Ephemera Festival in Warsaw as part of a durational overnight performance. Entirely improvised, the music already felt coherent, with Nowacka’s voice weaving effortlessly through Birch’s ambient soundscapes and field recordings, indicating an immediate, deep connection, a meeting of kindred spirits. The artists were reunited at Unsound Kraków to perform a morning show at a 19th-century synagogue. Here, the music took clearer shape, and the audience glimpsed the birth of works that would eventually take the form of individual tracks on Languoria.

This past winter, the two artists met in Copenhagen to record the album, completing 11 compositions that feel sacred, almost devotional in character. Fusing the melodicism and gentleness of Birch’s sound practice and the abstract, spiritual vocalisations of Nowacka, the album alludes to the wonders of the natural world while also turning its gaze inwards. “When working together, every small decision was very important, and that’s why such simple compositions can hold so much complexity and depth,” Sofie Birch says of their time in Copenhagen together. Contemplative, meditative and awe-inspiring in equal measure, Languoria is a breathtaking collaborative debut. Together, these artists have uncovered a new dimension of their respective practices, creating music that is difficult to categorise, otherworldly, yet strangely comforting. 

All music composed and performed by Sofie Birch and Antonina Nowacka.

Curated by Unsound
Mastered and cut by Stefan Betke at Scape Mastering
Cover artwork by Lera Dubitskaya
Photography by Filip Preis
Layout & design by Paulina Ufnal & Janek Ufnal

Released by Mondoj and Unsound.
Buy it from Mondoj: mondoj.bandcamp.com/album/languoria
Buy it from Unsound: https://unsoundfestival.bandcamp.com/album/languoria

Languoria

Sudany

Pre-order

Sofie Birch & Antonina Nowacka - Sudany

Absent Riddim

Oceans (feat. YL Hooi)

Šalna, skrodžianti širdis, lėtai palieka savo pėdsaką aplink. Apsunkusi galva paleidžia savo pažadą tolyn. Ar vėl teks šalčiu apsiglėbus tikėtis šilumos… Galbūt žinoti leis naktis ilga. 

Suvedimas: Kryštof Záveský
Vizualizacija: Studio Cryo

https://evangelija.bandcamp.com/album/alna

Visos surinktos pajamos iš šio projekto bus siunčiamos Ukrainos žiemai lengvinti.

KIKI DAY

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