Complicated

Self-Generative System
High Frequency Loudspeakers
Ceramics

Presented at El nivell perceptiu més immediat
May 6th — June 3rd, 2023.
Konvent.Zero, Cal Rosal

Development Consultant: Sam Roig
Programming: Bhob Rainey
Ceramics produced with the assistance of Julieta Dentone
Speakers and trays produced with Pense at Hangar.org

Thanks: Violeta Mayoral, Salva G. Ojeda, Eva Paià and Konvent.zero.

arnausalasaez.com/patrons-de-distraccio-el-nivell-perceptiu-mes-immediat/

Patrons de Distracció — 03

Recordings from Desenvolupament 99. Fundació Suñol 2022.
More information: arnausalasaez.com/desenvolupament-99/
credits


Sistema — 2 #3

Sounds used in the installations vis. by Julia Spínola (Fundació Miró, 2021) and Fuera de Lugar. Caminar por un suelo inestable, a collaboration with Violeta Mayoral (ethall, 2021).

Originally designed for 4-channel playback.

Tracks 01-03 were meant to be played at a very low volume in a room with reverberation.

Track 05 was meant to be played from behind a wall and heard from the room next to it.


arnausalasaez.com/fuera-de-lugar-caminar-por-un-suelo-inestable/

arnausalasaez.com/vis/

Sounds for Installations Vol. I

purchase / stream in full : https://hotreleases.bandcamp.com/album/meen

The feedback techniques of Neuter are further refined and incorporated into abrasive and grittily beautiful aquatic constructions - disquieting interference, intercepted paranoid disembodied voices, granularized /dubbed by concrete - claustrophobia transmutes into the warmth of a warren, beautiful tones resonating within a rusted shaft pelted by hard debris

built in 2024
mastered by Glyn Maier
cover by Emil Bognar-Nasdor

Neuter - MEEN Side A

from "Age End", cassette / digital : https://hotreleases.bandcamp.com/album/age-end

BA - prepared guitar

'shuddering strings, bridge belltones, jack hum, machine / flesh feedback, deft control of atonal chaotic elements with informed consideration of acoustic space for maximum effect, with undergirding repetitive elements / dissonant loops / motifs somehow lending a sort of churning "catchiness" in places, thoughtful and severely meditative, a refuge of waning light + warmth in the mysterious abyss.'

Recorded by BA
Mixed by Mo Miller
Mastered by Glyn Maier
Special thanks to Ryan Martin and Sarah Viviana Valdez

Bentley Anderson - No Way Out

OUr NEw SOund

8_7_25 - we rock

from the Chanelle Allesandre / Jean-Michel Kampara "Maritime skin, meren elävä nahka" split : https://hotreleases.bandcamp.com/album/maritime-skin-meren-el-v-nahka

Maritime skin, meren elävä nahka is a split album by two artists brought together by the Baltic sea. Both sides deftly elaborate on field recordings taken underwater with the same hydrophone in Ruissalo, Finland. From the same body of water and the same tool, two different experimental interpretations bifurcate, and a conversation develops. A fluid exchange reverberates not only between the two sides, but also within the tracks and their multifarious layers: the last sounds of a harp that Allesandre built in situ at Lump gallery—recorded moments before its disassembly, Kampara’s 12-string guitar, Allesandre’s grandmother’s harmonium, poems read aloud, the deliverance of a divinatory message, steps, legs, keyboards, fingers. What may be a distant storm could also be a face momentarily disfigured by the wind. In Maritime skin, meren elävä nahka, the past permeates the present as a soaked garment dries under the sun. Sound behaves like liquid memory, while listening and remembering meet in the act of floating. Our bodies and senses are half-submerged, pulled back and forth between water and air. Each track offers a new way to be received by water. Underneath all these permutations, the latent impulse is to let go and drift, to make space for the hidden sounds to come out and find us.

-Marta Núñez Pouzols

mastered by Glyn Maier 

Japan

Motorcycles CR

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