I Like the Ramones Vibes..   "Wanna Be Sedated"   kind of sound..   super cool..

Your guitar tones are stellar. Motorgirl has a solid identifiable sound - familiar tones, original music. You're doing everythying right, kind of like guitar-driven Ladyhawke. Keep it up!

haven't heard yer stuff in a while. fantastic rawker man.

yeah got 'em with sweet stuff then bonk them over the head with the track!

Shock the Algorithm

RETORCIDO - banda de Mar del Plata años 92/94
integrada por:Fabian cachu Spaltro-bateria,Guillermo Cerato-guitarra,Pablo di Giovanni-bajo,Berni Villar-guitarra y Christian Lisotti-voz

No era

Taken from the upcoming debut full length album (planned to be released March 1st - "Rock and Roll Kills").
(p) & (c), 2024.
Youtube link: https://www.youtube.com/watch?v=80YWaTAt8Gc
-------------------------------------------
lyrics:
We've been through a lot, a lot of shit
now it's time to fight, fight against
against this depression and evil vibe
this is the time we will take over our lives

We've been submersed deep deep down
we've lost our faith into this evil town
we have to get back, get back to our own feet
we had enough, enough with this shit!

and now we have our head up high
we know what it's true and never dies
and now we step up with god's command
we won't take it anymore, not get stuck into the sand

It won't take forever just to reach our dream
it won't take forever to delete the bad scene
it won't take forever to hold your hand
it won't take forever to the promised land

it won't take forever to live again
it won't take forever to face the sun
it won't take forever, it won't take forever!

Rock and Roll Kills

It Won't Take Forever

Sinister Serenade begins with a haunting minor feel, immediately setting a tone of melancholy and quiet despair. The track features a combination of electric guitar, ukulele, subbass, claps, choral pads, Rhodes piano, and additional piano layers, creating a rich but sorrowful soundscape.

At a tempo of 105.63 BPM and in 4/4 time, the track moves steadily, evoking the image of walking through cold, rain-soaked streets of New York on an autumn night. The third section of the piece introduces a cool arpeggiated guitar figure, panned to create a sense of movement and depth. Although the track maintains a single, melancholy emotion throughout, a shift in the middle introduces a hint of something more sinister, with subtle magical harmonies lifting the mood before returning to the somber melody.

The longing melody, which bookends the track, reinforces the feeling of solitude and contemplation, making Sinister Serenade an ideal choice for cinematic scenes that require a blend of sadness, quiet tension, and a touch of the supernatural.

Sinister Serenade

Brian Butts - Guitars, Drums, Bass, Keyboards, Master Mix
Cosmic Keanu - Vocals, Lyrics https://soundcloud.com/cosmic_keanu?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Lyrics:
Integrity in truth
Purity in obedience to God
Tranquility in spirit
Realization in faith

Be strong in the Lord
Put on the armor of God
For the struggle is fought
Not against flesh and blood
But against the forces of darkness
And the schemes of the evil one

Stand firm
Resist
On the evil day
Stand firm
Against the spiritual forces
of wickedness
in heavenly places

With every prayer and request
At all times in the spirit
With this in view
Be alert with all perseverance
So speak with boldness
As you ought to speak

On that day the deaf will hear
And those who are blind will see
The afflicted and needy will rejoice
For the ruthless will come to an end
And the scorner will be finished

Woe to the rebellious
Who rely on oppression

Astrarium

The Evil Day (feat. Cosmic Keanu)

Fire and Ice

It's stormy you stand alone
you feel the danger in the evening tone
lightning crashes, sky full of light
everything is happening in this night

I feel it, the fear has grown
and soon it will be shown
too late, no time to inquire
everyone escape the fire
screams, then the flammes grow higher
away from the ring of fire

too much, the heat is intense
the heat threatens our existence
no turning back, the strain's immense

run for your life, fire
just to survive
everybody get out, fire
screams are so loud

everyone get out, fire
shout it out loud, fire
no time to hesitate
It's not too late

the wind howls a chilling scream
beeing far away is everybody's dream
seeking shelter, the cold sets in
fire, storm and ice, it all will begin

It's too cold, the frost is dire
so we must start a fire
the fire melts the ice away
and the night looses its grey

the frozen night is severe
no one can hide their fear
the cold's grip is very strong
and the night is much too long
It's a blizzard, no path in sight
we must find a way to the light

forstbyte and fear – so cold -
shelter now gets near
the path becomes clear

run for you life
just to survive
everybody get in – so cold -
your life to win

Fire And Ice

Musik & Text: Gabriel
ENGLISH TRANSLATION
OF THE LYRICS CAN BE FOUND HERE:
www.gabriel.land/gabriel-mama-hol-mich-raus.htm

Mama, hol mich raus

Mama hol mich raus

Counterbits Demo Pls

Mats Demotape

Alla dagar. ( 1994 ) Eddy Mango - Margareta Theorin ( Eddy )

As I've started doing lately, this is a short excerpt, focusing on just the closing section of a full piano tune I recorded around 2001. The approach kind of reminds of the ending of "Crime Of The Century" by Supertramp (obviously nowhere near as interesting). Apologies for the poor recording quality, and the piano sound wasn't the greatest back then. Still, this little 1-minute closing section is still one of my favourite things I've recorded. 
Here's a link to the original, full tune:
https://soundcloud.com/user-432503709/the-last-days-of-november-2022-remaster?in=user-432503709/sets/mark-myoozik

More goodies in the "ISOLATED TRACKS" playlist:
https://soundcloud.com/user-432503709/sets/isolated-tracks

Last Days of November (EXCERPT - ENDING)

"A Quiet Room" is played on a Jeff Bamburg FSC guitar. Carpathian Spruce/Macassar Ebony, DADGAD tuning. A short tune which gradually "earned" its title as I made my way through composing this piece. Recorded Feb/2025. Thanks to all who might have a listen to this new track!

A QUIET ROOM

Composition and Sampling collage by Synline.

Let's Talk About Love

Cast of Characters:
Joe Stroffolino-- @joseph-stroffolino -- Taylor 114ce acoustic guitar, main vocals, harmony vocals, lyrics, composition 
Llanpsych -- @llanpsych -- Tez – Fender HSS Telecaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Custom T electric guitar, mix, mastering, and production
Mistermark-- @user-432503709 -- Mark – piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass with a plectrum 
 
This song began as one of Joe's, lyrically centered songs, which he wrote and filled in with VST instruments. He came up with the lyrics by sharing ideas with fellow SoundCloud musician Michele Ansani.
   Knowing that Josh is a fan of his work, Joe offered this song to him in hopes that he'd share it with the rest of the band. Of course, Josh jumped at the opportunity to work on his song, and immediately shared it with the rest of the group. 
  Ken went to work first, adding his driving, excting drums. Josh was having a hard time coming up with a good bass line for it, until Ken suggested that he use the power of the 1/8 note to propel it. Tez was up next with his clever fills you hear throughout the first half of the song. Stephen came along right after and matched Tez's energy for the guitar fills in the second half of the song. 
  It was still missing a solo in the designated spot, though, so Mark stepped up with his innovative piano solo you hear in the middle. If it sounds a little mechanical, that's because he's using an arpeggiator to achieve the effect. We thought it sounded good in a song about AI, though. 
  Once all the parts were dialed in, and Joe had gotten all his vocals tuned up, we asked one of our resident pros, Stephen, to mix it for us. He did that and mastered it, too, expertly, as always.
  This is the first song we've ever done with Joe, and don't expect it to be the last. We all really enjoyed putting together, in no small part because Joe is such a competent, receptive, and gracious collaborator. We all hope you enjoy listening to it as much as we enjoyed creating it. 
Original lyrics by Joe Stroffolino (and Michele Ansani):
When I was thirteen I picked up my first guitar
it was my mother's, it only had one nylon string 
I tried to play it like a rock star
I learned to play the Coca-Cola jingle
So I could teach the world to sing
When I was fourteen, I put on six new strings
I learned to play Beatles, I learned a Bob Dylan song
I sounded out of tune but I tried to carry on
At fifteen I wrote my first original tune 
So bad it sounded like it might have been written by a baboon
When I was sixteen, I got a new guitar for my birthday
The metal strings sawed through my fingers 
But I continued to play
And the calluses formed and every day I learned a brand new chord
I was obsessed with that guitar and I never grew bored.
I wrote songs every day and most of them were a mess
But I believed that through hard work, I could achieve success
Malcom Gladwell wrote a book that said it takes ten thousand hours
To become and expert at your craft
But now all it takes is two commands and an enter
And in two minutes you have ten versions of the same damn new song,
You just have to choose the type
folk, rock, rap, pop, metal, jazz, trap or blues.
You don't even need to write the lyrics, 
your push a few buttons let the AI choose.
And people will think your songs are great even though you didn’t write or play a single note.
When I was 20, I did my first concert, it was time
it occurred in a village square
there were four cats all friends of mine
I was still using the plectrum and sometimes I got the chords wrong
at thirty I finally wrote what I thought was a decent song
It had a very well thought out structure
And a catchy vibe and beat
It was overly verbose but when I played it people tapped their feet
In my forties I stopped wasting my time
Work was more fun I was doing just fine

AI Sucks! (Eclectic Collective with Joe Stroffolino)

NO FUSS // Short Musical Story Why Excitement Is Not Worth It …
@docfritz // Soundscapes, Music, Rhythm Design, Cover, Mix & Production
Composed, Arranged & Performed by DOCFRITZ @ OESJ 
© 2025 // All Rights Reserved

NO FUSS

This is the only live-recorded ballad I can put up here from the first album of Stytz Syndicate.
Line Up:
Stytz                             : guitar/leadvocals
Michael Roth                : harmonicas/vocals
Günther Reger             : saxophone/vocals
Claus Wengenmayr     : keyboards/vocals
Benno Richter              : bass
Jörg Schäfer                : drums
Lyrics                            : Pee Gee
Album Cover-Painting : Joachim Scheffler

Many people in the audience that night became teary-eyed hearing this song. 
The band gave it their absolute best and Stytz sang with heartbreaking intensity.

Thinkin´of the years we spent
Together...you and me
Goin´thru a constant change of ups and downs
I remember when we fell in love
A world full of colors surrounding us
We were happy all the time

It´s so hard to bear when words get in the way
So hard to bear when nothing`s left to say
So hard to say ...I´m sorry, it´s too late
I just fail to understand why
Our love´s come to an end

So afraid of losin you
I made a big mistake
But I know I have to realize
The feelings are gone
I can never change your mind
You made your own decision
Tryin´to find a way 
Leadin` back to yourself

It´s so hard to bear when words get in the way
So hard to bear when nothing´s left to say
So hard to say...I´m sorry it´s too late
I just fail to understand why
Our love´s come to an end

Our Love´s Come To An End ,  Stytz Syndicate

special thanks for their acapella to : Ashes and Dreams
Additional voice " On sight"  thanks to :  Deadbitctrosa.....

Lyrics : 
The truth sure likes to sneak up on you
Yeah, the truth sure likes to sneak up on you

You got jump-scared so bad in your waking hours
You thought you were seeing stars
The truth sure likes to sneak up on you

Gonna see it, gonna see it, gonna see it, gonna see it
Gonna hear it, hear it
Only when you’re not listening

Gonna hear it, gonna hear it, gonna hear it, gonna hear it
Gonna see it, see it
Only when you’re not looking

It’s the same from Winnipeg to California
Punishing your intuition in the corner
It’s the same from Winnipeg to California
Punishing our intuition in the corner

The clue stuck to the bottom of a shoe
The mud trail she tracked through the living room
Told you what you already knew

The truth
The truth sure likes to sneak up on you
Yeah, the truth sure likes to sneak up on you
Yeah, the truth sure likes to sneak up on you

THE TRUTH. 🎧. Feat  Ashes and Dreams

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

Just a girl and her music, trying to do everything on her own. I like older rock, hard rock, and punk rock music, but maybe not so much typical heavy metal. I only like a few songs by the big metal bands Metallica and Iron Maiden, but of course I like a few of theirs too. My music is therefore more rock or punk than metal.
Thank you for all the PMs proposing DAWs to me!!! I have now everything including and USB-Audio-Interface to record a bit more professional. My musical story: after the winter holidays 2015/16 my teacher told us Motörhead ist dead, since the main person of it died. We children did not really understand it. But I always wanted to find out what Motorhead is. So a few years later 2020 or 21 I finally wanted to know it and tried listening to them - and I liked them. Actually I never liked Metal, but with Motörhead it is different. One of their songs is Ramones, well then I discoverd the Ramones wich I also liked! At the beginning of 2022, I wanted to play their songs and started to play guitar, bought a 2nd hand Epiphone and got an amp from my older brother who has a band. I played very much and soon discovered I needed to learn barre-chords to play Motorhead, which I did. The Ramones songs were also the right songs, usually only chords and vocals, not too difficult, just the right songs to play and sing for me. 
Actually my first expierence with music making was my brother's band. When I was 15 or 16 he needed a female voice and asked me, so i did 2 songs with them and had a lot of fun. A bit later I started playing the guitar. I am very sorry for my poor sound of my first 2 songs. I did not have an audio interface and a DAW at the time I recorded and uploaded them. The songs were played in one go and phone-recorded. Hope that some of you can ignore the sound and enjoy the music.

Fire And Ice

Motorgirl

Recent comments

Hand on the Rock

30GradX

Larry Collen

Larry Collen

Related tracks