The panio is fantastic. I love this song. I love 60’s R&B. I hate that they target black children from the projects

Всем привет с сериала Кухня

AWESOMENESS

That snail is fast

Ain't No Mountain High Enough - Corra

"Immortals" from Disney's Big Hero 6 (inspired by the Marvel comic). Download it on iTunes http://smarturl.it/fobbh6 Get the limited 7" vinyl + poster http://bit.ly/1sutR2X

Listen to our new single "Centuries" http://youtu.be/sCbS-TLEoRA Download it on iTunes http://smarturl.it/centuries out now on DCD2/Island 

Upcoming tour dates: http://falloutboy.com/tour 

http://falloutboy.com
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Immortals

Immortals (From "Big Hero 6”)

Buy on iTunes

I wanted to try something completely different and felt like Dirty Dancing, so, here you go... ;P

Will You Love Me Tomorrow (The Shirelles) - Cover

“Stays for Good” drifts through the quiet spaces where life changes without warning. It’s about the moments that don’t announce themselves—no big scene, no goodbye—yet somehow settle in and reshape everything. The story follows those small shifts: an unspoken feeling, a routine that suddenly carries new weight, the way memory lingers in everyday objects. It’s not about heartbreak or victory, but the subtle transformation that stays behind, humming through your thoughts long after the moment has passed. Expect a reflective, intimate journey into the kind of change that doesn’t ask permission but becomes part of you anyway.

„Stays for Good“ bewegt sich durch diese leisen Räume, in denen sich das Leben verändert, ohne vorher anzuklopfen. Es geht um Momente, die keine große Szene machen, die ohne Worte hereinkommen – und trotzdem alles neu ordnen. Die Geschichte folgt diesen kleinen Verschiebungen: einem unausgesprochenen Gefühl, einem Alltag, der plötzlich anderes Gewicht bekommt, Erinnerungen, die in den einfachsten Dingen weiterleben. Es geht weder um Herzschmerz noch um Triumph, sondern um die sanfte Art von Veränderung, die bleibt – und wie ein leiser Ton weiterklingt, lange nachdem der eigentliche Moment vorbei ist. Ein stiller, nachdenklicher Blick auf das, was sich festsetzt und ein Teil von dir wird.

Stays for Good

There’s a joke I can’t tell ‘cause it ends with your laugh
There’s a street I avoid ‘cause it leans to the past
My hands do this thing when the light turns red
Like waiting for something
You never said

Didn’t mark the day, didn’t name the shift
But the sky moved sideways, and that was it

It’s not a scar, not a song, not a wound
It’s the shape of the room when I walk through
It’s not loud, not sharp, not misunderstood
It’s just there now
And it
Stays for good

I don’t write your name, I don’t check the stars
But I count the green lights like they know where you are
Bought a plant I forget most days of the week
Still, it grows like it knows
What I can’t speak

Didn’t feel the snap, just a soft reframe
Like waking up and not knowing what changed

It’s not a trace, not a dream, not a mood
It’s the way I say yes when I probably should
Say no, but I don’t – and maybe I never could
It’s in me now
And it
Stays for good

Some things split, some slip, some heal
But this one settled in, made a deal
Didn’t ask, didn’t knock, didn’t wait
Just sat down
And rearranged my weight

It’s not revenge, not regret, not a fight
It’s the hum in my blood when the world gets quiet
Not a flag, not a flare, just a shift in the wood
But I know what it is
Yeah, it
Stays for good


Stays for Good

This is a recreation of the 1967 Motown classic by Marvin Gaye and Tammi Terrell - Ain't No Mountain High Enough. This track was produced for Stingray Karaoke. Karine Ste-Marie & Patrick Henry Charles shared the vocal duties. Benoit Riendeau from 'Audio Track Pro' played guitar, programmed, produced & mixed the song. I edited the vocals and played the bass as a tribute to my favorite bass player 'James Jamerson'. Enjoy!

Ain't No Mountain High Enough - Marvin Gaye (Sound-alike)

"Faith" performed by Arjun Kaul
Originally by George Michael
Produced at The Studio That Time Forgot
Watch the video: https://www.youtube.com/watch?v=WNjNZKHjKKs
Spotify: https://open.spotify.com/artist/7Ga4Fr13bId1yv6RCubC6m
iTunes: https://itunes.apple.com/us/artist/arjun-kaul/id430361556
Check out the Music Videos "In Your Eyes" - https://www.youtube.com/watch?v=rRSosRCzWrg
Soul Shaker Heart Breaker:
https://www.youtube.com/watch?v=Em2G1m_1S1k
Follow me on FB, Instagram and Twitter:
https://www.facebook.com/arjunkaulmusic
https://www.facebook.com/kaulofthewild
https://instagram.com/screamingkaul/
https://twitter.com/arjunkaul

George Michael - Faith

Karaoke Hits 1984, Vol. 2

Hold Me Now (Originally Performed By Thompson Twins) [Full Vocal Version]

Aretha Franklin - Respect

Can be purchased here - https://magnum71mixes.bandcamp.com/track/queen-and-david-bowie-under-pressure-magnums-extended-mix

Queen & David Bowie - Under Pressure [1981] (spiral tribe extended version v2)

Bad to the bone (Geroge Thorogood)

The BeeGees - Nightfever [RobeFlaxreedit]

 Its so funny!  Can't stop listening to it!!""
﻿ lol! WHOOOO!
 

I Like To Move It, Move It

Ain't no mountain high enough

Megamind Movie Clip  We Meet Again  Official (HD)

Excerpts from the album 'THE ULTIMATE BEE GEES'.
BUY THE DELUXE DOUBLE CD & DVD SET from Amazon <a href="http://amzn.to/1brkEjR">USA</a>, <a href="http://amzn.to/13m2yuv">Canada</a>, <a href="http://amzn.to/1aT2W9B">UK</a>, <a href="http://amzn.to/1auhjNU">France</a>, <a href="http://amzn.to/12yro7t">Germany</a>, <a href="http://amzn.to/12XkhoT">Italy</a>, <a href="http://amzn.to/12NLidu">Spain</a>, <a href="http://amzn.to/194AqQW">Japan</a>.
BUY THE DOUBLE CD from Amazon <a href="http://amzn.to/1brikth">USA</a>, <a href="http://amzn.to/13m1yqh">Canada</a>, <a href="http://amzn.to/11ZpOAr">UK</a>, <a href="http://amzn.to/194C3hv">France</a>, <a href="http://amzn.to/13zPNZf">Germany</a>, <a href="http://amzn.to/13Qm59C">Italy</a>, <a href="http://amzn.to/12JOv2f">Spain</a>, <a href="http://amzn.to/194AqQW">Japan</a>.
DOWNLOAD THE ALBUM from <a href="http://bit.ly/11ZocXv">iTunes</a>, or Amazon <a href="http://amzn.to/15oILcH">USA</a>, <a href="http://amzn.to/17ngCEb">UK</a>, <a href="http://amzn.to/15K92lE">France</a>, <a href="http://amzn.to/18pBX4E">Italy</a>,<a href="http://amzn.to/18mu506">Germany</a>, <a href="http://amzn.to/12XiWOL">Spain</a>, <a href="http://amzn.to/13zLJrN">Japan</a>.
LISTEN ONLINE on <a href="http://www.deezer.com/en/album/422914">Deezer</a>, <a href="http://grooveshark.com/#!/album/The+Ultimate+Bee+Gees/4657434">Grooveshark</a>, <a href="http://www.last.fm/music/Bee+Gees/The+Ultimate+Bee+Gees">Last.FM</a>, <a href="https://myspace.com/beegees/music/album/the-ultimate-bee-gees-14023661">MySpace</a>, <a href="http://www.rdio.com/artist/Bee_Gees/album/The_Ultimate_Bee_Gees/">Rdio</a>, <a href="http://www.rhapsody.com/artist/bee-gees/album/the-ultimate-bee-gees">Rhapsody</a>, <a href="http://slacker.com/r/lLHTB">Slacker</a>, <a href="http://open.spotify.com/album/3JXTUy5Ccdpe79HUgUiMF9">Spotify</a>.


ABOUT THE BEE GEES
Formed: 1958 in Brisbane, Queensland, Australia
Years Active: '60s, '70s, '80s, '90s, '00s

No popular music act of the '60s, '70s, '80s, or '90s attracted a more varied audience than the Bee Gees. Beginning in the mid- to late '60s as a Beatlesque ensemble, they quickly developed as songwriters and singers to create a style of their own that carried them from psychedelia to progressive pop. Then, after hitting a popular trough, they reinvented themselves as perhaps the most successful white soul act of all time. What remained a constant throughout their history is their extraordinary singing, rooted in three voices that were appealing individually and melded together perfectly.

The group was also music's most successful brother act. Barry Gibb, born on September 1, 1946, in Manchester, England, and his fraternal twin brothers Robin Gibb and Maurice Gibb, born on December 22, 1949, on the Isle of Man, were three of five children. The three of them gravitated toward music, encouraged by their father, who saw his sons at first as a diminutive version of the Mills Brothers. The three Gibb brothers made their earliest performances at local movie theaters in Manchester in 1955, singing between shows. The family moved to Australia in 1958, resettling in Brisbane. Now known as the Brothers Gibb — with Barry writing songs — they attracted the attention of a local DJ, and eventually got their own local television show. It was around this time that they took on the name the Bee Gees (for Brothers Gibb). The trio was astoundingly popular in the press and on television, but actual hit records eluded them.

By late 1966, they'd decided to return to England — which, thanks to the Beatles, was now the center of the world for rock and popular music. The group had sent demo recordings ahead of them, and "Spicks & Specks" — which became their first Australian hit while they were in mid-ocean — had attracted the interest of manager Robert Stigwood. The trio was signed by Stigwood upon their arrival, and began shaping their sound in the environment of Swinging London. Barry and Robin Gibb alternated the lead vocal spot, harmonizing together and with Maurice. Barry played rhythm guitar, while Maurice played bass, piano, organ, and Mellotron, among other instruments. Their first English recording, "New York Mining Disaster 1941," an original by the group with a haunting melody and a strangely surreal, almost psychedelic ambience, was released in mid-1967 and made the Top 20 in England and America. They had successful follow-ups with "Holiday" and "To Love Somebody," the latter actually written for Otis Redding to record, and "Massachusetts," which topped the U.K. charts.

After Bee Gees' 1st, the Gibb brothers took over producing their own records. It was easy, amid the sheer beauty of their recordings, to overlook the range of influences that went into their sound, which came from a multitude of sources, including American country music and soul music. At this point in their history, they were most comfortable deconstructing elements in the singing and harmonies of black American music and rebuilding them in their style.

In 1969, the trio split up in a dispute involving the Odessa album. A lushly orchestrated double LP, it was their most ambitious recording to date, but they were unable to agree on which song would be the single, and Robin walked out. Barry and Maurice held on to the Bee Gees name for one LP, Cucumber Castle, while Robin released Robin's Reign. Without a group to promote it, the Odessa album never sold the way it might have, even with a hit, "First of May." Cucumber Castle generated several successful singles in England and Germany, including the gorgeous, African-influenced "I.O.I.O.," while Robin had a hit with "Saved by the Bell."

In 1970, almost two years older and a good deal wiser, they decided to get back together. They related to each other better and had also evolved musically, now creating a progressive pop/rock sound similar to the Moody Blues. They came back on a high note with two dazzling songs: the soulful "Lonely Days," the group's first number one hit in America; and the achingly lyrical "Morning of My Life," which proved so popular with fans that the group was still doing it in concert decades later.

Their success began to ebb, however, after another huge international hit with "How Can You Mend a Broken Heart" in 1971. The single "Run to Me" made the Top 20 in 1972, but the album To Whom It May Concern was forgotten almost instantly after a brief chart run. Their fortunes continued in reverse during 1973 withLife in a Tin Can and the single "Saw a New Morning" — despite a move to America and a heavy promotional push, the song never made the Top 40 and the album stalled out.

The trio was falling into a deep creative and commercial hole. Rescue came from a suggestion by Eric Clapton, that they try recording at Criteria Studios in Miami, Florida, where he had just cut an album. The Bee Gees took his advice and came back with Mr. Natural (1974), produced by Arif Mardin. This record was a departure with its heavily Americanized R&B sound, and the following year they plunged headfirst into the new sound with Main Course — the emphasis was now on dance rhythms, high harmonies, and a funk beat. And spearheading the new sound was Barry Gibb, who, for the first time, sang falsetto and discovered that he could delight audiences in that register. "Jive Talkin'," the first single off the album, became their second American number one single, and was followed up with "Nights on Broadway" and then the album Children of the World, which yielded the hits "You Should Be Dancing" and "Love So Right." Then, in 1977, their featured numbers on the soundtrack to the Robert Stigwood-produced Saturday Night Fever, "Stayin' Alive," "How Deep Is Your Love," and "Night Fever," each topped the charts, even as the soundtrack album stayed in the top spot for 24 weeks. In the process, the disco era in America was born — Saturday Night Fever, as an album and a film, supercharged the phenomenon and broadened its audience by tens of millions, with the Bee Gees at the forefront of the music.

It was a profound moment although, ironically, there wasn't that much difference in their sound. Amid the dance numbers, the Bee Gees still did a healthy portion of romantic ballads that each offered memorable hooks. They'd simply decided, at Arif Mardin's urging, to forget the fact that they were white Englishmen and plunged into soul music, emulating, in their own terms, the funkier Philadelphia soul sounds that all three brothers knew and loved. In one fell swoop, the group had managed to meld every influence they'd ever embraced, from the Mills Brothers and the Beatles to early-'70s soul, into something of their own that was virtually irresistible. Spirits Having Flown was their crowning commercial triumph, topping 30 million in sales and yielding three more number one singles.

By the end of the '70s, however, the disco era was waning from a combination of the bad economy, political chaos domestically and internationally (leading to the election of Ronald Reagan), and a general burnout of the participants from too many drugs and profligate sex (which would precipitate an epidemic of sexually transmitted diseases and herald the outbreak of AIDS in the United States). There had already been an ad hoc reaction against the group's dominance of the airwaves, with mass burnings of Bee Gees posters and albums organized by DJs. The group itself helped contribute to the end of the party with their participation (at Stigwood's insistence) in the film Sgt. Pepper's Lonely Hearts Club Band, "inspired" (if that's the word) by the Beatles' album. The movie was a commercial and critical disaster, and an embarrassment to all concerned.

In America, the Bee Gees were virtually invisible for most of the '80s. Instead, Barry Gibb pursued work as a producer for other artists, creating hits for Barbra Streisand and Diana Ross. By 1987 and the E.S.P. album, their sales had rebounded everywhere but the United States, yielding a number one single (outside of the U.S.) in "You Win Again." Their 1989 album One got a good reception around the world and generated a Top Ten U.S. single. And in the '90s, Polygram Records released the four-CD anthology Tales from the Brothers Gibb, which sold well around the world. The trio's 1997 induction into the Rock & Roll Hall of Fame led to a resurgence of interest, which heralded the release of the live album One Night Only (1998), cut at their first American concert in almost a decade.

The Bee Gees remained active until the death of Maurice in January 2003, from cardiac arrest during surgery. Following his death, Robin and Barry decided to cease performing as the Bee Gees. Their recorded legacy, however, subsequently became more visible than it had been in decades with the move of their catalog to Warner/Reprise. The latter company began the long-awaited upgraded CD reissue of the Bee Gees' post-1966 library, including the first-ever release of outtakes and rehearsal versions of songs. Robin was diagnosed with and underwent treatment for cancer in 2011. He died in London in May 2012 due to complications from cancer and intestinal surgery; he was 62 years old. Given the previous deaths of Andy (who had several number one hits and who died of an inflammatory heart virus in 1988) and Maurice Gibb, Robin was the third Gibb brother and second member of the Bee Gees to pass away.


Music ℗ & © 2009 Barry Gibb, Robin Gibb and The Estate of Robin Gibb under exclusive license to Warner Strategic Marketing Inc. a Warner Music Group Company.


Ain't no mountain high enough

Marion Chrétien

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