(SR025) Sektion106 - Le 25ème Poing (Paul Nazca Remix)

Motto Sono Records presents: (MOTTO21) Mare Nostrum EP, by Falco Nero. An extra enigmatic artist with a background from Chile and Sweden, living the motto: "Study the past if you would define the future".

Cover art by Anssi Ruokokoski
https://www.instagram.com/anssiruokokoski

Mare Nostrum EP (MOTTO21)

La Madrugada Sin Sol, by Falco Nero (MOTTO21)

Motto Sono Records presents: (MOTTO23) Complex Space Fashion, by Tm Shuffle & Kalle-M. Bringing you some tasty ear-food from the dub-seasoned side of Finland.

https://soundcloud.com/tm_shuffle
https://soundcloud.com/kalle-mofficial

Cover art by Anssi Ruokokoski
https://www.instagram.com/anssiruokokoski

Complex Space Fashion (MOTTO23)

Fashion Version, by Tm Shuffle & Kalle-M (MOTTO23)

Space Modulator, by Tm Shuffle (MOTTO23)

Complex, by Tm Shuffle (MOTTO23)

Motto Sono Records presents: (MOTTO24) Vintergatan Part 2 by Joline Scheffler & Viktor Ström. The follow up to Vintergatan Part 1 is here, presenting 3 different angles of deep Techno from this dynamic duo based in the mountains of Aore in north Sweden.

https://soundcloud.com/viktorstrom
https://soundcloud.com/joline-scheffler

Vintergatan Part 2 (MOTTO24)

Paranormal, by Joline Scheffler & Viktor Ström (MOTTO24)

A new name on Magnitude Recordings as Thomas Ferell enters Francesco Pico's long running imprint with two lovely originals titled 'The Maze' and 'Willow'. True progressive house delight by the Estonian artist who you might have discovered already because of his earlier releases on labels such as Mango Alley and MNL. And if that ain't enough you'll find Kebin van Reeken on remix duties to make this release even more essential!

The Maze

Thomas Ferell - Willow

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hello strangers !

Our №22 release from strange by BDTom !

"Inspired me the label Hello Strange, and the label's artists and my feelings.
I tried to make five typically BDTom tracks. 
This EP is about how can i imagine the fusion of dub tech and deep sounds 
but the point is that we stay in a dubby sounds. 
Thats why i used lot of echo, reverbs, noisy atmosphere and much 
delay of course.
I hope I can show you what I am and what my music."

@soundcloud.com/bdtom

Thanks to: 
- BDTom [ soundcloud.com/bdtom ] 
- Dmitriy for design [ www.facebook.com/chalyi ] 

© 2017 hello ▼ strange 
www.soundcloud.com/hello_strange 
www.facebook.com/hellostrangelabel
www.instagram.com/hello.strange

Strange Ep

BDTom - Strange

A1 / 1. If Nature Is Unjust, Change Nature
A2 / 2. Globular Hymen
B1 / 3. Science Is Not An Expression But A Suspension Of Gender
B2 / 4. And With Fire Came Disparity

Serena Butler returns to the fore with an EP for Stroboscopic Artefacts. “We Want Neither Clean Hands Nor Beautiful Souls” is a four track recording of Butler’s personal juncture with the Queerverse and his engagement in queer politics, an elaboration on the alternate freedoms and minimal politics of alienation introduced with her 2016 release on Eerie. By bringing her mission of inclusion and diversity to Lucy’s Berlin based imprint S>H/E has found a kindred spirit in the pursuit of, what SA describes as, “an incessant accretion of new ideas and new formal elements that must transcend any self-limiting expectations of genres or cliques”. This release embodies the shared revere that Butler and SA have for the subversive power of techno; or, as Butler says, “the explicit, organized effort to repurpose technologies for progressive gender political ends”.

The EP’s path begins with the opener “If Nature Is Unjust, Change Nature”, a shadowy crescendo of whispered rhythms and minimal-synth leitmotivs from alt-clones of Rrose and Second Woman grafted memories. “Globular Hymen” is the club supernova of the lot; an interstellar blizzard of layered arpeggios, which hit like the wrath of a pantheon of angry goddesses. “Science is not an expression but a suspension of gender” lays on the feel of afterlife, a dubbed-out lullaby between lo-fi drums and subtle interference patterns of noise. This is the sound of Butler getting between you and your ears; reminding you to step back from certainty and imperative judgments. Last but not least, “And with fire came disparity” unleashes a vocal swarm of declaration and rebellion. Despite the straight-forward title, this is a true Demdikesterian mutant-techno stepper, with neither clean words nor a beautiful soul.

All tracks (w)&(p) by 
Federico Cataldo u / Serena Butler ♀ 
Graphic concept by Ignazio Mortellaro [OA].
℗ & © Stroboscopic Artefacts 2018
Cat. No SA033 – all rights reserved.
www.stroboscopicartefacts.com
info@stroboscopicartefacts.com

Serena Butler - "We Want Neither Clean Hands Nor Beautiful Souls" [SA033]

Sebastian Mullaert has always been a seeker and an innovator, so naturally his long awaited debut solo album, ”A Place Called • Inkonst“ presents an unique artistic concept and a thoughtful exploration of the relationship between sound and space. 

For several weeks, Mullaert spent most of his time at Kontra-Musik’s home base Inkonst, an old chocolate factory turned cultural hub in the busy urban area of Möllan, Malmö city. Working in solitude outside the venue's usual hours, he built his live rig in front of the PA, right in the middle of the dance floor. This figurative role reversal between a dancer and performer allowed him to fully immerse himself in a perspective as close as possible to that of the audience during the process of creation. Mullaert’s recording studio lies deep within a beautiful forest in the south of Sweden, a setting which has increasingly made its mark on his music: lush, green and spacious. It’s a lovely place that makes for equally lovely music, but contentment is art’s worst enemy. The complete displacement during the recording process of this album has affected his music profoundly. Mullaert’s usually wide horizon of green hills and tall beech wood is more condensed and focused here, taking the form of urban patterns of life. Shades of longing and melancholy run through the album and those hazy ambient parts are no longer modelled on morning mist, they are exuding from smoke machines. 

The album is an exploration of improvisation, an approach that has become far more than a method for Mullaert:  For him this is a way of encountering the present. The tracks are expressions of chance; collisions and collaborations of sound waves caught in the moment by Mullaert, like snapshots of fleeting harmony. The thematics are always distinct but at the same time ever morphing, pulsating and breathing like living entities. As the music changes we accordingly change with it. New patterns of movement and thought emerge and we improvise to keep up. This is the concept of dancing in its purest form, but also of meditation. A place called • Inkonst is made for both. 

A place called • Inkonst is Sebastian Mullaert’s hommage to improvisation - an approach that is central to his work as a musician, as well as his critically acclaimed Circle Of Live event series concept he launched last year. The here and now is always in a state of flux, so improvising is the only true way to experience the present.

KM055 Sebastian Mullaert - A place called • Inkonst PREVIEW

Taken from Mathimidori's LP Akebono on Echocord, out October 23.

More: www.orbmag.com/music/

@echocord

Akebono

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Premiere: Mathimidori - Ork

Record label based in Finland managed by Miia Magia and Mr Barth. Representing deep emotional grooves for the demanding DJ and audience. 

The only good system is a sound system.

Space Modulator, by Tm Shuffle (MOTTO23)

Motto Sono Records

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