Terry’s voice doesn’t try to impress — it just tells the truth. And that’s what makes it powerful. The synths float like memories, the drums pulse like a fading heartbeat, and the lyrics… well, they bleed honesty.

Atheist Angels. No gods. Just two women, love, and the will to keep someone alive. That’s divinity enough.
This is what music is for. Bravo.

Super track man, keep rockin' 👍🎶👏

Awesome song, great chord changes, excellent sound

Wonderful! Fantastic song writing and performances!  Powerful and heartfelt.  Love it!

WHERE ARE THEY NOW? volume 1

During the early days of Myspace, Soundcloud & Reverbnation there was a great vibe going on among we musicians, we were enthusiastic, we reached out, supported one another, actually took time to listen, leaving one another encouraging feedback, so I sometimes wonder, WHERE ARE THEY NOW, are they still making music?

Many more volumes with this theme to come, on here and on Reverbnation, so if you haven't been added yet, you will be.
>
WE BENEFIT FROM POSTING ON SOUNDCLOUD THE MOST WHEN WE FOLLOW BACK, LISTEN AND LEAVE FEEDBACK

Who should we follow back? The Soundcloud users who don’t just follow us they actually listen and leave feedback, makes sense, right. So why does it make sense, because they are the ones actually supporting your music, they are the ones that raise your profile and feedback is FREE hype, it advertises your product, it tells new arrivals to your page that your music is worth listening to, that’s what I mean when I say we ALL benefit.
These platforms actually end up failing BECAUSE we don’t maximise their potential in this way, a follow serves no purpose if we don’t follow through, and if we don’t follow through others don’t follow through either, we all become wary of giving support because we know only a very small number will do the same for us.
So how does this affect these platform, activity slows down eventually grinding to a halt, once that happens platforms like Soundcloud could end up going out of business, eventually there will be no platforms left for us to FREELY post on, the day will arrive when the ONLY way to post our music is to PAY FOR THE PRIVILEGE, so you see being PROACTIVE not only benefits you and I it ensures the survival of platforms like Soundcloud; ok, so it doesn’t deliver in some of the ways we’d like it to, and including reaching an actual audience, but it’s a whole lot better than nothing at all!

WHERE ARE THEY NOW volume 1

Songs by another project "little big bird"

2023/1/1

Website

星の種

(Written by Terry Reeves)

Terry Reeves: Vocals
Gary Reeves: Drums
Hans-Michael Albers: All other instruments, arrangement & production

Illustration: 'Floating Man' by Enrique Mendez

I don’t believe in luck but I do feel very privileged to have two angels looking after me. My wife Jo and my daughter Charlotte have saved my life on three occasions keeping me alive until the ambulance arrived. I have been told that without their interventions I would not have survived.

Both have chosen not to believe in any God or indeed any outside power that can change our lives.  There may be many of you who disagree but these are the choices we make - each of us believes what we feel is best for us.  If a belief in a higher being helps give anyone’s life more meaning and guides them through each day, we have no argument with that at all.   

I think of Jo and Charlotte as my Atheist Angels.  The care they have given me during these close-to-death experiences shows what beautiful souls they are, always there for me at the time of greatest need.   

On every occasion, there were times when I truly thought that I was drawing my last breath, my existence disappearing as they fought to save me and all I could think of at the time was that, barring my brother Gal, all of my closest male antecedents died when they were just 63.  I was the same age during these episodes and I really didn’t want my name added to the sequence.  My Atheist Angels made sure that it wasn't.

Now I am 67, a proud grandfather, still around to enjoy the experience of watching my family thrive and grow.  There is another grandchild on the way later on this year and the more time I can spend with the love of my life Jo, the better and although my illness is not exactly how I planned things, I still try to enjoy every extra moment.

The continuation of ‘Cripple Club’ with Gal and Hans has been another unexpected bonus and we plan to keep going as long as we can. Here’s to the next song - I do hope you enjoy this one.   (Terry Reeves)

The whisper of a distance voice
Two angels arriving single choice
Keep breathing slow not too much
Your not leaving just stay in touch 

I’m floating yes I’m floating yes I’m floating floating away

A feeling of desperate final breath
Lonely moment no time to caress 
Fighting every 63rd dying thought
Surviving each gulp of air caught 

I’m floating yes I’m floating yes I’m floating floating away

Has time arrived to lay down still
Not accepted by two who really feel
More than one chance to live again
The Angels alongside helping pain

I’m floating yes I’m floating yes l’m floating floating away

Fight to avoid final thought of death
A fading light continues to suggest
Only time decides what, when and how
My Atheist Angels this time will not allow

I’m floating, yes I’m floating, yes I’m floating, I’m floating
I’m floating, yes I’m floating, yes I’m floating, I’m floating 
I’m floating, yes I’m floating, yes I’m floating,
Floating to stay……………………..cont

MY ATHEIST ANGELS - CRIPPLE CLUB

Been a great while since any music has been uploaded to my Soundcloud. But here's a little melodic piano piece i did for all ears on the cloud to enjoy! Thank you so much for the listens, comments, repost and support. Means a lot. Much love and blessings to all! Stay safe!

Production & Mix @pacman-mic-mastery
Mastering @confucius-greens

Enjoy!

A Follicle Dies (feat. CryTkillA  Melly Jade & RHYZUP)

A Follicle Dies (feat. CryTkilla Melly Jade & RHYZUP)

Unsee - Sad/Piano/Songs

Death of a generation written and produced by Jim Manser
mixed and mastered by Russ Sinfield
drum programming by Russ Sinfiled
taken from the forth-coming album Tales of generation x 
2023
lyrics 
let the birds fly free from the cage
a demonstration for freedom and this age
you left me hanging tell me how you feel
who broke the butterfly on a wheel
what we need is a revolution or nothing gonna change
fly the flags of a new solution power,greed ,and rage
spirit of the age

Death of a generation tell me what went wrong
for the peace and a new sensation who wrote another song
Death of a generation who signed an epitaph
all the clowns and the politicians who cut us down in half

who led the madmen from this house
rampaging elephants your the mouse
they smashed the kingdom broke down the fear
now it makes me wonder whats been left here
all the shops are empty because of capital gain
and you dont  even remember now things all look the same 
when thy crashed the plane
death of a generation what have we got left 
death of a generation they got away with theft
Death of a generation they want to take control
all the clowns and the politicians who want to take control
Death of a generation they thought they would change thhe world
but they lost all there levitation and all the dreams got sold
Death of a Generation they gave it all away
all the fools and the aggravation whats been left today
nothing left to say [lyrics by jim manser 2023]

you-tube video link

Death of a Generation [watch the video on youtube]

Music video:  https://www.youtube.com/watch?v=Oqmnp3KQnVs
——— —
Creeper
________

well I’m a creeper plugging in my radio
moving up your street
listening in stereo
David Bowie, why can’t you be me?
come and show me a sexy way to be, yeah!

I’m a creeper chilling to my radio
moving up your street, hopped into my backseat
I got down ‘round two-hundred feet
hiding in shrubs, crazy place to meet girl!

yeah I’m a creeper 
creepin’ down the alleyway
looking for a new friend or an easy lay
city filth comes up to my knees
and if you need me, you don’t know where I’ll be
yeah!

——-
see a cottage, ‘round two-hundred feet…
peeking in your blinds! crazy way to meet, girl! :)

I’m a creeper plugging in my radio
moving up your street 
listening in stereo
David Bowie, why can’t you be me?
come and show me a sexy way to be, yeah!

well I’m a creeper gellin’ to my radio
moving up your street, hop into my backseat
I got down around 200 feet, hiding in shrubs…
crazy place to meet girl!

yeah I’m a creeper creepin’ down the alleyway
looking for a new friend or an easy lay
city filth comes up to my knees, and if you need me
you don’t know where I’ll be
yeah!

——-
where are you girl?  I get low down
smashed around looking for anyone not a clown
out there in the summer heat; crawling through your shrubs…
crazy way to meet, girl!

where are you now?  I get low down
smacked around looking for anyone not a clown
out there around 200 feet, hiding in the trees
crazy way to meet, girl!

well I’m a creeper plugging in my radio
moving up your street
listening in stereo
David Bowie, why can’t you be me?
come and show me a sexy way to be, yeah!

well I’m a creeper chilling to my radio
moving up your street, hopped into my backseat
I got down ‘round two-hundred feet…
hiding in your shrubs, crazy place to meet 

giiiiirrrrrrrrrrlllllllll!!!!!!!!!!

Creeper

Composed by Charles Chambaz
All instruments, effects are performed, recorded, and mixed by myself.
For more information, see my public Profile
All rights reserved.

Le Mahabharata est une épopée sanskrite de la mythologie hindoue comportant, selon le décompte de Vyâsa, 81 936 strophes réparties en dix-huit livres. Il est considéré comme le plus long poème jamais composé.

Mahabharata - Charles Chambaz

All Instruments By Splintered Finger
Vocals By Jean Michel George  
https://soundcloud.com/jean-michel-george

Composed Arranged & Produced By
Splintered Finger & Jean Michel George

Innuendo ( Message From The FBI ) - Feat Jean Michel George

Bestialidad (AFC) - by the BrunoDJ Special version ...
This is a reinterpretation of BrunoDj (aka Bruno LT) to the first track of the AFC.
This version retains many elements of the original version, but adds the brutality of electro dubstep Wobbles

@brunodj


BESTIALIDAD (AFC 1º track) - BRUNO DJ - VERSION

The next track in our collaboration...

OKTOPIA Presents: Return & Goodbye

Beats, Synths & Samples: Dan C E Kresi
Lead Guitars: The Shire Bairn Project
Produced by Dan C E Kresi

More from Dan here:

on.soundcloud.com/7OQeMYQ0zsp4dsjsdv

Return & Goodbye

The train to nowhere has no end
As far as you can see around the bend
There always is another curve
Another chapter to the story
So we can continue to pretend
Not to see how our story ends

We try so hard to never see
The end of tracks go on endlessly
We hear them rumble beneath our feet
We feel the sway in perfect time
An effect for every cause we find
Creates our end in harmony

A life of storms with wind and rain
Teaches us to weather pain
There is no sense to lie and blame
Hardships on bad timing
The train that I am riding
Is my story just the same

The Train To Nowhere

This is an old traditional Malagasy song,
we did for you 

Kitana on vocals 
Rina on piano

Mifankatiava ihany
Raha mbola velona aina
Tsy misy toy izany ny mampifaly saina

Ny maty efa lasa
Tsy azontsika antsoina
Isika no mikasa
Ny ratsy hadinoina re

Ny maty efa lasa
Tsy azontsika antsoina
Isika no mikasa
Ny ratsy hadinoina

Koa raha tsy fotoana ela
No hipetrahana eto
Andeha re
Andeha re mba hifamela
Andeha hifamela mba tsy harahin-tsento
Mba tsy harahin-tsento
Andeha re(Andeha re)
Mba hifamela
Mba tsy arahin-tsento

tranlation:
Let’s love one another
While we are still alive
There’s nothing more joyful than that for the soul

The dead are already gone
We can no longer call them back
It’s up to us now
To let go of the wrongs

The dead are already gone
We can no longer call them back
It’s up to us now
To let go of the wrongs

So if our time here
Is not for long
Let us go
Let us go and forgive each other
Let us forgive, so no sorrow remains
So no sorrow remains
Let us go (Let us go)
To forgive
So sorrow won’t follow

Cover Solika - Mifankatiava ihany | by Kitana and Rina

Play it. X ( 1992 ) Eddy Mango ( Eddy )

What happens if "Dust In the Wind" meets "Classical Gas"?  I sought to answer that profound question one morning when I was riffing on an A-minor chord and couldn't think of another way to describe this acoustic concoction. I couldn't think of a better name for it either, but seemed to have a "ballad" feel to it, either about a hero or villain, I'll let you decide, and maybe catch a "catnap" thinking about it:)

Ballad For Acoustic Guitar

Flowers.

Written in January 2024.

Published in July 2025.


During the first few months of last year, I was ill with my recurring kidney stone problems.

Fortunately, that passed.

I left some of the compositions I started unfinished, and some sketches were barely started.

This is one of them.

My mother lives in a typical Andalusian house in Seville.

One of the characteristics of these houses is that they usually have a courtyard where there are all kinds of flowering and non-flowering plants.

Obviously, they need to be cared for, watered, fertilized, etc.
My mother loves doing it, and in spring she reaps the rewards of her labor.

I always give my flower icons to the women I follow (I hope I'm not annoying them by doing that), so I thought it was interesting to draw inspiration from all of that to put this together.

17 Tracks native instruments MS2 & Old Xewton forum.
3 XPad 
2 iMini Arturia
1 iProphet Arturia
2 korg IM
1 Ob-xd 
1 flowtones 


Mix: my hear 
Software. Music Studio 2
Hardware.ipad

Cover. A part of the courtyard of my mother's house

Thank you for your comments

Next…. Crossroad

Flowers

Cast of characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four string bass, Collings mandolin, Rogue banjo, Roland electric piano, and composition
K2 and the Three [and the Four]-- @k2andthe3, @k2-kara –Ken — drums and percussion
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson custom T model electric guitar, Taylor T5z acoustic guitar, production, mix, and mastering
This song began with Josh coming up with it on his electric piano and fretless bass, to which he added some banjo, then mandolin. Once he had a solid basis for the song, he shared it with the rest of Eclectic Collective for them to add their parts. 
  Ken was first up, adding his drums in an such a creative way that matched Josh's bassline perfectly. It was originally recorded to a looper disco beat, but that was blown out of the water by Ken's creative drumming. Tez jumped in next, adding his thrilling guitar to the second half of the song. Not to be outdone, Stephen batted clean up, adding his textural and melodic guitar to the first half. He also added some subtle, but brilliant acoustic guitar to the first half, too. 
  This is a great example of Eclectic Collective coming up with an original band sound out of one of Josh's seeds. We're always pushing boundaries and trying to find fun and exciting ways to build a song. Lots of teamwork in here, too, of course. We hope you enjoy listening to this as much as we enjoyed making it.

The Plot Thickens (Eclectic Collective)

Lyrics, Vocals: Mr. Dui https://soundcloud.com/mrdui305

Beat production arrangement by Soul Muzick @soulmuzick13

Guitar play, Mastering (Ozone 9) by David Lee Louthan

Keep An Eye On Your Circle (Ft. Mr. DUI)

Mountain Songs is a project dedicated to my brother Brian Reeves (aka Rocky Mountain, 1948–2012), an accomplished songwriter, guitarist and arranger.  He was the creative force behind so many of the songs on this page.  If you have time, please click for lyrics and track history. 
This is for you Bri, with love and thanks from us all.   We miss you. (Gary Reeves)

In the WRONG PLACE at THE WRONG TIME with THE WRONG MINDSET, apparently making THE #WRONG #MUSIC, but it feels #RIGHT to ME!

Highly unlikely more than one of my tunes will ever be heard by more than a handful of listeners, so just for the record here is an incomplete list of artists my music has been compared to by other musicians, depending on which tunes they heard, StevenVellou (Gothic Funk)

RESIDENTS, PHILIP GLASS, DAVID BYRNE, FRANK ZAPPA, THE BEATLES, BAUHAUS, SISTERS OF MERCY, DAVID BOWIE, LOU REED, CAPTAIN BEEFHEART, PARLIAMENT, SYD BARRETT, PINK FLOYD, PSYCHIC TV, NEU, MOMUS, MINISTRY, CHARLES IVES, BEACH BOYS, KINKS, THE FALL, JOY DIVISION, DEPECHE MODE, GARY NUMAN, LEONARD COHEN, STONE ROSES, GIORGIO MORODER, GEORGE CLINTON, THE CURE, DALIS CAR, JOHN ASTLEY, KILLING JOKE, ALIEN SEX FIEND, ROBERT FRIPP, DEVO, B52’s, IAN CURTIS, FAD GADGET, TALKING HEADS, GORILLAZ, MIKE PATTON, JON ZORN, LES CLAYPOOL, STEVEN REICH, TOM WAITS, THE EX, TOM CORA, THE CAKE, NAPOLEON XIV, KEVIN AYERS, ROXY MUSIC, FRANK TOVEY, RUPERT HINES, ROBYN HITCHCOCK, DEVIN TOWNSEND PROJECT, SPARKS, BILL NELSON, JOHN CALE, TRIO, JULIAN COPE, HEAVEN 17, LLOYD COLE, TUBEWAY ARMY, FRONT 242, NITZER EBB, COCKNEY REBEL, SHRIEKBACK, VICTOR SNOW, GORDON LIGHTFOOT, THE THE, BABYBIRD, JOHN LENNON, ULTRAVOX, DAN DEACON, BACH, SQUEEZE, ANDREW ELDRITCH, IGGY POP, MIDNIGHT OIL, BILLY CHILDISH, BUTTHOLE SURFERS, VELVET UNDERGROUND, LOVE AND ROCKETS, ART OF NOISE, LOOK PEOPLE, CABARET VOLTAIRE, PRODIGY, et al.
>
Don't take sides and I'll respect you for it; take sides and I'll treat you with the same contempt I treat anyone with a mob mentality, because mob mentality invariantly betrays an underlying intolerant right-wing mentality!
>
#SUPPORT gathers #MOMENTUM when #RECIPROCATED!
>
My tunes are ten times better than you might imagine!
>
A lack of listens proves nothing, other than the fact that no one is finding your tunes; it does not prove, as some believe, that your tunes must be crap, so don’t ever take such a ridiculous notion on board—on an internet FLOODED with music no listens rarely has anything to do with the quality of your music, your creative talent, is almost always down to the fact that the right audience can’t find your music, because finding it is now as difficult as finding a needle in a haystack!
>
SOMETHING FOR EVERYONE, EVERYTHING FOR SOMEONE!
>
For diversity and consistency, I am not hesitant in saying my Soundcloud pages house the most inventive creations on here. There are others making fabulous tunes, but no one is more prolific while maintaining a high standard of pole to pole invention, and that applies to the lyrics too. I won't escape obscurity and oblivion, but that proves nothing, the internet is way, way, WAY overcrowded with unsigned music, way too much mediocre stuff, which obscure anything exceptional out there; the wood hidden away behind lots and lots and LOTS of trees, and no one has the time to look for needles in haystacks, to find a diamond in the rough, it's just way too big a task, not humanely possible!

INVENTIVE, AUTHENTIC, DIVERSE MUSIC, INVENTIVE, AUTHENTIC, IMAGINATIVE LYRICS, but those are the last things the vast majority of listeners are looking for these days!
>
Me, I'm awestruck by musicians who can't be pigeonholed, who don't conform to any borders, who don't think about which direction each new creation will take, they just go wherever that creativity takes them; pure, on the fly, innovation, imperfect but 100% authentic, as far a way from manufactured, recipe book, regurgitation, as it is possible to get, totally unforced, inspirational and way, way, WAY outside the box! There ought to be a place for such creativity, there was at one time, but a mercenary music industry put an end to that, leaving us with a situation where those who deserve the most adoration for the talents receive the least!
>
Will this ever change, will a yearning for TRUE underground, creativity unique to the individual, ever return, or has the spoon-feeding gone to far this time, is its grip so vicelike nothing can break it!
>
I make #INVISIBLE music, perhaps it feels that way to you too!
#Overlooked, #Underrated, Dismissed Without A Listen!
>
When Soundclouders follow me or click like without leaving feedback, what is it they are hoping for? That I come listen to their tunes and heap praise on them, what? I mean really, what is the point of following someone, what is the point of liking one of their tunes, if you don't actual think they are deserving of feedback, if you don't think the tunes are as good as what you do???

EXPLODING THE MYTH THAT UNSIGNED IS UNSIGNED BECAUSE IT’S INFERIOR TO SIGNED MUSIC!

>
UNTIL this MYTH is blown out of the water we don’t have a cat in hells chance of breaking through. #TheMyth  is the BIGGEST obstacle that stands in our way, it is the FIRST hurdle we must get over, it is the message that should be going #VIRAL, it’s down to each & every one of you to make that happen!
>
#ExplodeTheMyth
>
Listening to just one of my tunes tells you nothing about my creative approach, listening to ten of my tunes will still tell you very little, listen to a hundred of my tunes and the penny will start to drop, but it's only after hearing 500+ of my creations and collaborations that your eyes will widen in amazement! 
However, if you don't have unlimited eclectic taste none of that applies, and the reality is, who, in this world, is going to listen to every tune I've created, no one--if even one tune is heard from beginning to end it's a minor miracle, because sadly, there is a belief that unsigned means inferior, but I've heard enough tunes by the rest of you guys to know that's a myth, that's bullshit, we create some of the most inventive, authentic, imaginative tunes out there!
Give me unsigned, independent and underground music over signed, safe, predictable, recipe book, music any day of the week!
>
I MAKE TUNES NO ONE WILL EVER LISTEN TO!
>
Some musicians & music fans don’t want to hear music from the past because they would have to acknowledge IT’S ALL BEEN DONE BEFORE!
>
Finally come to terms with the fact that I'm PLAYING TO AN AUDIENCE OF ONE, and even I have to FORCE myself to listen!!!
>
My music and lyrics are all about different, but if no one listens no one will EVER know! 
#StevenVellou

I CREATE TUNES ON THE FLY; NO FORMULA, NO PLAN, NO DIRECTION; THEY JUST HAPPEN--I'M IGNORANT OF THE RULES INVOLVED IN THE MUSIC MAKING PROCESS, SO I'M NOT BOXED IN BY THEM, WHICH IS WHY THEY ARE SO VARIED AND UNPREDICTABLE!
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
Meaningful yet tongue-in-cheek tunes that can’t be #PIGEONHOLED!
Great production ISN'T my forte, accomplished musicianship ISN'T my forte but #UndergroundInvention, #InfiniteDimensions & LYRICS are!
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
Now I don't personally believe I'm in the same league as #Bowie, other than my lyrics, more often than not, making more sense, but I do think I share his ability to adapt to different genres, and his endless, diverse, creativity, just not quite on the same level.
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
I'm not proficient/accomplished on instruments, & I have other musical limitations, but most genres come natural to me, and I much prefer having that unforced ability to being highly accomplished on instruments, highly polished on production, or having the perfect voice!
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
If I didn't feel I had my own approach, if my music was easy to pigeonhole, I would have quit music a long time ago!
Never been about fame & fortune, just about pushing the boundaries without actually intending to push the boundaries; creativity that's second nature not formula! 
Yes, I want to reach an audience but making money from my music means nothing to me!
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
NOT saying I’m THE MOST #talented musician on music promotion sites but I will say I’m one of the most #UNDERRATED! Even so, I would much rather be underrated than overrated!
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

MY ATHEIST ANGELS - CRIPPLE CLUB

Mountain Songs

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