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Over the course of eleven albums - not to mention an avalanche of side projects, remixes and collaborations - Jan St Werner and Andi Toma of Mouse on Mars established themselves as two of the most inventive and unpredictable artists in electronic music.

Nachdenken. Solo act by Jörgen Andersson. The music that I made are occasionally created out of experimentation and d.i.y-solutions where modular systems like eurorack comes in mind. 
My first attempt was experiments in the mid-80’s where made with a Korg MS-20, SH-202 , Drummatix/TR-606 thru a boss delay and a DIY spring reverb and onto a tape deck (later porta studio). 

The music making took off from listening lot to bands in the post-punk and the so called krautrock era. That was inspiration mainly from British synth oriented bands like Cabaret Voltaire, (early) Human League and the German Kraftwerk of course. 

Later on I met Peter Fransson aka Retep Folo in the early 90’s and we started experimenting cassette tape looping and recorded under the name INTONARUMORI. Later on we started Hadley with Svante Sjöstedt on guitar. We made a CDr that got some attention. An journalist at Göteborgs Posten compared us to Roxy Music and Gary Numan. Me and Peter did some gigs as duo Further on It developed to Exhadley with Peter Fransson on bass and Rickard Olsson on Drums. We were starting to play live

There is some later collaborations like:
tNt - Estrella: flute, spoken word, performance art.
Other colaborations: Jonas Olsen (Bohemian Groove), Pontus Torstensson (Tentakel...) Mag Ågren (Sork., Trapped in a loop), Rickard Widerberg (Trapped in a loop).

https://hymn.se/2021/07/15/electric-sound-select-goteborg-nachdenken-jps-peter-davidson-robert-leiner-weltwagen-eels-for-pleasure/

Uah

Mouse on Mars