Astrud Gilberto - The Silver Collection

Astrud Gilberto - So Nice (Dave Francis Nu Bossa Remix)

The Shadow Of Your Smile by Adel Hakki

Tristeza (Goodbye Sadness) - Astrud Gilberto Cover

an Astrud Gilberto‏ cover by Avic Cabrera titled "Meditation". 
Disclaimer: 
No copyright infringement intended. 
All rights belong to Astrud Gilberto‏ . 
~ 
Recorded and mastered by http://soundcloud.com/loycab.
( :

Meditation | Avic Cabrera (an Astrud Gilberto‏ cover)

This is my cover of "Dindi" by Astrud Gilberto.

Hope you like it!




Dindi_Ines (cover)

All That's Left Is To Say Goodbye

The Gentle Rain (Astrud Gilberto cover)

Astrud Gilberto - Aruanda (Edited)

"Who Can I Turn To"/"Games People Play" - Johnny Taylor (tape)

Manha de Carnaval - no vocals - Astrud Gilberto arrangement

http://bossas.wordpress.com/

Manha de Carnaval - Astrud Gilberto - No Vocals

once i loved - astrud gilberto cover

Astrud Gilberto How Insensitive (BotònRojo Edit)

"It's a Lovely Day Today" is a popular song written by Irving Berlin and was published in 1950. It is from the successful musical Call Me Madam, which was later adapted as a movie. Perry Como and Doris Day had single records of the song that made pop charts of the day, and Ethel Merman recorded it as well.
A recording by Perry Como and The Fontaine Sisters with Mitchell Ayres and his orchestra was made in New York City on July 26, 1950. It was released by RCA Victor Records as catalog number 20-3945 (in USA)[1] and by EMI on the His Master's Voice label as catalog number B 10221.
Alberto Semprini, on piano with rhythm accompaniment, recorded it in London on January 25, 1952 as the third song of the medley "Part 2. Hit Medley of Foxtrots from 'Call Me Madam'" along with "You're Just in Love" and "The Best Thing for You". The medley was released by EMI on the His Master's Voice label as catalog number B 10231.
The song was later recorded by Ella Fitzgerald and Astrud Gilberto, among others.

It's a lovely Day Today

Radiation City - Fly Me To The Moon (Astrud Gilberto Cover)

The Postmarks - Dreamer (astrud gilberto)

Combine equal parts tourmaline, troll doll, cojones de toros, sonic boom, latex, kittens, vodka, and a white shock of hair, you will synthesize the multi-faceted, hyper-dimensional, globe-trotting producer, generator, promoter and conductor of sound and vision, Moxie Wanderlust (MOXLUST). Charged with a knack for visual aesthetic and design, the melodic alchemist has crystallized as the new kind of artist, making his mark on the frontier of amalgamous, interstitial networks that bleed the way to a new platform of engagement. It started with his hands in multiple jars. He knows what he wants. He’s got “moxie”. And his circuitous adventures would make even Alice spin.

Ricocheting from Hong Kong to London, jetstreaming from Dallas to Los Angeles, hightailing from Chicago to San Francisco, Moxie has scoped the globe for the sound, conjuring and cocktailing what will become his own unique brand of eccentric imagery, music, and lifestyle which he calls “Moxism or Lustlife”. As one collaborator noted about Moxie’s style: “It’s like riding the crest with a bullet-proof vest.”

As a tyke, he fiddled the ivories. He tinkered with the trumpet. Eventually he realized that he was more suited for the position of maestro of fantastic cooperation. He had a gift for bringing all things together into a kind of harmonic convergence. He jumped the scenes in local clubs as a DJ, promoter, and founder of his own label, Beatnix Labs. He couldn’t be bothered waiting around for the coy industry to bat an eyelash. He was going to charm the pleather right off of them first! Eager to woo the industry, he started Bassplugger with his writing partner Alex C.

One misty, mischievous night, in the back of a club, in the smoker’s patio, wedged between two exposed brick buildings, a casual passerby overheard these words gush from his whiskey tainted lips: “I steal my secrets from kittens.”

Moxie has a penchant for the lively livingness of life. What most call eccentric, he calls butter on his toast. Once he was so displeased with the local offering of tress managers, he flew in a stylist from New York. His music reflects his penchant for the robust, uncompromising lifestyle he has crafted to perfection. He continues to seek and absorb, flit and flail, rise and retract and in so doing, provides the rest of us a glimpse of the edge where all things will eventually reside.

Astrud Gilberto - The Silver Collection

Mawksy