Ted Hearne - Consent (excerpt)

http://serpamusic.com/product/like-a-darling/

The third movement from my triptych LIKE A DARLING, which sets a poem by Naomi Shihab Nye. In her text, Naomi marks out the physical and emotional aftereffects of terrorism in people— first graders, mothers, friends; in everyday objects— kettles, apples, glasses of water; in locations— Texas, Turkey, Syria. She captures with these everyday words just how alarmingly common, even mundane, news of terrorism has become to us. I can recall news of terrorism throughout my life: the Middle East, Northern Ireland,
Oklahoma City, 9/11— politics, fear, difference all tearing people apart. I’m not sure if this will ever change, but I think Naomi Shihab Nye is onto something when she prompts us to consider just one word— together.

This is the premier performance given by the Chorosynthesis Singers with Dr. Wendy Moy and Dr. Jeremiah Selvey, co-artistic directors.
March 19th, 2016 at Good Shepherd Chapel, Seattle, Washington

Together from "Like A Darling"

Wendy Moy, conductor
Stephen Lancaster, baritone
Melissa Thorne, piano
Elaine Weltz, piano

November 5, 2011
First Free Methodist Church
Seattle, Washington



Ein deutsches Requiem, mvt 6: Denn wir haben hie keine bleibende Statt

arr. Phil Azelton

University of Nebraska-Lincoln Vocal Jazz Ensemble, 2010

When I Fall in Love (Azelton) - UNL Vocal Jazz 2010

Stephen Lancaster, baritone; Martin Katz, piano

Desire (Another Reason Why I Don't Keep a Gun in the House) Tom Cipullo

University of Washingon Women's Choir, University Singers, and Chamber Singers 
Wendy K. Moy, conductor 
Homeland, A Choral Celebration 
University Presbyterian Church
Seattle, WA
March 2011

Homeland

Conductor & Soprano
Co-Founder of Chorosynthesis.org

Homeland

Wendy K Moy

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