Afro-Zouk-Oriental-Afro-House BASS!!!!

AFROBEAT AFROHOUSE AFRODISCO & KUDURO MIX by DON the DISCO DUDE : 2021

Following Max Le Daron's "Sunshanked EP", Lowup Records' seventh release is a further exploration of the afro/bass faultline. Brussels bass music don DJ Mellow delivers a slab of gloomy, synth laden dancehall with a couple of sharp hooks alongside a bubbly afro house roller with a vocal contribution from one of Ghana's leading DJ/MC's, Steloo. Both tracks share a sense of syncopated propulsion and combine bass melodies and cut up voices in a similar way. In line with his earlier forays into moombahton and soca, DJ Mellow can seemingly tackle any style of bass music and make it his own.

Buy 

DJ Mellow - Séké Feat. Steloo [LWP007]

Omukaile Kilinjwi - Saida Karoli (Tanzania - Africa)

Batuk - Musica da Terra

Batuk's debut album, Musica da Terra, is a brave and genre-defying record featuring the the collective seemlessly expressing a variety of influences from zouk, afro/tribal house, techno and traditional African music. 

The album features collaborations with artists such as Nandi Ndlovu, Grupo Zore and Grupo Makarita (Mozambique); Giovanni Kiyingi, Annet Nandujja, Lebon and Nilotica (Uganda).

2016 will see Batuk performing their exciting live show worldwide.
For bookings requests, remixes and enquiries write spoekspoek@gmail.com

Batuk - Força Força

Superhero by day, producer/dj by night Gan Gah hits us hard again with his second EP for Lowup records. With a relentless energy he presents a set of original material of Moroccan sonorities perfectly framed within an actual club context. His aim is simple achieve trance & frenzy on the global dancefloors, he won’t rest until the universe is conquered.

After a first successful release Souktronics on Lowup, he now presents his second EP Chaabitronics. Ahwach Riddim, Ahwach refers to the music of the berber villages in the Atlas mountains and integrates folkloric elements of berber music into a smooth running UK bass riddim, perfectly setting the tone for the rest of the EP. Taktoka, is a tribute to the leader of the fans of Agadir’s soccer team HUSA, blending chaâbi elements with a ternary rhythm achieving a trance like state topped off by a haunting melody. Daâwa, literally meaning mess and things do get messy & wild. With elements of the Northern regions of Morocco - think - a Raggada rhythm with loads of Darbouka and a wobbly bassline pushing the listener further into an ascending trance. Kind of like a meeting between the Chemical Brothers & Omar Souleyman getting out of control. Last up is Bsahtek, the most adventurous track of the four, achieving a perfect balance between a diverse set of modern club aesthetics and more traditional elements, often used during the celebration of marriages, it leaves you in a state of perfect bliss & harmony.

Artwork by Tim Colmant
Mastering by Almostt

Cha�bitronics

Chaâbitronics EP

Buy On Bandcamp

Bsahtek

Taktoka

Ahwach Riddim

hello friends, Mozambican roots are back, and promises to return with big hits, the first of many songs, that will still come out this year, stay with Euphoria sound, re-make of a Brazilian funk, in afro version.


#WheareMroots

taken from: King Ayisoba - 1000 Can Die
Order direct:
https://goo.gl/PztasF
Streaming, iTunes & Amazon:
https://idol.lnk.to/KingAyisoba

Release date: March 31th, 2017
www.glitterbeat.com

Born in Bolgatanga in rural Ghana, King Ayisoba was a prodigy on the kologo, playing locally until he’d outgrown the possibilities of the area. Moving to Accra, the country’s biggest city, he eventually released the song “I Want To See You, My Father.” There was nothing modern about it. No hiplife rap, no electronic beats. But somehow it conquered the country and brought the tradition firmly into the mainstream.

“It was Song of the Year and Traditional Song of the Year,” says album producer Zea. “He also had a song called “Modern Ghanaians” that said we shouldn’t forget the tradition. Instead we should use it to fight modern problems.”

With that mantra, King Ayisoba became the unlikeliest star. His music was a strong weapon for Ghana’s traditions. What he wanted, though, was to play with a band, to bring what he called the “man-power” to give the full drive to his sound. On the album Wicked Leaders, with Zea producing, that’s exactly what he did.
After that Ayisoba toured Europe together with Zea, opening up solo, providing guitar, vocals and live electronics on stage, and Francis Ayagama joined King Ayisoba's band on djembe and bemne drums

Alone or with beats, ultimately the power that propels 1000 Can Die comes from the band itself, from the sense of history that forms every piece of music. It’s there in every musician. They all go home and farm. They’re connected to the land, and the songs are part of the harvest they bring from the fields and from their own families.
“Ayisoba’s grandfather played the kologo,” Zea says. “But only in the house. He was a healer, a shaman. People would come and tell him their problems. He’d make a connection with the spirits, then play and start singing, and his stories would include solutions.”

On 1000 Can Die, King Ayisoba is digging a new future from Ghana’s soil.

1000 Can Die

Africa Needs Africa

King Ayisoba - Africa Needs Africa

Sayon’s first CD recorded in the village of Kouya Sidia with traditional Malinke artists, including Famoudou Konate.

Soli

You’re sitting in a bus from Accra to Lomé with In a Bus by Lowup’s @max-le-daron . Fusing elements of afro and dancehall with a romantic/haunting melody (further
developing the sound and universe of his previous work on the label). A well told story
unfolds into a piece of delicate & beautiful head body music.

10 YRS LATER: A Global Club Compilation

Max le Daron - In A Bus

DJ Damiloy Daniel estréia no produtora Bué de Musica com seu incrível novo hit afro house intitulado "Habitantes".

BUY / LISTEN: 
http://hyperurl.co/3iqet6

buedemusica.com/

Habitantes

DJ Damiloy Daniel - Habitantes (Original Mix)

Amphithéâtre de Carthage - 1er Festival Panafricain de la Jeunesse
Paroles : Moustapha Toumi, Lamine Bechichi 
Composition : Boudjemia Merzak

"Africa / Ifrikya" - Meriem Makeba - Live Carthage (1973)

This program was made for Clocktower Radio and 1:54 Contemporary African Art Fair.

DAHMANE EL HARRACHI – El ouelf saib
EL HACHEMI GUEROUABI – Allo Allo
FARID FERRAGUI – Ayoul ig avghane thoulas
LOUIZA – Rouh rouh vern azekroun
MOHAMED HILMI – athine khedmagh
FATENNE – Ya wkayani
CHEIKHA REMITTI – Radia sadda
CHEIKHA RABIA –hleft manouliche
RAINA RAI / AMARNA – Taila
AHMED WAHBI – Errahma
CHEIKH HADJ M’HAMED EL ANKA – Ya malik el moulouk
MATOUB LOUNES – Zhout a ayarech

Taste Of Algeria

'Njamba' a Kikuyu phrase meaning 'A warrior'. The title to our new single release with Kenyan based musician Ayrosh Composed by Gondwana resident SURAJ & Botswana's very own Team Distant layering their signature sounds and authentic rhythm to fuse right with Ayrosh's powerful vocal making this a central Kenyan song.


Mastering by M & S Studios. 

Artwork by Sajan Chotai 

A & R Euggy

Njamba

SURAJ x Team Distant & Ayrosh - Njamba (Main Mix)[Snippet]

Dans ce 17ème épisode d’African Hip-Hop, vous découvrirez en exclusivité le dernier son du jeune artiste  camerounais Luss. Connu pour ses prises de positions contre le régime actuel, Luss vous offre cette fois un titre plein d’humour, un hymne aux vacances... Comme beaucoup d’artistes nigérians, Candy Bleakz prend part au mouvement #End SARS contre les violences policières dans « Soro Soke ». Bien connu d’African Hip-Hop, le sénégalais Ozmo Dollar, désormais signé chez DefJam Africa, revient avec son dernier freestyle « Dictature2 ». Enfin, découvrez la rapeuse malienne Ami Yerewolo, produite par le label de Blick Bassy, avec son nouveau titre « Je gère ».

Continuez le voyage entre Alger, Abidjan, Cap Town, Nairobi, Yaoundé, Accra ou Marrakech, les dernières tendances du hip-hop africain sont dans l’émission African Hip-Hop !

Tracklist
Omzo Dollar – Dictature 2 (Sénégal)
Medikal ft. Criss Wadde x Joey B – La Hustle Remix (Ghana)
Dee Koala and Costa Titch** – We Deserve Bettr (Afrique du Sud)
Ami Yerewolo - Je gère (Mali)
Kooras – C’est du gâchis (Côte d’Ivoire)
Ssaru – Swagger (Kenya)Elow’n** – Doucement (Côte d’Ivoire)
Luss - QLVV (Cameroun)
Yanga Chief – BBAF (Afrique du Sud)
Candy Bleakz – Soro Soke (Nigéria)
Joefes, Fathermoh ft. Swat, Exray, Ssaru, Dullah, Mbuzi Gvng – Wagithomo (Kenya)
Wessbro ft. Gouvy – Lotta Gang Shit (Sénégal)
Tafzo el x Amir Sultan Beatz – Thug Life (Sénégal)
Zako – Quelque part ailleurs (Algérie)
Klay – Favela (Maroc
Omah Lay – Damn (Nigéria)

African Hip-Hop
https://www.le-grigri.com/shows/2019/1/6/le-grigri-x-hip-hop-africain
www.instagram.com/africanhiphopmix

www.le-grigri.com
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@le-grigri-radio

African Hip-Hop | Mix 017

helo everbody it's freddy da stupid, Dj ivan90,Dawto lowpez And Marcelo lowpez, We are  Mozambican Roots(official)

Mozambican Roots - Euphoria (Original Mix)2016 Free dwld

Mozambican Roots official

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