شكراً موزارت من اعماق قلبي.

это мой плейлист для секса

beautiful.  Never heard before except in movies. Got to say beautiful everything in the right place for me almost. Just new to me, But beautiful.

Introduction to Classical Music

Aram Khachaturian arr. Aleksey Krasavin - Sabre Dance

Antonio Vivaldi - La Follia, Op. 1 N. 12 Sonata For 2 Violins & B.c. In D Minor

"Libiamo ne' lieti calici" da La Traviata di Giuseppe Verdi diretta da Carlos Kleiber con l'Orchestra e il Coro del Maggio Musicale Fiorentino, Cecilia Gasdia, Peter Dvorský, Giorgio Zancanaro, il 20 dicembre 1984.

"Libiamo ne' lieti calici" da La Traviata - di Giuseppe Verdi

Pyotr Ilyich Tchaikovsky: Piano Concerto No. 1 in B flat Minor, Op. 23, TH. 55: I. Allegro non troppo e molto maestoso (Fragment)

Tchaikovsky: Piano Concerto No. 1 in B flat Minor, Op. 23: I. Allegro non troppo e molto maestoso

Hey 👋 Making classical music is thirsty work, I could sure use a beer right now! Buy me a pint if you can! Cheers!

https://buymeacoffee.com/classical

🍺 Buy me a Beer! 🍺

The Piano Sonata No. 11 in A major, K. 331 (300i), by Wolfgang Amadeus Mozart is a piano sonata in three movements. It is uncertain where and when Mozart composed the sonata; however, Vienna or Salzburg around 1783 is currently thought to be most likely (Paris and dates as far back as 1778 have also been suggested). The sonata was published by Artaria in 1784, alongside Nos. 10 and 12 (K. 330 and K. 332).

Multi-Platinum Concept Album from IndyPop Records https://www.kickstarter.com/projects/indypop/multi-platinum-concept-album

Movement Three - Rondo Alla Turca (Turkish March).

The last movement, "Alla Turca", popularly known as the "Turkish March", is often heard on its own and is one of Mozart's best-known piano pieces. Mozart himself titled the rondo "Alla Turca". It imitates the sound of Turkish Janissary bands, the music of which was much in vogue at that time.

Various other works of the time imitate this Turkish style, including Mozart's own opera Die Entführung aus dem Serail. In Mozart's time, the last movement was sometimes performed on pianos built with a "Turkish stop", allowing it to be embellished with extra percussion effects. 

Retailers:

Deezer:
http://www.deezer.com/album/11116224

Tidal:
http://listen.tidal.com/album/53171424

Amazon:
http://www.amazon.co.uk/Mozart-Project-Mozartisan/dp/B014MVAV7Y

Rhapsody
http://www.rhapsody.com/artist/mozart-2/album/mozart-symphonies-sonatas-serenades-concertos-and-overtu

MediaNet
http://www.mndigital.com/content-experience/music_content/albums/378851987/Wolfgang_Amadeus_Mozart/Mozart_The_Essential_Collection/

Spotify:
https://play.spotify.com/album/2qTzSNOusiykyFQ21F51mc

Orchestral samples included in this recording from the Vienna Symphonic Library.

Also check out the very best in R&B & Pop Music 2020 from IndyPop Records!
https://www.youtube.com/c/indypoprecords

Twitter

Piano Sonata No.11 in A-Major, K. 331: III. Rondo Alla Turca - Allegretto



Wolfgang Amadeus Mozart wrote his Symphony No. 40 in G minor, KV. 550, in 1788. It is sometimes referred to as the "Great G minor symphony," to distinguish it from the "Little G minor symphony," No. 25. The two are the only extant minor key symphonies Mozart wrote.

The work is in four movements, in the usual arrangement for a classical-style symphony (fast movement, slow movement, minuet, fast movement):

Molto allegro, 2/2
Andante in E-flat major, 6/8
Menuetto. Allegretto – Trio, 3/4
Finale. Allegro assai, 2/2

Every movement but the third is in sonata form; the minuet and trio are in the usual ternary form.

The first movement begins darkly, not with its first theme but with accompaniment, played by the lower strings with divided violas. The technique of beginning a work with an accompaniment figure was later used by Mozart in his last piano concerto (KV. 595) and later became a favourite of the Romantics.

Retailers:

YouTube
https://music.youtube.com/playlist?list=OLAK5uy_m4VsdRl4Yv4y63CU_ArM91jVaewHDk0Us

Tidal
https://listen.tidal.com/album/53171424

Google Play
https://play.google.com/store/music/album/Mozart_Mozart_Symphonies_Sonatas_Serenades_Concert?id=Bbrfnmsqsow4thkok67d7hr7kku&hl=en

Napster
https://us.napster.com/artist/wolfgang-amadeus-mozart/album/mozart-the-essential-collection

Deezer
https://www.deezer.com/us/album/12179034

Spotify
https://open.spotify.com/album/2g0NuO4CPA2uBLjzLqioCN

Amazon
https://www.amazon.com/Mozart-Collection-Haydn-Light-Orchestra/dp/B015NQQFHC/

Orchestral samples included in this recording from the Vienna Symphonic Library.

Napster

Symphony No.40 in G-Minor, K. 550: ‘Great’ I. Molto Allegro



Symphony No. 35 in D major, K. 385, was composed by Wolfgang Amadeus Mozart in 1782 and is also called the Haffner Symphony. It was commissioned by the Haffners, a prominent Salzburg family, for the occasion of Sigmund Haffner's ennoblement. 

The Haffner Symphony should not be confused with the eight-movement Haffner Serenade, another piece Mozart wrote on commission from the same family in 1776.

I. Allegro con spirito

When communicating with his father Leopold, Mozart stated that this movement was to be played with fire. The movement is in sonata form with a short development section. The exposition commences with no introduction with all instruments in unison, this opening motive is quite powerful – the result of cleverly using sharp dotted rhythms to arrest the listener's attention.

The second subject is similar in melodic material and rhythm to the first subject, recalling the monothematic sonata movements of Haydn (e.g. Symphony No. 104).

Mozart places no repeat signs at the end of the exposition. This goes against the standard sonata form convention of the day, but is something that he also does in the three big symphonies which precede the Haffner (No's. 31, 33 and 34).

The development begins with an A unison as a transition from A major to D minor (bars 95–104). After three beats silence, Mozart shifts from the dominant of D minor to an F♯ chord, and then begins a series of rapid chord changes, namely – F♯7 (bar 106), B (bar 109), B minor (bar 110), C♯7 (bar 110). Finally, using C♯7 as the dominant for F♯ minor, Mozart briefly delves in this key (bars 111–120) before using a string of consecutive dominant 7ths (bars 120–129) to work back to the dominant 7th of D major in preparation for the recapitulation. 

The recapitulation is similar to the exposition with the exception of expected differences in the transition passage. This movement closes with a short four-bar coda.

Retailers:

Tidal
https://listen.tidal.com/album/53171424

Google Play
https://play.google.com/store/music/album/Mozart_Mozart_Symphonies_Sonatas_Serenades_Concert?id=Bbrfnmsqsow4thkok67d7hr7kku&hl=en

Napster
https://us.napster.com/artist/wolfgang-amadeus-mozart/album/mozart-the-essential-collection

Deezer
https://www.deezer.com/us/album/12179034

Spotify
https://open.spotify.com/album/2g0NuO4CPA2uBLjzLqioCN

Amazon
https://www.amazon.com/Mozart-Collection-Haydn-Light-Orchestra/dp/B015NQQFHC/

Orchestral samples included in this recording from the Vienna Symphonic Library.

Symphony No.35 in D-Major, K. 385: ‘Haffner’ I. Allegro con Spirito

Audius Classical Music
https://audius.co/classicalmusic

Eine Kleine Nachtmusik (Serenade No. 13 for strings in G major), K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart. 

The German title means "a little serenade," though it is often rendered more literally but less accurately as "a little night music." The work is written for an ensemble of two violins, viola, and cello with optional double bass, but is often performed by string orchestras.

This first movement is in sonata-allegro form. It opens with an ascending Mannheim rocket theme. The second theme is more graceful and in D major, the dominant key of G major. 

The exposition closes in D major and is repeated. The development section begins on D major and touches on D minor and C major before the work returns to G major for the recapitulation. There is a brief coda.


Retailers:

Mozart
https://music.amazon.co.uk/albums/B015NWNCY0

Mozart Tidal
https://listen.tidal.com/album/53171424

Napster
https://us.napster.com/artist/wolfgang-amadeus-mozart/album/mozart-the-essential-collection

Best of Mozart Deezer
https://www.deezer.com/us/album/12179034

Mozart on Spotify
https://open.spotify.com/album/2g0NuO4CPA2uBLjzLqioCN

Mozart Album Amazon
https://www.amazon.com/Mozart-Collection-Haydn-Light-Orchestra/dp/B015NQQFHC/

Mozart Playlist
https://music.youtube.com/playlist?list=OLAK5uy_m4VsdRl4Yv4y63CU_ArM91jVaewHDk0Us

Orchestral samples included in this recording from the Vienna Symphonic Library.

Serenade No.13 in G Major, K. 525 "Eine Kleine Nachtmusik" I. Allegro

String Quartet in E Minor, Op. 44 #2, mvt. 4 - Presto agitato

Frédéric Chopin - Sonata No. 2 in B Flat Minor, Op 35 Funeral March

Johann Sebastian Bach - (Little) Fugue in G minor, BWV 578 (Metal Cover)

Track 5 of 'Symphony No.41 Jupiter & Serenade No.13 Eine kleine Nachtmusic'
Performers - Hlary Davan Wetton / London Philharmonic Orchestra
Composer - Mozart
Label - Collins Classics

Serenade No.13, G Major, K525, Eine Kleine Nachtmusic I. Allegro

Johann Sebastian Bach
Wachet auf, ruft die uns die Stimme BWV 140 (1731)
Arrangement for clarinet and piano by E. Tuğa
Live recording, Vondelkerk November 2019, Amsterdam

Album van Emerald

Johann Sebastian Bach - Wachet auf, ruft die uns die Stimme BWV 140

Antonio Vivaldi - Concerto in A minor for 2 Violins and Strings, Opus 3 No 8 - 1st Movement
ESO Symphony Orchestra

Antonio Vivaldi - Concerto in A minor for 2 Violins and Strings, Opus 3 No 8 - 1st Movement

Ludwig van Beethoven - Piano Concerto No. 5 in E Flat Major, 'Emperor' - Adagio un poco mosso

https://www.aleksandramikulska.com​

https://bio.to/aleksandra​

Chopin: Balladen

Fantaisie-Impromtu in C Sharp Minor, Op. 66

Chopin - Fantaisie-Impromptu in C-sharp minor op. 66

Official MOZART artist persona of Tom Connell (PRS writer).
IPIs: 
•Tom Connell 671594418 
• Mozart 1187246925 
• Wolfgang Amadeus Mozart 1187246827 
USCO: SR 809-097 (Wolfgang Amadeus Mozart, pseud 2017).
Modern recordings/arrangements by Tom Connell; not affiliated with historical estates/publishers.

Symphony No.40 in G-Minor, K. 550: ‘Great’ I. Molto Allegro

Mozart

Recent comments

𝐻𝒾𝓁𝒶.

Al Garcia

ahmed 🚩

starstar

Related tracks