Camille Saint-Saëns
Complete Works for violin and orchestra
Complete Works for cello and orchestra
Soloists of the Queen Elisabeth Music Chapel
Orchestre Philharmonique Royal de Liège
Christian Arming, cond.

More info: http://www.outhere-music.com/en/albums/complete-works-for-violin-orchestra-cello-orchestra-zzt-335

Camille Saint-Saëns - Havanaise - Harriet Langley, violin

Ballade Pour Adeline (Orquestral) - LUCCHESI Produções

Wolfgang Amadeus Mozart: Violin Concertos Nos. 1, 3, 4
Rondo K. 373, Andante K. 261

Artists: Frank Peter Zimmermann (Violin) 
Kammerorchester des Symphonieorchesters des Bayrischen Rundfunks, 
Radoslaw Szulc (Conductor)

1 CD - Full Price

Order-No. 98.039
EAN 4010276027041

• Frank Peter Zimmermann - one of the best Violinists of his time.
• Zimmermann’s triumphant return to Mozart's concertos since his legendary EMI-recordings from over 30 years ago. 
• The first of three installments which will contain, when completed, all of Mozart’s works for concertante violin. 

Today, when Frank Peter Zimmermann says that Mozart has always been easy for him, he needs only call to mind his debut concert at the age of ten – when he played Mozart's G major Concerto K. 216; or when, some 30 years ago, as a fresh 20-year-old, the same FPZ  made his first recording of the five concertos for EMI; and then if one factors in that over the years that each of these Mozart works has passed through his hands nearly 300 times in concert, then one can begin to appreciate the intense physical and spiritual experience that Frank Peter Zimmermann brings to these new recordings.

One will immediately hear on this CD the experience that a master can bring to these works, because no one else plays these works with the same incredible, almost balletic, weightless elegance and rich tone, reaching a degree of intimacy, without any obstacle between the performer and the listener, as does Frank Peter Zimmermann.  Mozart’s every wish is perfectly fulfilled! The Chamber Orchestra of the Symphony Orchestra of the Bavarian broadcasting company serves both masters admirably.

Frank Peter Zimmermann‘s Mozart edition will be released on 3 CDs; the second CD will be released in February, 2016 and will include the Sinfonia concertante (with Antoine Tamestit), the Violin Concerto No. 2 D Major K. 211, the Rondo in B-flat Major KV 269 as well as the Haffner Serenade K. 250 in which the violin plays a big role. The third CD is planned for February, 2017 and will contain the Concertone for two violins, the Violin Concerto No. 5 and the Kassation K. 63.

Music:
excerpts from:
Violin Concerto No. 1 in B flat Major K. 207
I. Allegro Moderato  

Adagio in E Major K. 261 

Rondo in C Major K. 373 

Violin Concerto No. 4 in D Major K. 218
I. Allegro	

Violin Concerto No. 3 in G Major K. 216
III. Rondeau. Allegro

Frank Peter Zimmermann Plays Mozart Vol. 1

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Wolfgang Amadeus Mozart completed his Symphony No. 41 in C major, K. 551, on 10 August 1788. It was the last symphony that he composed, and also the longest.

The work is nicknamed the Jupiter Symphony. This name stems not from Mozart but rather was likely coined by the impresario Johann Peter Salomon in an early arrangement for piano.

The four movements are arranged in the traditional symphonic form of the Classical era:

Allegro vivace, 4/4
Andante cantabile, 3/4 in F major
Menuetto: Allegretto - Trio, 3/4
Molto allegro, 2/2

The symphony typically has a duration of about 33 minutes.

The third movement, a Menuetto marked allegretto is similar to a Ländler, a popular Austrian folk dance form. Midway through the movement there is a chromatic progression in which sparse imitative textures are presented by the woodwinds (bars 43 to 51) before the full orchestra returns. 

In the trio section of the movement, the four-note figure that will form the main theme of the last movement appears prominently (bars 68 to 71), but on the seventh degree of the scale rather than the first, and in a minor key rather than a major, giving it a very different character.

Retailers:

YouTube
https://music.youtube.com/playlist?list=OLAK5uy_m4VsdRl4Yv4y63CU_ArM91jVaewHDk0Us

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Google Play
https://play.google.com/store/music/album/Mozart_Mozart_Symphonies_Sonatas_Serenades_Concert?id=Bbrfnmsqsow4thkok67d7hr7kku&hl=en

Napster
https://us.napster.com/artist/wolfgang-amadeus-mozart/album/mozart-the-essential-collection

Deezer
https://www.deezer.com/us/album/12179034

Spotify
https://open.spotify.com/album/2g0NuO4CPA2uBLjzLqioCN

Amazon
https://www.amazon.com/Mozart-Collection-Haydn-Light-Orchestra/dp/B015NQQFHC/

Orchestral samples included in this recording from the Vienna Symphonic Library.

Mozart - Symphonies, Sonatas, Serenades, Concertos & Overtures

Symphony No. 41 in C-Major, K. 551: ‘Jupiter’ III. Menuetto, Allegretto

Deezer

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Wolfgang Amadeus Mozart completed his Symphony No. 41 in C major, K. 551, on 10 August 1788. It was the last symphony that he composed, and also the longest.

The work is nicknamed the Jupiter Symphony. This name stems not from Mozart but rather was likely coined by the impresario Johann Peter Salomon in an early arrangement for piano.

The four movements are arranged in the traditional symphonic form of the Classical era:

Allegro vivace, 4/4
Andante cantabile, 3/4 in F major
Menuetto: Allegretto - Trio, 3/4
Molto allegro, 2/2

The symphony typically has a duration of about 33 minutes.

The second movement, also in sonata form, is a sarabande of the French type in F major similar to those found in the keyboard suites of Johann Sebastian Bach.

Retailers:

YouTube
https://music.youtube.com/playlist?list=OLAK5uy_m4VsdRl4Yv4y63CU_ArM91jVaewHDk0Us

Tidal
https://listen.tidal.com/album/53171424

Google Play
https://play.google.com/store/music/album/Mozart_Mozart_Symphonies_Sonatas_Serenades_Concert?id=Bbrfnmsqsow4thkok67d7hr7kku&hl=en

Napster
https://us.napster.com/artist/wolfgang-amadeus-mozart/album/mozart-the-essential-collection

Deezer
https://www.deezer.com/us/album/12179034

Spotify
https://open.spotify.com/album/2g0NuO4CPA2uBLjzLqioCN

Amazon
https://www.amazon.com/Mozart-Collection-Haydn-Light-Orchestra/dp/B015NQQFHC/

Orchestral samples included in this recording from the Vienna Symphonic Library.

Mozart - The Essential Collection

Symphony No. 41 in C-Major, K. 551: ‘Jupiter’ II. Andante cantabile

Spotify

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Wolfgang Amadeus Mozart wrote his Symphony No. 40 in G minor, KV. 550, in 1788. It is sometimes referred to as the "Great G minor symphony," to distinguish it from the "Little G minor symphony," No. 25. The two are the only extant minor key symphonies Mozart wrote.

The work is in four movements, in the usual arrangement for a classical-style symphony (fast movement, slow movement, minuet, fast movement):

Molto allegro, 2/2
Andante in E-flat major, 6/8
Menuetto. Allegretto – Trio, 3/4
Finale. Allegro assai, 2/2

The minuet begins with an angry, cross-accented hemiola rhythm and a pair of three-bar phrases; various commentators have asserted that while the music is labeled "minuet," it would hardly be suitable for dancing. The contrasting gentle trio section, in G major, alternates the playing of the string section with that of the winds.

Retailers:

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Napster
https://us.napster.com/artist/wolfgang-amadeus-mozart/album/mozart-the-essential-collection

Deezer
https://www.deezer.com/us/album/12179034

Spotify
https://open.spotify.com/album/2g0NuO4CPA2uBLjzLqioCN

Amazon
https://www.amazon.com/Mozart-Collection-Haydn-Light-Orchestra/dp/B015NQQFHC/

Orchestral samples included in this recording from the Vienna Symphonic Library.

Symphony No.40 in G-Minor, K. 550:  ‘Great’  III. Menuetto, Allegretto

Tidal

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Wolfgang Amadeus Mozart wrote his Symphony No. 40 in G minor, KV. 550, in 1788. It is sometimes referred to as the "Great G minor symphony," to distinguish it from the "Little G minor symphony," No. 25. The two are the only extant minor key symphonies Mozart wrote.

The work is in four movements, in the usual arrangement for a classical-style symphony (fast movement, slow movement, minuet, fast movement):

Molto allegro, 2/2
Andante in E-flat major, 6/8
Menuetto. Allegretto – Trio, 3/4
Finale. Allegro assai, 2/2

The second movement is a lyrical work in 6/8 time, in E flat major, the submediant major of the overall G minor key of the symphony. 

Retailers:

YouTube
https://music.youtube.com/playlist?list=OLAK5uy_m4VsdRl4Yv4y63CU_ArM91jVaewHDk0Us

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https://listen.tidal.com/album/53171424

Napster
https://us.napster.com/artist/wolfgang-amadeus-mozart/album/mozart-the-essential-collection

Deezer
https://www.deezer.com/us/album/12179034

Spotify
https://open.spotify.com/album/2g0NuO4CPA2uBLjzLqioCN

Amazon
https://www.amazon.com/Mozart-Collection-Haydn-Light-Orchestra/dp/B015NQQFHC/

Orchestral samples included in this recording from the Vienna Symphonic Library.

Symphony No.40 in G-Minor, K. 550: ‘Great’  II. Andante

Twitter

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Symphony No. 35 in D major, K. 385, was composed by Wolfgang Amadeus Mozart in 1782 and is also called the Haffner Symphony. It was commissioned by the Haffners, a prominent Salzburg family, for the occasion of Sigmund Haffner's ennoblement. 

The Haffner Symphony should not be confused with the eight-movement Haffner Serenade, another piece Mozart wrote on commission from the same family in 1776.

III. Menuetto

The D major minuet provides a bright change of atmosphere from the previous slow, serious "Andante" movement. One may notice when listening to this movement the constant tug between two main chords – the tonic and dominant keys. Only three times do we see chords other than the tonic or dominant.

Also notable is that the dynamics for the whole "Menuetto" is marked forte. However, in both instances where chord IV and vi appear, Mozart marked these sections piano. These changes produce a pleasant contrast, both melodically and dynamically.

Leading straight on from the "Menuetto", the "Trio" provides a complement to the character of this "Menuetto". As indicated by Mozart in the score, the "Trio" immediately follows the "Menuetto" without a moment of silence. Stepping up into the key of A major, it soon becomes apparent that the "Trio" is also in Ternary form, like the "Menuetto". 

One may note the fact that no sections of the "Trio" are marked as forte. All is marked as piano, with the exception of bars 33–36, and 43–44, where Mozart has indicated a small crescendo. Perhaps to supplement the fact of any clear contrast in dynamics, Mozart has freely used sforzandos throughout the "Trio". 

The same type of suspense and resolution is present in the "Trio" as that found in the "Menuetto". In fact, Mozart takes a step further in the "Trio" by adding a pedal note on the dominant. This dominant pedal then subtly slips back into the tonic by means of a chromatic B sharp. 

When comparing the character of the "Menuetto" with that of the "Trio", a number of individual "personalities" are apparent. The "Menuetto" is brighter and lighter; whereas the "Trio" creates a more flowing effect. Also notable is that Mozart used chromaticism freely in the "Trio", but limited its use within the "Menuetto".

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Deezer
https://www.deezer.com/us/album/12179034

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Amazon
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Orchestral samples included in this recording from the Vienna Symphonic Library.

Symphony No.35 in D-Major, K. 385: ‘Haffner’ III. Menuetto

Audius

Wolfgang Amadeus Mozart - String Quartet No. 21 in D major, K. 575 'Prussian No. 1' - I. Allegretto

Antonio Vivaldi's lovely Largo movement from Concerto for flute, oboe, violin, bassoon and basso continuo in G minor (RV 107). Performed here on virtual instruments: recorder (instead of flute), Baroque oboe, Baroque guitar (instead of violin), Baroque bassoon, Flemish harpsichord. Alto recorder, Baroque oboe and bassoon from Wallander Instruments (http://www.wallanderinstruments.com/); Baroque guitar by Eduardo Tarilonte (http://www.samplelibraries.com/); Flemish harpsichord from the Conservatoire Collection by SonicCouture (http://www.soniccouture.com).
~~~~~~~~~~~
La ĉarma dua movado el «Konĉerto por fluto, hobojo, violono, fagoto kaj kontinua baso en g-minora» de Antonio Vivaldi. Interpretita per virtualaj instrumentoj: baroka bekfluto (anstataŭ fluto), baroka hobojo, baroka gitaro (anstataŭ violono), baroka fagoto, kaj flandra (baroka) klaviceno.

Vivaldi: Concerto for flute, oboe, violin, bassoon & BC in Gm, RV 107 - 2. Largo

Wolfgang Amadeus Mozart - 1756–1791
is unarguably one of the most prolific and notable classical composers of all time. A child prodigy, Mozart was already proficient on the keyboard and violin by the age of five, composing remarkable works and performing before European royalty. At just 17 years old, he was engaged as a musician at the Salzburg court but, driven by ambition and a restless spirit, he embarked on travels to seek better opportunities.

In 1781, while visiting Vienna, Mozart’s dismissal from his Salzburg post marked a turning point in his life. He chose to remain in the imperial capital, where he gained widespread fame but struggled to achieve lasting financial stability. It was during his final years in Vienna that Mozart created many of his most celebrated works, including symphonies, concertos, operas, and the unfinished Requiem.

Over the course of his short but extraordinary life, Mozart composed more than 600 works, spanning symphonic, concertante, chamber, operatic, and choral genres. These masterpieces are recognized as pinnacles of Western art music and continue to inspire audiences and musicians alike. His enduring influence on classical music is profound, solidifying his legacy as one of history’s greatest composers.

Symphony No.40 in G-Minor, K. 550: ‘Great’ III. Menuetto, Allegretto

Mozart

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