Various: "Conversations"

Gliere: Duets For Violin And Cello: Cradle Song

Performed by Rebeca Enloe and Ramilya Saubanova
Recorded 2023 in Baltimore, MD

Jules Mouquet, La Flute de Pan – Mov. I

'Notte Perpetua' from Verdi's I due Foscari

This track features in an article in the Royal Opera House I due Foscari Digital Programme. To find out more visit:
http://www.roh.org.uk/publications/

Taken from a recording of a performance at Teatro all Scala in 1988, with Renato Bruson, Alberto Cupido, Linda Roark-Strummer and Luigi Roni, and the Orchestra and Chorus of Teatro alls Scala conducted by Gianandrea Gavazzeni. Audio from a DVD released on Opus Arte: www.roh.org.uk/products/verdi-i-…dvd-la-scala-1988

'Notte Perpetua' from Verdi's I due Foscari

This serenade is a classic example of Schubert's outstanding lyrical facility, as well as his penchant for long melodic lines. There is little interruption in the fluttering harp-like broken triad accompaniment, creating a tense contrast with the spacious and languid melody—an anticipation of Felix Mendelssohn's Songs Without Words. Without repeats, the melody develops into a shadowy and frequently modulating middle section before returning to its relaxed flow.

Rarities and Masterpieces

Franz Schubert: Impromptu in G-Flat Major, Op. 90, No. 3 (Live)

is it never too old to change your career to componist?

symphoniliscious

Mozart Allegro

Quartet No. 4 III. Presto Finale K157

Ständchen D. 889, es un lied para voz y pianoforte compuesto por F Schubert en julio de 1826 en Währing, entonces era una villa del noroeste de Viena, ahora es un suburbio. El lied se compuso por la canción del Acto II, Escena tercera de la obra de Shakespeare, Cymbeline.

Schubert murió en 1828 a la temprana edad de 31 años y la canción se publicó póstumamente por Anton Diabelli en 1830. En su forma origina, la canción es relativamente más corta pero Friedrich Reil le añadió dos versos más en la segunda edición de Diabelli de 1832.

Aunque la traducción alemana que Schubert utilizó se atribuyó a August Schlegel (aparentemente basada en varias ediciones de Cymbeline que bajo su nombre se publicaron en Viena en 1825 y 1826, el texto no es exactamente el mismo sobre el que Schubert adaptó la canción: esta particular adaptación se publicó primero en 1810 por un tal Abraham Voß, y después bajo los nombres de A. W. Schlegel y J. J. Eschenburg, en una colección de obras de Shakespeare de 1811.

Al piano: Ismael Muñoz, profesor de piano, teclado y repertorista de la Escuela de Música.


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Ständchen D. 889, is a lied for voice and pianoforte composed by F Schubert in July of 1826 in Währing, then a villa of the northwest of Vienna, is now a suburb. The lied was composed by the song of Act II, Scene III of the work of Shakespeare, Cymbeline.

Schubert died in 1828 at the young age of 31 and the song was posthumously published by Anton Diabelli in 1830. In its original form, the song is relatively shorter but Friedrich Reil added two more verses in the second edition of Diabelli of 1832 .

Although the German translation Schubert used was attributed to August Schlegel (apparently based on several editions of Cymbeline that were published under his name in Vienna in 1825 and 1826, the text is not exactly the same on which Schubert adapted the song: this particular Adaptation was first published in 1810 by one Abraham Voß, and later under the names of AW Schlegel and JJ Eschenburg, in a collection of Shakespeare's works of 1811.

On the piano: Ismael Muñoz, teacher of piano, keyboard and repertoire of the School of Music.

String Quartet in D Minor Op76 No.2 "Fifths" III. Menuetto

Mozart and Haydn Two by Two

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